SpuffyWeb Sadly Over-hyped

Kodie Bird True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Walter Sloane Mostly, the movie is committed to the value of a good time.

Horst in Translation ([email protected]) "Snowman's Land" is the second film written and directed by Tomasz Thomsen and came out almost 10 years after his first work "Stiller Sturm". The main character is played by Jürgen Rißmann and while I was occasionally not sure if he was boring or quietly convincing, as a whole, I liked his performance. It was a mix of the two characters mentioned in the title of my review. He also had nice physical presence. There were quite a few indicators of what is going to happen. For example when his young colleague (reminded me a bit of Pinkman in "Breaking Bad") tells he is unbreakable at one point, it was fairly obvious he is not gonna survive this movie. Same goes for the character played by Kanischtscheff. When he keeps rambling about how this is all gonna be his I felt that he will be killed off at some point as well.I personally enjoyed the first 30-45 minutes of this film the most. There is not really a lot happening, but the tension between the two contract killers and the woman is pretty interesting. When Berger enters the picture, it gets slightly worse, although I liked the idea that they wanted to try to kill him. However, he was faster. When they find the girl and Berger suspects somebody else, it all gets a bit weak and the best moments of the film had already passed. Especially that bald muscular guy all of a sudden knocking out Berger was so out of nowhere, certainly one plot twist too many. I'm not too big on the narrator either. The ending was a bit strange as Berger and the bald guy suddenly disappear and Rißmann's character actually manages to get into safety. It would have made sense if they, according to the title, would only have displayed what happened in the snowy forest area, but early on and also the final scene took place somewhere entirely different. Maybe too much of a forced happy ending for my taste.This film works best with its dark humor. The dramatic sequences were not that great mostly and it was not an outstanding thriller either, but that whole tongue-in-cheek approach is well done. That intro was pretty entertaining with the botched shooting. All in all, I recommend watching it. I just wish the second half of the film could have been half as superb as the first.

gsjaeger-968-581723 A unique and, to me, hilarious film. The dialog is a treasure, with just the right density for the setting. The characters are well and carefully developed, for the relatively shallow people they are meant to be. I've seen it compared to "Dumb and Dumber", but that is really not a meaningful comparison, as this is a much darker and existential film. Indeed, there are a serious of tortuous situations the two main characters are run through. The film comes across a bit like a Tarantino in the woods but without the 70s baggage and with a touch of Stephen King. The film is full of great twists and turns and well paced, considering the idyllic setting. I cannot wait for another film from this writer/director. It is very nice that it was picked up by Netflix in the US. You will like it a lot or not at all.

kosmasp I love the title. I think it's a nice wordplay. But when the movie starts you almost feel that it could go completely wrong. The voice over feels wrong. Then it does seem as if it does mix in with the mood of the film. A very slow moving thriller if you will. Very bad things may happen here and nobody may notice.But that's also sort of its downfall. The fact, that it is very uneven, having great scenes followed by very weak scenes. Great performances with just completely weird dialog. Potential in the script that does not get fully explored and exposed. Ideas that seem to get thrown out the window halfway through. Still in its weirdness it stays kind of engaging. If you like weird that is.

Simon Sieverts I was at the German premiere night and I love this film. Kaurismäki, Cohen Brothers, von Trier and Faith Akin all rolled into one. Great cast, but the scenes with Eva-Katrin Hermann, Thomas Wodianka and Jürgen Rißmann should be singled out for their blue touch paper comedic timing and dramatic control.Lensed by Ralf M. Mendle on Red, there's not a single duff shot in the film. The script is a delight and the direction is masterly. Thomasz Thomson helmed this low-budget cult pic: he will definitely be back with another in-your-eye script and a way bigger production budget. Watch this space.Disclaimer: I have no work or financial involvement in this film.