She Married Her Boss

1935 "The Surprise Success to "IT HAPPENED ONE NIGHT" !"
6.5| 1h25m| en
Details

A super-efficient secretary at a department store falls for and marries her boss, but finds out that taking care of him at home (and especially his spoiled-brat daughter) is a lot different than taking care of him at work.

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Organnall Too much about the plot just didn't add up, the writing was bad, some of the scenes were cringey and awkward,
Helllins It is both painfully honest and laugh-out-loud funny at the same time.
Joanna Mccarty Amazing worth wacthing. So good. Biased but well made with many good points.
Kinley This movie feels like it was made purely to piss off people who want good shows
SimonJack "She Married Her Boss" is a pleasant comedy-romance, with some lessons about workaholics and dysfunctional families. Claudette Colbert is Julia Scott, the six-year manager behind the scenes of the Barclay Department Store in New York. While a superb business manager, she has pined for years for the boss. Melvin Douglas is he, Richard Barclay. Having had a marriage that ended in divorce, he's now all business and scarcely notices women other than as employees or customers.Without a loving wife's touch at home, the Barclay household has become a den of dysfunction. It starts with Richard's sister, Gertrude (played very well by Katharine Alexander), who can't begin to manage a household. It includes his daughter, Annabel (played by Edith Fellows) who has become a spoiled brat. And it involves servants who have used the family dysfunction to line their own pockets.That's the setting when Julia and Richard eventually tie the knot. And the changes she brings about work for the better for everyone except – you guessed it, Richard. Douglas does a fine job of playing a hard-nosed business type who just won't be enticed to warmth, love and the rest of the trimmings – even with his attractive new wife and household manager.This is billed as a comedy, and that it is. There isn't a lot of witty dialog; but some situations that would otherwise be considered drama have a spark when Julia takes charge.It's an enjoyable film, but one that is most interesting for how Julia handles the Barclay dysfunction all around her. Colbert shows her great talent as an actress in this role that dallies between comedy, love, seriousness, sadness and taking charge to make changes and get things done.The funniest single aspect in this film is Gertrude's penchant for fainting at things that seem too ghastly for her blue blood to endure. One time, when she tells Richard she may faint, he says, "Go ahead!" and walks out of the room. There is a little bit of screwball comedy toward the end when Richard gets soused with his butler, Franklin (played very well by Raymond Walburn). I won't give away the shenanigans they and Julia get into, but let's say it might be a scrape with the law. Toward the end, Richard and Franklin are waiting for Julia to come down the stairs, and Gertrude faints – plop on the floor, and they don't know where she went.
bkoganbing She Married Her Boss is one of those films where the title says it all, no need for any elaboration. Of course the bride is Claudette Colbert who's been crushing out on boss Melvyn Douglas for years.But before she's a bride Claudette is a secretary and a most efficient one at that. She's got the business well organized, but Douglas's home is something of a shambles with spoiled brat of a daughter Edith Fellows ruling the roost and some crooked household help ripping him off.So it's a business arrangement that Douglas has in mind when he marries Colbert. But he's slow on the uptake to realize that Colbert has romance in mind. Playboy Michael Bartlett is not slow however and he's got a nice singing voice to go with some oily charm.Colbert and Douglas get some nice support from folks like Raymond Walburn as the new butler who gets tanked with Douglas, Katharine Alexander as Douglas's snooty sister and Jean Dixon doing the Eve Arden part before Eve Arden was around.Gregory LaCava directed She Married Her Boss and we're certainly not seeing a director's cut. Harry Cohn's editors at Columbia Pictures butchered this one, the film ends rather abruptly though in truth you know where it all is going. And people who've had loved ones killed by drunk drivers won't find Raymond Walburn careening drunkenly through the streets behind the wheel all that funny.Still the stars and the planets do shine in She Married Her Boss.
SaraX626 Most modern viewers of 1930's comedies will be accustomed to the necessity of suspending disbelief and modern sensibilities to entirely enjoy these films. However, She Married Her Boss contains one or two scenes which make this a difficult task. The main problematic scene is the drunk driving scene which is sufficiently reckless as to be just plain alarming to modern audiences but fortunately occurs at the end of the movie so as not to be troubling throughout. The second such scene however is the (aural) scene of Julia (Claudette Colbert) spanking Anabelle several times with a hairbrush. In modern times, with the idea of physically punishing children being so controversial, this scene refuses to simply fade into the background of the film and become simply a comedic scene and lingers in a slight feeling of unease in watching the remainder of the film despite Annabelle's growing affection for Julia. Simliarly Julia's friends taunts of Annabelle appear somewhat cruel; being adults ganging up on an unhappy child, no matter how obnoxious her behaviour.Although some of the comedic aspects of the film may not translate to a modern audience, the film nevertheless contains some gems of serious scenes - Claudette Colbert's reaction to her husband mocking her for behaving like a woman and his criticism that she is making their marriage "just like any other marriage". Similarly the shop dummy scene can be enjoyed on a number of levels, the drunken comedy is delightful but also wonderful is Colbert's pained expression and declaration that "Julia doesn't live here anymore". Finally my favourite scene of the film, when Melvyn Douglass confronts Colbert after her antics in the shop window appear in the press, effectively calling her "second hand goods". Colberts reactions from resignation, to pride to hurt to confrontation are a pure acting lesson.While some of the comedy may struggle to appeal to modern audiences, the scene of the new bride (Colbert) being carried over the thresh-hold by her new husband's butler remains one of the funniest moments in 1930's comedy and Julia's kicking of the child shop dummy (surely a reaction to her troubled step-daughter) remains a guilty pleasure so that despite some reservations the film continues to work on both the dramatic and comedic levels despite some need to be prepared more than usual to put modern considerations aside to entirely enjoy this.
Kalaman "She Married Her Boss" is a forgotten but alluring Columbia classic, directed by Gregory La Cava, a modest auteur with a flair for upbeat improvisation and delicate touch. La Cava's unassuming touch is less fully evident in this small heartwarming romantic comedy than the director's superior pictures like "Stage Door", "My Man Godfrey", and "Primrose Path".But "She Married Her Boss" features highly resourceful Claudette Colbert as the competent department store secretary Julia that falls for her boss Richard Barclay (Melvyn Douglas); it also has an unintentionally funny, almost surreal moment involving a department store window and mannequins. As it turns out the film is all Colbert's -- and another reminder what a lovely, divine comedienne Ms. Colbert was. The supporting cast, all wonderful, includes "She Married Her Boss" is the sort of cuddly classic that works best if you watch it with someone you love or care about.