Interesteg What makes it different from others?

Comwayon A Disappointing Continuation

Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

Orla Zuniga It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

Woodyanders Notorious sexual adventuress Emanuelle (the always ravishing Laura Gemser) renounces her sinful past and decides to enter a convent as a cloistered nun (!). Naturally, Emanuelle finds it difficult to stick to her vow of chastity when temptation rears its sultry head in the form of enticing teen nymphomaniac Monica (yummy blonde Monica Zanchi). Moreover, lecherous escaped criminal Rene (Gabriele Tinti in fine lusty form) shows up seeking refuge in the convent. Director Guiseppe Vari, working from a nicely lurid and absurd script by Marino Onorati, relates the entertainingly racy story at a steady pace, ably crafts a deliriously erotic atmosphere, and, most importantly, delivers a pleasing plenitude of delicious bare distaff skin as well as loads of sizzling soft-core sex that includes steamy lesbianism, straight copulation, red hot daughter-stepmother quasi-incest (extra points to gorgeous slender brunette Dirce Funari as said stepmother), and even a little bondage. While Gemser is her usual beautiful and desirable self, it's Zanchi who positively burns up the screen with her scorching uninhibited portrayal of one extremely brazen, shameless, and manipulative slut supreme. Pretty Vinja Locatelli likewise impresses as mousy virginal nerdette Anna. Guglielmo Mancori's glossy cinematography gives the picture a neat polished look. Stevio Cipriani's bouncy'n'funky score hits the get-down groovy spot something sweet. Worth a watch for Emanuelle fans.

BA_Harrison Quite what has driven once insatiable nympho Emanuelle (Laura Gemser) to renounce her sinful past and don wimple and habit to become a nun is never revealed, but that is how we find her at the start of Sister Emanuelle; together with fellow nun Cecile, she has travelled to Venice to escort Monica (Mónica Zanchi), the teenage daughter of a rich Baron, to the convent for schooling.Monica turns out to be far from the 'sweet little girl' that her father describes her as, however, doing her utmost to subvert both her new room-mate, Anna (Vinja Locatelli) and poor Emanuelle, who finds her resolve weakening when faced with temptation from the sexy, free-spirited, bi-sexual schoolgirl.Sister Emanuelle might not be as nasty or shocking as some of the other titles in the Black Emanuelle series (there's nothing in it as sensational or sleazy as the pseudo snuff, animal action or hardcore coupling of Emanuelle in America, for example), but it still manages to be one of the more enjoyable adventures for the sultry sexpot thanks to its surprisingly well written screenplay by Marino Onorati, competent direction from Giuseppe Vari, and perhaps most importantly, an outstanding performance from Zanchi: whether it be fellating a total stranger on a train, cuddling up naked next to Emanuelle or Anna on a stormy night, or sneaking wanted criminal Rene (Gabriele Tinti) to the convent tower for a spot of rumpy pumpy, gorgeous Zanchi plays her role as deviant minx Monica to perfection.Strangely, the film ends with one of those 'it was all a dream endings' of the type that usually make me livid, but which in this case only serves to make the whole affair a more memorable experience, pushing my already high rating of 7.5 up to a bona fide 8.

lazarillo In a real change of pace for the "Black Emanuelle" series Emanuelle (Laura Gemser) has become a nun(!), and has been put in charge of a naughty teenage vixen (Swiss miss Monica Zanchi) who is being escorted to a convent school after her father catches her in bed with her young stepmother! While Emanuelle tries to morally straighten out the girl, the girl tries to immorally straighten out every guy she meets (including a dangerous escaped convict played my Gabriel Tinti)and to corrupt the nun. You can pretty much guess who wins this contest, especially since "Sister Emanuelle" turns out to be much more corrupt than the girl to begin with.This movie was not directed by Joe D'Mato, but fits right in with the transgressive films he directed in the series in that it manages to combine "nunsploitation" (politically incorrect by today's standards) with schoolgirl exploitation (VERY politically incorrect by today's standards). I might point out though that the voluptuous Monica Zanchi is not especially believable as a schoolgirl, and the svelte and sexy Laura Gemser is not even remotely believable as a nun, so I think we're pretty safely ensconced in the world of fantasy here. The two actresses are a pretty incendiary combination, and downright explosive when you add in Italian sex bomb Dirce Funari as the stepmother.Along with "Emanuelle, the Queen" this probably has the strongest plot of any film in the series, and unlike that one doesn't fall apart in the end. It does fall back on a hoary old cliché in the finale, but it actually works here because it leaves it pretty ambiguous whether all the degradation we've witnessed really exists in the heart of the girl or the nun. It's also pretty well made--for instance, there's a memorable scene where the girl talks in voice over about having been "raped" by three guys on the beach while the visual flashback shows what REALLY happened. (Some 15 years later I remember mainstream movie reviewers practically wetting themselves when overrated "film genius" Steven Soderberg did the exact same thing in "Sex, Lies, and Videotape"). The music is pretty good too. Recommended.

rewolf_2001 If you are like me, you love the whole school girl fantasy coupled with the strict nuns. This movie has a little of it all. Plus, the lesbian scenes are wonderful. If anything, they are too short. But there is one with a banana that words just can not do justice to. Highly recommend this one, but only get the Euro uncut version.