Contentar Best movie of this year hands down!

Breakinger A Brilliant Conflict

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Staci Frederick Blistering performances.

copper1963 Somewhat of an oddity, really. Wake-up from your afternoon siesta and enjoy this movie. And not to be missed. Made in Mexico with guts, gusto and gringos. While South-of-the-Border, Hollywood worships at the altar of the magical and(sometimes) hokey movie musical. And wins. The picture may cause some viewers to fall into a world of confusion. Whirlpool effect: three bachelors fall in-and-out of love with four beautiful girls. The odd lady out in this game of musical chairs: Yvonne Decarlo. Why? Jeolousy. The other women feel threatened by the sexy creature("Maria") down by the river. Decarlo's character does provide an unusual story wrinkle: she informs her ailing suitor, who loves and wishes to marry her, that she will not marry him. Her noble gesture is a selfless act. But not practical. The film's photography of the Mexican countryside reveals streams of priceless visuals. A modern hospital pops up to great effect. Ricardo Montalban has top billing and delivers an amiable and confident performance. But the other two male leads more than hold their own against the studio's choice. One fellow has a strange prop, a tray of trinkets, which he hauls from the village to the city. In addition, he has an uncanny feel for the opposite sex. Cyd Charise falls under his influence. She sings and dances up a storm in a rainfall. Miss Decarlo's song, "You Belong to My Heart," was cut from the finished print and can only be seen at TCM's web site. A good movie to catch late at night. Trust me. Health!

wellsortof This was an interesting movie. The good: plenty of good looking people in the cast. Hard to argue against Pier Angeli, Cyd Charisse, Yvonne De Carlo, Ricardo Montalban, Jose Greco etc. The photography is beautiful, with full and lively colors. The two major dance sequences are quite good (although, as for the Charisse dance, bizarrely placed). And for what I believe is an American production, doesn't push the insensitive envelope too much.The not-so-good: I'll go back to the Charisse dance. I sure didn't see that one coming. It literally seemed like the producers said, "Hey, Cyd Charisse is in the picture, let's make sure she dances, even if there's no reason why she really should." The pace of the film died off considerably over the second half (a couple of dramatic scenes just took too long). And it's really weird, as always, to watch fight sequences from back in the day. I believe one man literally jumped up and was caught by another guy on his "attack". Something that could only be pulled off in a spoof.Personally, though, I'm not going to pass up a movie with Cyd Charisse in it, 'cause she's dreamy, and a hell of a dancer. I vote 6.

ronnmullen This film is based on short stories by Josefina Niggli, whom I met when she was teaching at the Univeristy of North Carolina in Chapel Hill -- the plot outlined by the previous contributor is quite thorough, but does not mention the fine performance of Yvonne DeCarlo as Maria, of the River Road, and most especially does not mention the magnificent dance number performed by Cyd Charisse on a mountaintop in the rain -- unforgetable!!!

artzau This is a wonderful, enjoyable film with a retinue of fine actors having a lot of fun in an entertaining story set in Mexico. The tale is wonderfully Mexican with cock-fights, inter-village rivalry, tragedy and mystery: Pepe (Richardo Montalban-- Mr. Rourke of Fantasy Island) loves the Mayor's (Thomas Gomez) daughter, Eufemia (Pier Angeli) but needs some success to convince her father he's a worthy candidate for her hand. Vittorio Gassman is the local rich boy whose family want him to marry an appropriate girl from an appropriate family, Rick Jason is the third compañero in love with a gypsy girl (Cyd Charisse). Wonderful performances by the lovely Nina Foch as the set-aside sweetheart, the great Andaluzian Gypsy dancer, Jose Greco, the ever-lovely bubbly Thomas Gomez, plotting Kurt Kaszner and a bit part with one of my fav's, Alfonso Bedoya who doesn't say "We don' gotta chow you no stinkin' batches." Alas, no video for this fine, fun film, so you'll have to catch it on the late show. Check out especially, Ricardo Montalban, Rick Jason and Vittorio Gassman singing the lively, "¡Eufemia!" ¡Realmente macanudo!