Platicsco Good story, Not enough for a whole film

AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Sanjeev Waters A movie that not only functions as a solid scarefest but a razor-sharp satire.

Edwin The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

moralo72 Jeremy Taylor, working for a publishing company in London, is sent to a little village in Italy to try to convince writer Weldon Parish to resume his literary activity, long ago interrupted. There, in the place of typewritten letters, music recorded on vinyl, popular parties and man-made clothes, Jeremy, despite his initial objections, will try to fulfill his bosses' s objectives, while fighting against his owns. With the guidance of Parish' s daughters and the rest of the people in town, the priest, the hostel manager, the villains, Taylor will realize that Parish is not the only one in need for help, that sometimes work and pleasure can be combined. . . for good.

dragokin When you hear about a romantic comedy in which an editor visited a secluded ex-writer won't impress you. And when the first fifteen minutes of the movie show some stereotypical images of rural Italy, you might even pass on it. Exactly out of these overplayed scenes bordering with B-comedy The Shadows in the Sun started to develop.Eventually, we remained within romantic comedy genre, yet it gets the maximum out of it. At first the characters seemed as if they came from a regular romantic novel, but this evened out to create a framework for some genuine emotion, despite occasional cheesy moments.If Harvey Keitel was the expected heavyweight in the artistic crew, Claire Forlani was an unexpected surprise. She looked better than ever and mastered a perfect Italian accent.We might argue what the purpose of cinema should be, but Shadows in the Sun was one of those movies that made me feel good without boring me or making me feel stupid. And this is a rare quality, in particular in romantic comedy.

mlh1-1 It would seem that you just can't please some people if the last review of this movie I read is deemed to be correct. As I was unable to find this movie on DVD locally I bought it from overseas.I loved the story. OK, so it is a feel good movie, it doesn't contain violence, its not action packed and it won't give you the answers to life, the universe and everything, BUT it is a great movie for a rainy Sunday afternoon. It is filled with humour, wit and a touch of tenderness. It both puts a smile on your face and can bring a tear to the eye. The cinematography is beautiful, the actors are well cast, the dialogue snappy. Having watched this several times with friends and family, everyone has enjoyed it and its well worth the time.

gradyharp Tuscany is like a magnet for sentimental Americans: the landscape, the people, the appreciation of life emanates from the sunscapes and offers a paradise to world-weary viewers. And so it is that Tuscany is the true star of this little romantic film. Yet writer/director Brad Mirman clearly knows how to script and move a story that, while predictable, still carries us along with wonderful characters from a fine cast.Jeremy (Joshua Jackson) works for a publishing house in New York and is sent to Tuscany to coerce famous novelist Weldon Parish (Harvey Keitel) into ending his 20-year moratorium and write a new, 'bound to be best seller' novel. Parish has not written since he lost his beloved wife, becoming instead a rascal who spends his days basking in the lazy sun with his best friends the priest Father Moretti (Giancarlo Giannini), hotelier Gustavo (Armando Pucci) and his squeeze Amalia (Valeria Cavalli). He lives with his daughter Isabella (Claire Forlani) and is visited often by his other daughters Dinnie (Silvia De Santis) and Maura (Bianca Guaccero), each of whom hopes that their father will return to writing. Upon Jeremy's arrival he finds that everyone in the village is protective of Parish and when he finally meets the silent author, he discovers a man who loathes editors, publishers, press, and anyone else who wants him to start writing again. Gradually Jeremy and Parish begin to break down barriers: Jeremy admits that he longs to be a writer but fears failure and Parish admits that his silence at the typewriter is due to a similar fear. Jeremy falls in love with Isabella, becomes a part of Parish's drinking trio, undergoes some lessons in life .... and the ending is obvious from the start! Harvey Keitel gives a moving performance as the gritty but passionate writer, Joshua Jackson makes Jeremy a believably transitioned man, and the supporting cast is consistently excellent. It really doesn't matter that we know from the beginning just how things will turn out: it is the getting there that is the pleasure of this light but touching film. The only significant problems are in the editing: there appear to be stops and starts as though this were made for television with places for commercials. But other than that this is a film that only asks that we relax, nod recognition, and enjoy the theme of the importance of honesty and the quality of life available if we follow our dreams. Grady Harp