Sing, Baby, Sing

1936 "A Mad, Merry, Musical Delight!"
5.8| 1h30m| NR| en
Details

The "Caliban-Ariel" romance of fiftysomething John Barrymore and teenager Elaine Barrie is spoofed in this delightful 20th Century Fox musical. Adolphe Menjou plays the Barrymore counterpart, a loose-living movie star with a penchant for wine, women, and more wine. Alice Faye plays a nightclub singer hungry for publicity. Her agent (Gregory Ratoff) arranges a "romance" between Faye and Menjou. Eventually Faye winds up with Michael Whalen, allowing Menjou to continue his blissful, bibulous bachelorhood. Sing, Baby, Sing represented the feature-film debut of the Ritz Brothers, who are in top form in their specialty numbers--and who are awarded a final curtain call after the "The End" title, just so the audience won't forget them (The same device was used to introduce British actor George Sanders in Fox's Lancer Spy [37]).

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Clips

Reviews

ada the leading man is my tpye
Colibel Terrible acting, screenplay and direction.
Senteur As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
Cody One of the best movies of the year! Incredible from the beginning to the end.
rhoda-9 The rest of the movie is pleasant/mediocre, but Adolphe Menjou's parody of John Barrymore is fantastic. As daring as it is accurate, it makes one feel almost guilty at enjoying it so much (the movie was kicking a man when he was down in lampooning Barrymore's drunken antics and publicly disintegrating marriage). Menjou doesn't just copy Barrymore's mannerisms but has conveyed his essential noble but impish spirit, and the fun he is having is contagious--the scene in the hotel room ends on a moment of inspired hilarity, as truthful as it is loony. This inspired impersonation had an ironic sequel: Four years later, Menjou played the Barrymore role in a remake (why?) of A Bill of Divorcement. That time he was not able to channel, in a serious way, the personality he had assumed so well in this film; it was a terrible performance.
mark.waltz Radio singer Alice Faye finds out that her radio job is ending due to the obsession with publicity-seeking society girls with no talent and nothing else to do. With the help of agent Gregory Ratoff, she tries to pose as one of those girls (who actually has talent) yet fails to land a contract. When a drunken John Barrymore like movie actor (Adolphe Menjou) falls under her spell, she begins to get some unwanted publicity as a gold digger, and his agent strains to keep them apart. There's really little more to the plot than that, several mediocre Ritz Brothers sketches thrown in for groans, showing the audience laughing hysterically at their antics, including one "Dr. Jekyll/Mr. Hyde" sketch that isn't even remotely amusing. A magic act by Ted Healy while Patsy Kelly sings a medley of past 20th Century Fox movie themes is much funnier. Tony Martin comes in late as an electric company employee who is discovered by Faye simply walking down the street and ends up on the finale radio show as well. Faye's sultry singing voice is well utilized, as in the title song and the haunting "You Turned the Tables on Me". The result is mixed, fun comedy with Healy and Kelly, the husky voiced Faye very likable, yet plot wise, pretty weak. Menjou's spoof of the Barrymore image, though, is very funny, with references to "Hamlet" which ironically had two productions on Broadway the same year at the same time.
Kalaman "Sing, Baby, Sing" is a passable, sometimes alluring lightweight Fox musical starring Alice Faye, Gregory Ratoff, Patsy Kelly, Adolph Menjou, and introducing The Ritz Brothers. Faye is an aspiring singer/actress who becomes involved with a drunken Shakespearean actor Bruce Farraday(Menjou). Farraday becomes infatuated with Joan after seeing her one night in a nightclub. Joan's agent(Ratoff) sees this occasion as a way of advancing her showbiz career. Patsy Kelly provides good supporting role as Fiz, Joan's friend. The Ritz Brothers perform their often hilarious, often annoying shenanigans, interrupting the story for their routine comic acts. As the other user-comment has said, "Sing,Baby,Sing" is mainly for fans of Alice Faye. It is a good early role for Faye to shine and sparkle, but it is way below her best, most spirited musicals at Fox.
msladysoul This movie is for fans of Alice Faye and Patsy Kelly, and probably film collectors. The movie isn't the greatest, but every studio now and then makes films so actors and actresses have something to do. This movie is what you call a "B" movie. The singing of Alice Faye keeps you watching, the music and dancing is a most, especially if you wanna see how nightclubs, songs, dancing, and life was like in the mid-1930s. Patsy Kelly a great, forgotten comic, keeps you smiling and laughing with her quick one-liners and wisecracks. Patsy Kelly was a skilled, natural comic, she could give Lucille Ball, Martha Raye, Jean Arthur, June Allyson, Ann Sothern, and Carole Lombard a run for their money. All of them were great, but Patsy Kelly had a style of their own. She could also sing and dance. Their were many great female comics, more then men in the 1920s, 1930s, and 1940s. Patsy Kelly is a treat.But, some of the forgotten men were The Ritz Brothers are a funny, dancing team, their what you call musical comedy. When Daryll Zanuck saw them in a nightclub he signed them quickly. Basically the movie is about Joan Warren-Alice Faye, who wants to make it, but she doesn't want to be something she's not to make it, but her agent will do anything, anything for her to make it, and while he's doing it they run into all kinds of "drama" but through it all the songs, music, dancing prevail. Great movie if you can catch it on tv.