Small Town Saturday Night

2010
5.3| 1h34m| R| en
Details

Just days before Rhett (Chris Pine) is leaving for Nashville to pursue a lifelong dream of being a singer/songwriter, his girlfriend Samantha (Bre Blair) realizes that "his" future may not be "their" future. This news comes as a shock to Rhett, and he is faced with having to choose between following his dream and staying in his hometown in order to be with the woman he loves.

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Reviews

Protraph Lack of good storyline.
Peereddi I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.
Mabel Munoz Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?
Phillida Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
PDXozoner Let me say up front that I think it's incredibly difficult and rare for a first time film director to have the discipline to effectively direct his own script. Granted Ryan Craig's written and directed a couple of TV movies, but things change a lot when you're doing a real grownup film. The chance to see your every word and decision on the big screen makes it agonizing to cut a single scene... hey! You wrote that! That said, there are some excellent performances from a cast loaded with accomplished actors, not least Shawn Christian who's best known for his soap opera career and Chris Pine who gets to indulge his hunky looks while playing some seriously downer scenes. I don't think John Hawke (Winter's Bone and The Sessions) is capable of a bad performance and this one gives him plenty of room.I gave it a 5 because of the writer-director's failure to make the fullest use of this wealth of talent, but since the film is playing on HBO and it's not a halfbad way to spend an evening.
pcleary99 Very enjoyable film. The self-sense of foregone conclusion as to how the character's lives will unfold hangs on them like the sweaty body odor you can almost smell. These people are trapped in their littleness and can't seem to find their way out. They cling to each other like shipwreck victims clawing each other to stay afloat. ON THE OTHER HAND, the sense of community, forgiveness and acceptance of each other warms my heart living as I do in plastic image land, aka, southern California. The movie is not a downer and has a lot of upbeats, even a laugh or two. All the acting was well done; the characters all had balance, which is probably also a solid credit to the directing and editing. You won't say "wow" but you will say "that was time well spent" after watching it OR at least say "my life sucks way less than theirs".
Johnny_Hing From reading the reviews, I was expecting the standard, formulaic aspiring singer/songwriter story, loaded with mediocre songs and bad acting. As it turned out, there weren't any songs at all... well, not until the final scene. The acting was very good, IMO, and I especially liked John Hawkes (Donnie) portraying the good ol boy, ex-con troublemaker who really only wants to spend some quality time with his young child, now in the care of his ex and her lover. It took me a while to figure out what was going on, how the characters were related to one another, and their intertwined struggles for existence. No one has it easy in this small town. The mood is rather depressing and melancholy, which for me, is realistic and refreshing. It's a slice of life... nothing over the top or melodramatic. Simple people living routine and somewhat hopeless lives. There are several other story lines apart from Rhett's dilemma about moving to Nashville, and for me, this is what made this movie enjoyable. The signs inside the gas station/repair shop added a nice, down-home feel, as did the down-on-her-luck bar lady willing to turn a trick for 20 bucks.
tigerfish50 Is everybody too busy watching blockbusters to see this nice example of Indie film-making? It would be a pity, because they'd be missing a well-crafted cinematic narrative covering twenty-four hours in the small mountain town of Prospect. The film begins at dawn as a promising young country musician prepares for one last gig at the town bar, before heading off to see if he can make it in Nashville. As the day unfolds other citizens make their appearances - a regretful sheriff, his estranged wife, an alcoholic father, an overweight brother, a troubled ex-con and an overbearing mother. Their stories mingle in an varied mix of compact narratives, most of which are concerned with the relationships of parents and their children - some of them sentimental in tone, and others which display cold cruelty and pain.A fine cast portrays this collection of characters realistically, while cinematographer Matt Kovalakides captures their high-country summer world so intensely that one can almost smell the pine resin. Everything speaks of a well-balanced team effort, and the characters and their stories are worth the dedication. By the time night falls over Prospect, a discerning audience might well feel they got more bang for their buck than if they'd seen a dozen self-important, hundred-million-dollar vanity projects.