Inclubabu Plot so thin, it passes unnoticed.

ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

Payno I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Abegail Noëlle While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

ray-cann Can two white-looking people produce a darker-skinned baby?Anthony Fabian's "Skin" tells the fascinating story of Sandra Laing, a black South African woman who was born to white Afrikaner parents during apartheid in South Africa.Growing up, Sandra appears to have had a happy childhood. She does not appear to think she is different from her parents or older brother, who is also white; she resembles her family a great deal except for her skin color. When she is older, her parents send her and her brother to an exclusive school, for whites only of course. There, Sandra is finally aware that she is different. There are stares, mockery, whispers, and the assumption she does not now where Swaziland is (you'll understand this after you see the film).Her battles have just begun. She is constantly classified, unclassified, reclassified as white and colored, but Sandra has always felt white. Is she white? To someone in 2013, she would appear multiracial or even racially ambiguous, but, remember folks, this is South Africa in the 1950s.Fabian casts the brilliant British actress Sophie Okenedo in the role of Sandra. She is superior in this role, not just because of her raw talent, but her mixed Jewish, Scottish, and Nigerian heritage probably allowed her to form a closer bond with Laing and project her struggles. Okenedo is joined by former "Hotel Rwanda" costar Tony Kgoroge, Sam Neill and South African actress Alice Krige, who play her parents respectively.The Laings and society must deal with the reality of Sandra's skin color because it will not go away no matter what the "papers" say. She does find some happiness with the Black South African community, but it comes at a large price. What is Sandra? Who is Sandra? It's time to ask the inevitable questions. Did Sandra's mom have an affair with a nonwhite man? Is there a such thing as the throwback gene? Were there members of her family's who were or are even passing for white? I won't spoil it for you.Whatever your thoughts are, this is a movie worth seeing. A superior cast that demonstrates what all parties had to do for...survival.

cs629 This is a movie that tugs at your heart strings and brings the ugly truth of prejudice to light. Sandra is a strong women who fights through many battles and achieves more than can be expected. She is courageous despite the many obstacles that lie in her way. We all experience identity struggles as we grow up but Sandra's was above the norm and she faced it head on with dignity.Prejudice is the focus of the movie and how we as a people allow this to determine how and what we feel about one another. Just as in the movie Roots we see the struggle of the African American people, in the movie skin we are brought in on a more personal level as we see the internal struggle of one girl as she grows into a women looking for acceptance and love. The question is where will she find it.Sophie Okonedo portrays the character of Sandra with touching and emotional quality. Her facial expressions bring you into her heart without a word being said. The soft lighting and grainy texture of the film bring the conflict and emotion out of the screen and into your living room. This is a must see movie.

naimawan I finally saw "Skin" last night. I won't recap the story here. I was fascinated by Sandra Liang's heartbreaking experience, but I missed the movie in the theatre. The actors – Neill, Krige, Okonedo and Kgoroge – performed their roles well. The film, overall, is not perfect. I agree that Sophie Okonedo was not completely believable as the teenage Sandra Laing, but that's a small quibble given Okonedo's gargantuan talent.What really saddens me is that so many people are more concerned with debunking the notion that two white-looking people can (biologically) produce a black-looking child than with South Africa's brutal, hateful apartheid regime that tore this family apart, and turned a beautiful young girl's life into a living hell. All of my white friends summarily dismissed Sandra Laing's story and rejected the possibility that it could be true. For them, it's easier to question Sannie Laing's marital fidelity than to keep an open mind about polygenic inheritance (genetic throwback). They should know by now that we don't know everything about genetic curve balls.The scenes that disturbed me the most were 1) Sandra enduring humiliating tests (measuring of her forehead and pencil stuck in her hair), 3) Sandra bleaching and seriously burning her skin with a dangerous homemade concoction of chemicals, and 3) Sandra's realization of her parents' deep denial of their own racism. It was painful to watch her attempt to survive relentless rejection. I'm convinced she loved Petrus in some way, but I believe she may have chosen to go with him at 15 years old to escape daily psychological and emotional torment. Unfortunately, the "one-drop rule" and the notion of white racial purity (tying to white superiority) remain rampant today, and even in the good old US of A. We will likely solve world hunger and cure every disease imaginable before we eradicate that one! Oh, and Tony Kgoroge is gorgeous. He has beautiful skin and a smile that could melt…well, anything! I loved watching him in "Invictus".

druid333-2 Anthony Fabian's 'Skin'is a powerful drama of South Africa's shameful history of white colonial Apartheit rule,that was thankfully overthrown. The story starts in 1965 when a young ten year old girl, Sandra has been thrown out of school for being black,despite the fact that she is of white,European parents. Her father,Abraham (played by screen veteran,Sam Neill)fights to get her back in school,by challenging the South African courts to insist that she's white). When he is unsuccessful,the family resigns to the fact that their daughter has to deal with the burden that she will be treated badly,because she is regarded as black. As the years go by,Sandra (now played as an adult by Sophie Okonedo,who absolutely shone in 'Hotel Rwanda')has grown into a beautiful woman,who is desired by one of the black locals, which disturbs Abe much (Abe is as much a vile racist as the rest of the population of the town). The rest of the film spans over a twenty plus year time frame that tells much of South Africa's social history,set against Sandra's tempestuous own personal history. The cast is rounded out by Alice Krige (as Sandra's long suffering mother,Sannie),Tony Kgorogue,as Sandra's lover & father of her children, who turns out to be hot tempered & abusive toward Sandra, as well as a cast of South African actors that turn in shining performances. The screenplay (written by Helen Crawley,Jessie Keyl & Helena Kriel) makes the most out of what was easily a dark period in South Africa's social history (and what some,even to this day,would love nothing better than to do but bring back). Rated PG-13 by the MPAA,this film contains some strong language,brief nudity & sexuality,and some truly disturbing images of racist fueled violence.