Nonureva
Really Surprised!
BoardChiri
Bad Acting and worse Bad Screenplay
RipDelight
This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.
WRATH RANNDALL
Dutch French German, what a load of crap people, the women are board with the white men, and the men are wimps..great dads, but surprise he fails at being everything a woman wants and demands on queue.That is the story, she treats her mate like a throw away man and then comes back and he just takes her back.I baked you X so forgive me???Explain why he takes her back, hell explain why he kisses her.This is dated,plot: I got lost and now I am back Plot....so European woman have no character and men deserve to be treated badly.....
MartinHafer
Soof is a Dutch film that really hits close to home, as my life is pretty similar to the one you see in this film—at least in some ways. Soof is a Dutch caterer who suddenly becomes a super-star caterer—and goes from barely getting by in her business to hosting party after party for the rich and famous. And, much of the film is about the difficulties she and her husband have dealing with this as well as its impact on their long marriage. Well, in our 40s, my wife went from being an unknown small-time author to world-famous and suddenly I was in the same situation as the husband, Kas. I quit my job and was now the house wife…I mean, house husband. However, fortunately, our story is a bit different. I am an excellent cook, we BOTH worked on remodeling our home and we have never been happier—though I could easily see how folks in a similar situation could react much like Soof and Kas! Big change like this is hard on a marriage—especially when you've gotten yourselves into a bit of a rut. So how will this pair get themselves out of this rut or will they? This is the reason to watch the film.Soof works very well because the script is does a great job of balancing humor, drama and human nature. The way that two middle-aged married people work through this hurdle is what makes me assume the screenwriter, Marjolein Beumer, also must have lived through this sort of upheaval—or at least she really did her homework because she got it right! As a result, folks in their middle years really will enjoy the film and should be able to relate to much of it—such as the routine nature of sex (I loved where she fell asleep during this—that was really funny), the difficulty balancing a career and family as well as temptation—and Soof and Kas both have quite a bit of all these to deal with in the movie. It is fortunate that in addition to the excellent writing that the actors in the film do a great job of bringing their characters to life. Some of it is due to the writing and some due to the director and some due to just really nice acting.This is a winning comedy with a very sharp edge. My only complaint, and it's a very minor one, is that they made both Kas and Soof (particularly Kas) a bit too clueless and their characters occasionally too broad. But, on the other hand, if both had their heads on perfectly straight, there really wouldn't have been any reason for the film in the first place! Folks successfully working through such big transitions in their lives would make for a very boring motion picture!! The ones that have to struggle to reinvent themselves—that makes for an interesting film. Well worth your time and a film that sure made me smile—especially with the ridiculous but fun finale.
Jan Monster
In short: Not original, but great fun. For the biggest part. Good dialogs. Chemistry between actors Lies Visschedijk and Dan Karaty. Recognizable situations for everyone being part of modern day Dutch life. And a nice feel good ending. But it loses its pace and its wit towards the end.In Long: This movie is loosely based on the columns of Sylvia Witteman (in a Dutch Newspaper De Volkskrant). Her first writing was only culinary and later on more on her life as housewife and mother. She does this with great humor, making fun of herself as chaotic, plumb, neurotic, over-the-hill woman. This "spirit" is used as inspiration by Marjolein Beumer to write the scenario for the movie Soof (which short for Sophie). Her sister Antoinette Beumer (Loft, De Gelukkige Huisvrouw) directs this light hearted movie. In short the plot. Soof (Lies Visschedijk), a housewife, taking care of adolescent daughter and boy twins, next to running s small catering business. Her husband Kasper (Fedja van Huêt) has a very busy business life, from which he suddenly takes a sabbatical. This coincides with the fact that Soof's business takes off. This happens because a celebrity choreograph Jim (Dan Karaty) loves her food and makes sure she gets more jobs... And from there on you probably can guess what starts evolve. And sure it does. It does at a leisurely pace and with great dialogs and funny scenes. This keeps up till two-thirds of the movie and then it loses pace and humor. Until the last five minutes when the second plot twist turn the spirits up again. And of course, the now almost obligatory, dancing by cast and crew over the end-titles. If you are non-Dutch you probably will wonder what a lot characters are doing in the movie. Well basically nothing, but they are for the most part cameos and therewith sometimes cluttering the movie. Keep your critical eyes in your pocket and you enjoy it to fullest, because it is a fun movie. It does not pretend to be more than that and can be appreciated as such.
frans karel levisson
Soof is real Dutch entertainment.If you like to spend a night having Dutch actors show their comedian skills; you might as well consider Soof worth seeing.The plot is not dragging and the speed in which the story unfolds is OK.Locations on farmhouses and at parties are well directed.Soofs plot is simple ;as are most Dutch films fit for general audiences.No complications enjoying this ,somewhat dated comedy. Aditional fun is that it supplies an American dutch actor (Dan Karaty) a small bitt part ,which he survives as a romeo. Soof comes back to her family just in time not to disappoint her children ,instead of running away with her American lover.
