SpuffyWeb Sadly Over-hyped

Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.

Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

stranger I have to say that is a great movie and it can be understood only by ones who know the sad story of Macedonian refugee children from Greek Civil War...Milcho is a great artist and he knows how to make people laugh or cry... Maybe I really did expect more from him in this movie, like - to show us all drama of Aegean Macedonians from Greek Civil War but I was satisfied with seen after the end of the movie! I liked a little horror in it... sexual scenes were like porn in some moments and that was only irritating thing. BUT in the end of the movie Milcho was a KING for me!!Great job!

HumanoidOfFlesh Doctor Lazar Perkov has just returned to his apartment in Skopje from his parents' villa in the lakes district after a year convalescing from a near-fatal car crash.He tries to return to work at the hospital,but his nightmares won't help him.He forgets things,fears his recovery isn't stable and has now had his first visit from the disturbed souls of the dead(the old lady and the creepy looking guy with unbaptized infant).I saw "Senki" during Warsaw Film Festival and I was a little bit disappointed.The film is too long and quite dull in spots.It offers some beautiful photography of Macedonian landscapes,some scenes are pretty moving,but the horror elements are weak.Still there are four lovely sex scenes with a good dose of female nudity to keep me happy.6 out of 10.

Angeneer Manchevski disappointed me with this one. From a guy who has created Before the Rain I was waiting much more. He obviously has talent and it shows with the photography. The Ohrid lake shots are fantastic.In terms of the plot, Shadows is blatantly plagiarizing Sixth Sense. It is annoyingly similar. The only difference is that there's no twist. We know it all almost from the beginning. Which actually makes it boring. Especially when we get the same shock-effect scene again and again and again. Now the sex element. Why? We're getting gratuitous sex scenes for no particular reason. Not that I don't like the girls, especially Vesna Stanojevska, but someone should tell our friend Milcho that it has to blend with the plot! And finally, being from Greece, I have to comment on the "Aegean Macedonians" issue. I couldn't fail to notice some sneaky propaganda attempts in secondary parts of the plot. I mean "exodus" and ...napalm bombs? In ...1913? This is honestly bordering the ridiculous. I could write a whole essay on where these ideas come from (may well be a part of a general nationalistic awakening in our neighbor state), however let me simply mention that the story of "Aegean Macedonians" (a very controversial term by itself) is far more complex than what people are led to believe from this film. I would be grateful if Manchevski left politics and history to people who actually know a thing or two.

sasho_k After the underrated "Dust", Milcho Manchevski delivers again with his newest feature "Shadows". The story is told in a linear narration, unlike his previous movies which had experimental narrative approach. The cinematography by Fabio Cianchetti ("Dreamers") is beautiful, such a great looking scenes of Macedonia's landscapes & of the urban places in Skopje.The music selection fits nice, but the highlight is the main theme, "Eden Baknez" (in English "One Kiss") which is a Macedonian pop evergreen. The horror moments are successfully done in an old-school fashion, but mind you, it is not a horror movie. I believe that fans of European cinema & fans of Polanski, will like it.