Shank

2010 "If you're not one of us, you're a victim."
3.9| 1h30m| en
Details

Mo Ali’s futuristic knife-crime drama brings the dystopian environment of CHILDREN OF MEN and DISTRICT 13 to London’s East 17. SHANK delivers a ruthless vision of forthcoming urban life, where guns have been superseded by knives and are fiercely wielded by aimless youths. Amidst the chaos is the Paper Chazers gang, a rare morally conscious group who trade scavenged food for money. After Chazers gang member, Junior (Kedar Williams-Stirling), witnesses his brother, murder he must decide whether to get revenge of stick to the gangs moral code... In this superbly paced and artistic film, present-day social issues, and murky city streets, provide a perfect canvas for imagination and action.

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Also starring Kedar Williams-Stirling

Reviews

Greenes Please don't spend money on this.
BroadcastChic Excellent, a Must See
Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.
Leofwine_draca With an opening sequence copied from DISTRICT 13 and an entire storyline and setting copied from KIDULTHOOD, there's nothing remotely original about SHANK. It juts and jumps all over the place, telling a storyline of revenge and brotherhood that's been done to death a zillion times already. It makes you feel like this particular genre of gritty, London-set gangster film is dead in the water, although a film came along a year later that proved there was still life in the genre yet: I'm talking about 2011's ATTACK THE BLOCK, of course.Sadly, SHANK is nothing like ATTACK THE BLOCK. The script is dead-headed stupid, the characters clichéd and the frenzied editing actually nausea-inducing. The obnoxious leading characters are repulsive in the extreme and their quest to undertake revenge seems to go absolutely nowhere; by the time the film ends, absolutely nothing has happened to any of them. There are no character arcs whatsoever.I don't know what's worse, actually: Paul Van Carter's wannabe-hip script or Mo Ali's drug-addled direction. Put together they provide a nauseating example of all that's wrong with British cinema when a successful film comes along and the inevitable rip-offs follow.
davideo-2 STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning From the makers of Kidulthood, proclaims this latest, modest budget slice of 'urban' life, and indeed, we're on very similar ground. Only set in the future, a very depressing, dangerous future that looks only too likely to be a reality, where knife crime and gangs have taken over a decaying London and it's a fight for survival that nothing short of a BNP government might have prevented.Shank does little to go in any direction other than any other film aimed at the 'yout'' culture of today goes, throwing all the common street lingo, slang and style in the face of it's audience, even the title a hideous term for stabbing somebody. It tries to throw in what it thinks is the odd little inventive touch here and there, but it is little more than another sad reflection of where our young people are today and where they're going. **
rob-nean OK normally id watch these types of films and within 5 minutes be completely hooked, (however) this was so dull that i would of happily turned off within the first fifteen minutes of viewing..... most of the acting was OK and especially by Adam Deacon (kickz) who i think is a great actor. Another actor who caught my eye was Bashy. (Rager) he was brilliant and will be looking out for in the future.. the story could of been so much better there was a few good ideas adding gaming style death o meter to the dog fight scene was classic.. i can only give this film four out of ten at the maximum any more id be lying and wouldn't be fair to anyone going to pay at the cinema. (this is my personal view only but be warned)
elle kay i really enjoyed this film, the atmosphere in the cinema made it even better, seemed like everyone was into it.......it's good to see a young British film crew getting the opportunity to actually make a film and considering the budget was peanuts, they did an amazing and professional job. maybe the people who watched it don't relate to what the film is really about or the fact that the director wasn't trying to make a colour-by-numbers film. He tried to do something different and succeeded and i'm looking forward to seeing where Mo Ali goes from here, Hollywood, no doubt.....they need someone who thinks outside the box like he does...

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