Harockerce
What a beautiful movie!
Sexylocher
Masterful Movie
Voxitype
Good films always raise compelling questions, whether the format is fiction or documentary fact.
Paynbob
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
TdSmth5
Two masked cops go after some drug dealers and steal their drugs. One of them, Vincent, is injured in the ensuing fight. He's also identified by one of the criminals and witnesses. As a result, the big bad drug lord, Jose, kidnaps Vincent's son to get his drugs back. Now Vincent forcefully explains to his partner Manuel, that he needs the drugs while Manuel wants his cut and needs the money. Later Manuel meets with a crooked internal affairs cop.Vincent retrieves the drugs and goes to Jose's lair, a giant dance club/restaurant/bar/private club for perverts and more. But he was followed by a female IA. She sees him go in the men's restroom with a bag but exit without the bag. So she goes in the men's restroom and finds the bag in the ceiling. She takes it and hides it in the women's restroom ceiling.Vincent with just one little packet of drugs meets Jose and demands to see his son. After Jose checks the drugs and Vincent sees his son he offers to return in a few minutes with the rest of the drugs, which of course aren't there anymore. So he devises a plan and goes to the kitchen and gets the staff to fill packets with flour and put them in a bag. But by now another foreign gang has arrived demanding the drugs from Jose. The ruse works and Vincent gets his son back, but only for a while. He quickly loses his son again to the thugs.Now with no more moves to make he has to get his son back, with Jose and his henchmen after him as well as the two IA agents and Vincent's ex-wife constantly calling him on the phone.Nuit Blanche is quite thrilling at first. Everything up to the point where he loses his son after getting him is very exciting, timing is very important for Vincent and we are on the edge counting the seconds till the foreign drug dealers discover the ruse. Things slow down then for a bit as Vincent has no way out--no drugs, no weapon (he hid his somewhere in the club). But quickly things pick up again as he confronts the IA agents very violently and things get a little funny too as he uses some cute girl he rescued earlier from a pushy guy to hide and escape from all the people after him. Story-wise too there are several twists and turns and things aren't quite as they seem.But, too much time is spent on the son, the ex-wife, kitchen fight scenes. Vincent running through a very crowded club gets repetitive fast. Almost the entire movie is set in the club and despite attempts to give us a variety of environments, it does get tiring after a while. Nevertheless, for a Heat-inspired French action thriller, this movie is worth watching.
carbuff
This isn't a "French" movie. This is a pretty conventional Mel Gibson/Harrison Ford action/thriller made in France. For what it is, it is very successful and keeps moving from beginning to end and has a decent number of twists, but there is little "Frenchness" to it, other than it appears that the characters don't bathe often. Still, if you want to chew up some time with a solid popcorn movie and you don't mind reading subtitles, this is a good choice. As long as you aren't expecting any philosophical insights into life or anything like that, I think you'll be satisfied and it's always nice to see some new faces and places, even if it's pretty much the same old same old as far as the plot goes.
Objectivity
If you ever watched Kevin Costner in "No Way Out" and loved it, then watch this upgrade.Wow, wow, wow ! I'll say just one thing : pay real good attention to the dialogues in the kitchen.I intended to watch half this film one night and the rest the next night, as I needed to get up early for work. Forget that !!! This film grabbed me by the throat so intensely I had to watch it till the end and risk a bad day at work.Top notch, from start to finish. The only time you will be able to relax and catch your breath is when you watch the opening credits !
John Raymond Peterson
Like in his two previous movies , 'The Burma Conspiracy' and 'Largo Winch', Tomer Sisley delivers a solid performance; he is convincing, pulls you into his character's corner and you will not only be rooting for him, you will feel his pain. As much as I enjoyed the previous two films of Sisley, I was no less engaged here. The movie's premise is simple, at least at the onset, but then it gets complicated in just the right measure, as any good thriller ought to. Also, as you'll find in several top French action thriller, the line between good and bad cop gets a little blurry, creatively speaking (that's good); there are no good guys, you might think, only innocent bystanders.Sisley plays a motivated man like you would expect any 'father trying to rescue his son' type character should; however, this movie brings it to an even higher plateau. You are convinced his character is a cop turned bad, like so many classic cop characters do, and this is strategically intended; he's not. It is easy to miss this important fact, with all the tense action and intense bad guys, and I almost did. At that point, you are even more compelled by the story, but if you don't pay attention, you just might remain unaware he was a good cop until the end when it becomes clear he was a hero times two.The very high ratings by critics indicate to me they have not missed any of those details. But fear not, regardless if the fast paced action scenes prevent you from catching the little clues, it can still work thanks to a fine 'dénouement' ending; nonetheless, I hope you catch all the clues. Don't drink Red Bull or anything of the sort while viewing this highly charged film; it may be harmful to your health. On the other hand, if you do, you won't miss any of the smart twists.