Protraph
Lack of good storyline.
Keira Brennan
The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.
Keeley Coleman
The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
Brennan Camacho
Mostly, the movie is committed to the value of a good time.
Claudio Carvalho
In the 70's, while acting in a porn movie, Jennifer (Cheryl Dent) has a vision of her dead sister Jessica and attacks her dwarfish partner Nasty Nat (Pancho Moler). She is sent to a mental institute and six months later, her doctor discharges her under the condition that Jennifer should stay with her parents using medicine for a period. While driving through the desert, Jennifer is thrown in a ditch by the truck of two guys that want to rape her. However she is helped by the dysfunctional hippies Damon Grey (Vin Crease), Violence Onelove (Michele Morrow) and Guilty Karma. They invite Jennifer to spend the night in their camp and they offer peyote to her. Under the effect of the drug, the delusional Jennifer and her new friends are haunted by a mysterious fiend. "Slaughterhouse of the Rising Sun" is a weird movie, with bizarre characters and situations that are not well-developed. The dysfunctional group of hippies, for example, are totally insane and silly, and their violent attitudes are unusual and against the philosophy of "love and piece" from the 70's. Jennifer's insanity is never explained, and the viewer has no explanation why she has this killer instinct and why she killed her younger sister. The genre shifts between a comedy that is neither dark nor funny and horror that is silly and never scary. Therefore the film fails. The best offered by this flick is the version of The Animals' "House of the Rising Sun" in the end. My vote is three.Title (Brazil): "Delírio Assassino" ("Assassin Daydream")
charlytully
This film actually is a shot-for-shot remake of Pole Romanski's suppressed 1968 flick HELTER SKELTER HONEYMOON, the infamous American version of Leni Riefenstahl's Nazi classic, TRIUMPH OF THE WILL. Shown primarily at the seediest inner-city flicker houses, a bootlegged print of HSH found its way onto the Manson family ranch, and the rest is history. Before Watergate, so the story goes, the Dirty Tricks Division of the White House rounded up and destroyed the few copies existent. My campus was open-minded, so it was double-billed with PINK FLAMINGOS--prior to Manson making headlines, of course.It is easy to see why D.C.Mann (an obvious pseudonym) choose the second fake name of "Vin Crease" and renamed this film SLAUGHTERHOUSE OF THE RISING SUN. At least when Gus Van Sant perpetrated his uncalled for similar remake of PSYCHO, Hitch already was pushing up daisies. Whoever Mann or Crease REALLY is, how did you get your hands on a script or print of HSH? More to the point, how do you sleep at night? I get shivers just thinking about it, and Charlie's not even paroled yet!
robert-202
Saw this at the Fearless Tales Genre Fest in San Francisco and it went down a storm! Really enjoyed this movie and recommend that everyone go see it. The acting is great, the costumes are great, the cinematography is great and the sound design absolutlely spot-on! This is a very enjoyable and remarkable film - I look forward to seeing in again... 9/10 Rob
efiline
I normally hate horror films, but this eerie and very funny film was really fun to watch. Really good acting, great lines and psychedelic imagery made this a real throwback to 70's films that I grew up with. Vin Crease is a very talented director and has a great screen presence. I really loved the pathetic Sabbath Jones and Westy Westerman -- a great love/hate character.
