Incannerax What a waste of my time!!!

Freaktana A Major Disappointment

Twilightfa Watch something else. There are very few redeeming qualities to this film.

Haven Kaycee It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

brokentoy3mz This movie was made in 1992, stars Jeff Goldblum and Mimi Rogers, the script is very witty, almost pushing the brink of dark comedy. This is definitely a dialog heavy comedy with smart written all through it. It moves at a wonderful little pace, it almost feels like watching a live stage play, cinematography is simplistic and perfect giving great focus on the actors and letting their performance shine rather than spif it up with drastic camera angles and dramatic lighting. I find many of the lines wonderfully executed with Goldblum's craft, the kind you feel like quoting with friends later on. Commonly unheard of from people i've polled, but highly recommended.

tabaddon ...Well, I think it's clever, anyway: "'Shooting Elizabeth' is a 28-minute high-speed farce crammed into 92 minutes."I am a rather devout fan of Goldblum and usually forgive some of the quirkier film choices of the '80s and early '90s ('Vibes', 'The Tall Guy', 'Mr Frost' was good, 'Framed'); and I do usually enjoy Rogers. But this...this is just...even I had to shake my head a little. It has its moments, but they are few and far between.This may be good for a rainy Sunday afternoon, but you may find yourself wanting to finish the job yourself so you can go on to more interesting fare.My vote: 3 out of 10 stars.

Captain Ed This is one of the films which cause my wife to hide my remote from me, so that she doesn't have to endure any more of my weird movie selections. After this film, I have more sypmathy for her.** Some Spoilers**Normally I like both Jeff Goldblum and Mimi Rogers, but in this film Goldblum annoyed the hell out of me. His stream-of-consciousness, stammering blather appears in almost every scene. His mannered performance serves to attract attention to Goldblum and not the story itself. Not only would this repulse normal people from ever conversing with him, it feels like a fakey way to produce internal dialogue. We spend 90% of the film thinking that Pigeon is more of a Weasel than anything else, and suddenly we're supposed to say 'Awwwww' as they hug and kiss and make up (twice) at the end. Both the audience (and his wife) are supposed to conveniently forget that he planned her cold-blooded execution and only missed out on doing it because she abruptly left him first.Mimi Rogers lends her glowing screen presence to this limp noodle of a film, but her straightforward portrayal unfortunately accentuates the weirdness of Goldblum's; either both should have played it straight or both should have jumped off the deep end together. As a result, she winds up looking like she's waiting for Goldblum to take a breath at mid-bite (on the scenery, natch) to quickly inject her dialogue.Very little fits in what should have been a taut and funny thriller of sorts. The detective is made to appear as a buffoon when he is actually GETTING EVERYTHING RIGHT. All Pigeon does with his friends is berate them for not doing enough for him, and they act like they agree with him. His wife goes off on a hike in terrain so rough that a guide is required, but then we see her at a perfectly accessible campsite wearing walking shorts and a flannel shirt, not to mention the platoon of policemen clad only in uniform following Pigeon up the trail. We're supposed to be amused when minor characters are interviewed on TV saying how strangely Pigeon acted -- after everyone assumes his wife is dead -- but he WAS acting strangely, so strangely that you wonder why no one reported him to the police while he was staying at the resort.It's not an awful, 'Battlefield Earth' disaster, but it's not good at all. I give it a 3.

lphelan Jeff Goldblum in the role he was born to play: Howard Pigeon. Scheming to escape from his unhappy marriage and talking animatedly to himself, Goldblum's delivery of stuttering gesticulation is perfect, eerily resonant of Mamet's use of repetition and rhythmic logic. Pigeon is blissfully unaware of his impending doom as he plots and seethes. Mimi Rodgers is brilliant as his wife and foil Elizabeth Pigeon. The film is strangely set in Spain, with much of it shot along the Spanish coast and in the mountains. Well much of the film follows the finest abusurdist traditions, the ending brings a surprising amount of emotional weight. Worth seeing for Goldblum's performance alone (a strange idea indeed).