Fluentiama Perfect cast and a good story

Forumrxes Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

tavm Around the late '50s-early '60s, Tina Louise left Hollywood for Italy to make movies there. She made a couple for director Pietro Francisci of which this was the first. Depending on the condition of her character and whoever addresses her, she's known as either Artemide or Diana or Lucrezia. As Diana, she falls for an inventor named Archimedes (Rossano Brazzi) who works for the king of Syracuse. Archimedes, however, is promised the hand in marriage to the king's daughter, Clio (Sylva Koscina). Since Diana's step brother, Gorgia (Enrico Maria Salerno), is politically ambitious, he makes sure Diana doesn't stay with Archimedes by having her drugged and taken away. On that ship, she loses her memory and lands in Rome where she then falls for General Marcello (Alberto Farnese). It's there that her and Archimedes' son, Marco (Luciano Marin), live with the general as family. While I knew Archimedes was a real-life figure, I wasn't sure about the others so I looked up on Wikipedia and found out many of the characters were made up, not to mention some events as well. Still, even knowing that, I was quite entertained especially during the battle scenes though I detected an amateurish quality among the soldier extras when they were wailing in pain while dying. Otherwise, the dialogue (In Italian with English subtitles) and acting were pretty good for this sort of thing and Ms. Louise isn't too much of a sticking-out figure among Italians except where it counts-her sexiness when she's dancing or her figure when some skin is shown when wearing skimpy clothing. What I didn't like was that the YouTube upload I watched had some abrupt cuts especially since that also abruptly edited some of the beautiful score by Angelo Francesco Lavagino. Still, like I said, I highly enjoyed this movie so on that note, I highly recommend L'assedio di Siracusa or Siege of Syracuse.

PeplumParadise Syracuse is located in the south east corner of Sicily, and in the ancient world it was a powerful Mediterranean city-state allied to Sparta and Corinth, and also notable for being the birthplace of preeminent mathematician and engineer Archimedes. The film plays a little loosely with the facts since Archimedes was in actuality 75 years old when he was killed in the siege, but here is played by the considerably younger Rossano Brazzi, who ages from approximately 30 to 50 and survives. It probably wouldn't have played too well to have an old man spurning the King's daughter Clio (bouncy blonde Koscina) for fiery exotic dancer Diana (flame-haired Louise), only to lose her when she's kidnapped by and marries Roman general Marcello (Farnese, clean shaven for once), so he winds up marrying Clio anyway, becoming King when her father dies (now that's really taking historical liberties). The two women spend the film wearing the skimpiest costumes possible while retaining a modicum of decency. It's these historically dubious loves of Archimedes (a more apt title) which take up the bulk of the plot here, barely leaving him time to invent aqueducts, catapults, and a device capable of setting ships on fire by use of mirrors (this one is true!) in his designer cave laboratory. It is also historically doubtful that it was Marcello's jealousy at Archimedes and Diana becoming reacquainted which was the catalyst for the Roman's setting siege to Syracuse which, you'll be pleased to hear, does eventually occur in the film's final fifteen minutes. It's an enjoyable enough cheaply-produced light and fluffy romantic peplum, but if you go in expecting the war film the title promises or a lesson in history you'll come out disappointed.

xerses13 SWORD AND SANDAL or 'pepla/peplum' is a enduring genre of the Italian Cinema. It dates back to the beginning of their efforts and comes and goes in waves. The wave best remembered in the U.S.A. started with STEVE REEVES in HERCULES (1958) released here in 1959 and died out in the mid 1960s'. Hollywood would also make contributions and it's films would generally be better financed and produced. Some becoming enduring Classics.L'assedio di Siracusa (1960) 'THE SIEGE OF SYRACUSE' is a ambitious attempt to illustrate a era of Historical importance, The Second Punic War (218-201 B.C.E.). It was a divergence from the typical fantasies involving 'Hercules, Goliath, Maciste, Ursus' or whatever the 'Strong-Man' was called for that particular 'minor epic'. Rather it's 'Hero' was one who used brain not brawn to achieve his ends. SYRACUSE is at the apex of the confrontation between ROME and CARTHAGE. ROME has the best Army and has mastered the Sea and wants SYRACUSE to control the Mediterranean and defeat CARTHAGE. SYRACUSE has ARCHIMEDES (287-212 B.C.E.), Genius and Inventor, whose ambitions are to thwart ROME's will and maintain the independence of his State.International Star Rossano Brazzi issues forth as ARCHIMEDES with his romantic lead DIANA/ARTEMIDE/LUCREZIA played by Tina Louise. Yes, GINGER GRANT of GILLIGAN'S ISLAND (1964-1967). These two (2) characters weave their romantic story through the Military and Political struggles of the time. In in his spare time ARCHIMEDES whips up his 'Solar Death Ray' to defend SYRACUSE by setting fire to the Roman Fleet. In the end SYRACUSE does fall, but true love is not denied. For details watch the film.Whether ARCHIMEDES did all the things portrayed in the film is problematical. In addition he was killed at the end of the siege and did not go off into the Sunset with his main squeeze. The main problem with the film was the Italian Cinema's 'Reaching Beyond Their Grasp'. The concept of the film was fine and there is nothing wrong with Rossano Brazzi's interpretation of ARCHIMEDES. What was needed here was Hollywood MONEY and production values. Compared to BEN HUR (1959) or SPARTACUS (1960) it comes across as just another Italian 'B' effort with all the typical shortcomings.

DrLenera It's sad that I'm the first one to review this film,which appears to have been entirely forgotten even by those few who have actually seen it. It's an interesting combination of factual historical epic and romantic drama that really deserves to be rescued from obscurity. Taking place over about 20 years,it's about the Greek inventor Archimedes,who lives on the island of Syracuse and is promised to be married. However,he falls in love with a gypsy dancer. When she is kidnapped and taken to Rome,a knock on the head causes her to lose her memory and she marries a Roman general. I'll not reveal any further plot twists,so to keep some surprises,but the turns are many and often strange.For what initially seems like a historical actioner there is very little action until the final quarter,which has some impressive scenes on probably a limited budget,especially a scene where Archimdes uses sunlight and mirrors to burn the Roman fleet. Despite showing some historical events which probably did happen,it's more than anything a love story,oddly reminiscent of Random Harvest in it's amnesia theme. Despite being pretty unbelievable,it really works in a old-style,corny way if you surrender to it. Towards the end,a powerful sense of sadness and loss pervades the film and it's ultimately quite moving. Perhaps the final scenes are a little rushed though.......In fact there is the odd awkward edit every now and again,as if the film had been cut down somewhat.Rosanno Brazzi convinces as the love-struck inventor,and there is some beautiful photography {such as when Archimedes first sees his love swimming in a pool},but probably even more notable is the great score from the neglected composer Francicso Lavagnino,which contains a truly gorgeous love theme. Indeed there are so many good things about this film that it's near invisibility beggars belief.I first saw this film nearly 15 years ago on British television {in a season of mainly rather dull Italian sword and sandal movies}subtitled,and it left a great impression. Luckily,I managed to find somebody who had taped it and copied it. I've since managed to obtain a DVD,but this film demands a legitimate release on DVD with English subtitles so more people can know of this movie.