Sliver

1993 "You like to watch... don't you?"
5.1| 1h48m| R| en
Details

A woman moves into an apartment in Manhattan and learns that the previous tenant's life ended mysteriously after they fell from the balcony.

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Reviews

Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.
Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.
FilmCriticLalitRao At the time of its initial release "Sliver" was billed as an erotic thriller. Its Hungarian-American writer Joe Estzerhas was highly popular due to his successful scripts which were huge box office hits in Hollywood. This influenced Australian director Philip Noyce to such a large extent that he decided to helm a film project based on his script. This film was made in early nineties, a highly productive phase for actress Sharon Stone who starred in two successful "erotic" thrillers. Sliver features a very risky romantic relationship between a heterosexual couple in which the 'true identity' of the male lover is not known. It is the excessive use of surveillance cameras as a tool to spy upon people which propels the film's central premise. Actor William Baldwin plays the role of the character who takes immense pleasure in pursuing this activity. Apart from its excessive focus on mystery as a narrative device to mesmerize viewers, director Phil Noyce and Screen writer Joe Eszterhas are able to move their film forward with extreme caution as the answer to the vital question about who is the killer is neither revealed nor understood by audiences until the very end. This substantial quality enables Sliver to be hailed as an intelligent thriller.
richieandsam SLIVERI remember watching this quite a lot in the 90s. I loved this film along with other thrillers of its time.The movie is about a woman who moves into a new apartment block. She starts to get a few people saying that she looks a lot like the woman who killed herself that used to live in her apartment. When she starts to make some new friends in the area, she discovers that there is more to this coincidence than she first thought.This is a typical Sharon Stone film of the 90s. It is full of sex and suspense. The story is quite good, and the mystery element to it is actually not that bad. There are times when I watched the film and thought I knew who the villain was, but as time goes on your mind changes about 5 times. When you watch the movie, you realise it could only be one of two people… but you really are not sure who it is until right at the end.I enjoyed the movie, but to be honest it was not as good as I remember it being. This happens a lot when you return to an old film that you have not seen in many years. It is a shame, but your opinion changes on movies, and with the rapid changes in the effects that Hollywood has made, it is not surprising that you all of a sudden think that the films are not as good. But I still enjoyed it. I thought it was entertaining and I had forgotten who the bad guy was anyway, so the film was still a surprise for me.The movie stars Sharon Stone, William Baldwin and Tom Berenger. Sharon does a great job. She had a very good career in the 90s but just seems to have dipped off of the radar. I believe she is making straight to TV movies now… it is a shame because she is a talented actress and she deserves to be on the big screen. In my opinion, the last great film I saw her in was Diabolique. William Baldwin did a good job at playing a creepy, slimy guy. He was just weird throughout the whole film. I know he was supposed to play the good looking but suspicions type, but he just came across as creepy. Tom Berenger should have had a bigger role really. He was good in the bits he was in, but to be honest he had a relatively small role.The drama and suspense in this film is the thing that carried it through. I wanted to know who did it… The ending was OK, but I thought they could have had a bigger ending. It just kind of felt it just ended. There was more that could have happened.I did like this movie, but it is not Sharons best.I will give this film 7 out of 10."You like to watch? Watch this!"For more reviews, please like my Facebook page:https://www.facebook.com/pages/Ordinary-Person-Movie- Reviews/456572047728204?ref=hl
Deliberate_Stranger 'Sliver' is easily one of the worst entries in Sharon Stone's filmography. Written by a Joe Eszterhas - the genius who gave us 'Basic Instinct' (which obviously made Sharon famous) the film lacks to deliver. It's suppose to be a tense thriller but there is nothing tense about it. Whole thing lasts for almost 2 hours and is horribly boring for the most of it. Sharon Stone gives a decent performance as she always does but she's very, very far from her top. It's not 'Basic Instinct', hell It's even far from 'Year of the Gun'. William Baldwin is annoying as usual but he does his 'creepo' part quite OK. It was nice to see Tom Berenger, he was probably the best thing about the movie, his acting was kinda memorable so was his character. If you are looking for a tense, erotic thriller, you will be disappointed. It plays better as a drama, there is no suspense, no action, no real twists, nothing you would be excited about. 'Sliver' is barely watchable once. Do yourself a favor and pick the better choice.
Samiam3 Sliver starts out fine, but it ages like milk, and by the end, it kind of stinksDumb would be the easiest way to label Sliver, but to be more specific, I would call it immature. This is the kind of material where high profile people have low profile brains, resulting in a motion picture which intends to be dramatic by relying almost entirely on characters doing and saying vulgar, improper things: icky flirting, gratuitous sex and biggest of all, invading the privacy of others.Voyeurism is the main topic here. Having its roots Hitchcock, Sliver tries to take the peeping tom effect to the highest high it seems. Director Phillip Noyce sells it to us well visually, but he is unable to use it effectively as a plot device or for suspense. The cast are unable to perform with solidity, the story is unable to achieve focus, and the end product is not recommendable, even for those who get off on erotic thrillers. Try looking somewhere else.