CheerupSilver Very Cool!!!

Redwarmin This movie is the proof that the world is becoming a sick and dumb place

Ketrivie It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

Bessie Smyth Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

JohnHowardReid Roland Winters (Charlie Chan), Mantan Moreland (Birmingham Brown, Chan's chauffeur), Deannie Best (Phyllis), John Alvin (Vic Armstrong), Victor Sen Young (Tommy Chan), Tim Ryan (Lieutenant Ruark), Pierre Watkin (Judge Armstrong), Russell Hicks (District Attorney Bronson), Philip Van Zandt (Tony Pindello), George Eldredge (Finley), Willie Best (Willie), Tristam Coffin (Ed Seward), Milton Parsons (Grail the undertaker), Edward Coke (Cartwright), Olaf Hytten (Bates the butler), Erville Alderson (Walter Somervale), Charlie Sullivan (Officer Murphy), Paul Scardon (custodian), William Ruhl (jailer), Lois Austin (landlady), Chabing (Miss Lee), John Shay (Stacey).Directed by WILLIAM BEAUDINE. Screenplay by W. Scott Darling and Sam Newman. Additional dialogue by Tim Ryan. Based on the character created by Earl Derr Biggers. Photographed by William Sickner. Production supervisor: Glenn Cook. Edited by Ace Herman. Supervising film editor: Otho Lovering. Musical director: Edward J. Kay. Art director: David Milton. Assistant director: Wesley Barry. Recorded by Frank McWhorter. Produced by James S. Burkett.Copyright 11 July 1948 by Monogram Pictures Corp. No recorded New York opening. U.S. release: 11 July 1948. U.K. release through Associated British-Pathé: July 1949 (sic). Theatrically released in Australia by British Empire Films. 7 reels. 5,884 feet. 65 minutes. Sydney opening as a support to Smart Woman at the Victory: 16 July 1949. . SYNOPSIS: A masked intruder fatally knives Judge Armstrong in his study, just before his nephew Vic arrives. Vic is knocked unconscious by the hidden murderer, who escapes. When Vic recuperates he finds his uncle's body, and is accused by Police Lieutenant Ruark. Ruark calls in Chan on the case, and Vic is released for insufficient evidence, though his girl Phyllis admits he had a quarrel with his uncle, who planned to have Attorney Lewis cut Vic out of his will. Fingerprints of Tony Pindello, supposedly executed six months prior at San Quentin, are found on the murder weapon. New evidence in the hands of the late judge, who presided at the trial, and district attorney Bronson indicates Pindello's innocence, but Bronson is killed by the same criminal, leaving Pindello's fingerprints. Cartwright, a Pindello juror, is also a victim of the killer. A masked man rifles the judge's safe for papers on the case and locks up Chan, Phyllis, Ruark and Lewis. Chan, his chauffeur Birmingham, and son Tommy discover Pindello's body missing from his grave.NOTES: Number 44 of the series.COMMENT: Average Chan mystery for the fans, slickly directed, with a good cast (including Milton Parsons in his customary role) and more gloss than is generally to be found in Monogram productions. The story also provides a rare opportunity to see the lovely Deannie Best, but what it has to do with a chest — any chest, Shanghai or otherwise, beats me!Some great performances highlight this otherwise mediocre entry in the series: Deannie Best (in her final — and only credited — movie appearance), Tris Coffin, John Alvin, Milton Parsons and Olaf Hytten. A great line-up, but, despite the promise of a plot variation on Agatha Christie's The A.B.C. Murders, too much footage is taken up with low comedy from the Mantan Moreland plus Victor Sen Yung team, and similar marking-time padding.

gridoon2018 Compared to some other Monogram-produced Charlie Chan films I've watched, "The Shanghai Chest" is a cut above. The extremely prolific, and also series regular, director William "One Shot" Beaudine shoots this one with what could, at certain moments, if one squints hard enough, even be described as sort of a "style": flashbacks, tilted camera angles, montages. The plot is also fairly intriguing (although Chan once again pulls the guilty party like a rabbit out of his hat, with absolutely no evidence supporting his theory). The low budget is tolerably camouflaged. Even the comedy is funnier than usual, like for example in a short exchange between Mantan Moreland and an uncredited Willie Best. My favorite Chan line: "Statement has earmarks of extreme truthfulness"! ** out of 4.

classicsoncall Forged fingerprints in a Charlie Chan film were used as recently as 1946 in "Dark Alibi", six movies prior to "The Shanghai Chest". The same gimmick is used here again, this time with the fingerprints of a man who's been dead for six months. The prints are found at the scene of three murders, all of the victims having had some connection to the man who was sentenced to death for murder himself. But that may have been a frame up; the man, Tony Pandello may in fact have been innocent, and someone is out for vengeance.Roland Winters portrays Inspector Charlie Chan in this 1948 Monogram release. Continuity in the later Monogram films seems to have fallen apart completely, as Victor Sen Yung appears as Number #2 Son Tommy, contrary to his introduction in earlier 20th Century Fox and Monogram movies as Number #2 Son Jimmy. Mantan Moreland is Chan chauffeur Birmingham Brown. In a jail scene, Birmingham and Tommy are released from the lock up, and in the next cell is Willie Best, appearing under his own name. Willie appeared in the Chan film "Red Dragon" as Birmingham's cousin Chattanooga Brown.In typical Chan fashion, the murderer revealed at the end is a surprise, having been a trusted aide of the first murder victim. But the case is wrapped up neatly by Charlie; he outwits the villain, who did all of his dirty work in the dark of night in garb reminiscent of The Shadow.

admjtk1701 Another great title let down by a poor script, low budget, and mostly bad acting. This film has Tim Ryan as police Lt. Mike Ruark, whom Chan calls, "Lt. Mike". Overall, it is annoying rather than endearing. Tim Ryan is credited with "additional dialogue". If only he came up with better words. Watch a Warner Oland Chan instead.