Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

Lachlan Coulson This is a gorgeous movie made by a gorgeous spirit.

Janis One of the most extraordinary films you will see this year. Take that as you want.

Staci Frederick Blistering performances.

mmr07 I just wanna say that I caught the last hour of the movie, I have no idea how it started but I was watching the DVD lady Jane and I paused to see what's on TV and there it was, South Central, and I watched the part in prison where Ali defends his friend from the mob inside by giving them what they need from cigarettes and services in return to stay away from the black inmate. The encounter between Ali and boy's father where he describes what happened to his son was the most powerful scene I've seen in any movie, it brought me literarly to tears. Another strong scene was the final 5 minutes, I'll let you discover it for yourselves because you'll be blown away, I don't know why the reating is so little in quantity and in quality, I'm giving it a 9/10 for its strong performances and also a great theme where it touches the source of Black gang violence and how a small corrupted group can effect the whole community, on the other hand also how a corrupted gang member can also be saved by a strong willful cultured person like Ali.Great Movie, a must see...

jhwilliams I saw only part of this film on TV, and would have skipped to another channel except I realized that I was seeing some genuine, very good acting, so I watched the movie to the end. Now, I must rent it to get the whole picture. I didn't know Steve Anderson (director and writer) but I now am interested in seeing his other work. This comment may not help other viewers who want to really know the film, but it might pique their interest as my brief peek at the film piqued my interest in seeing the whole film and seeing more that the director has done.

iam-1 This movie makes you care about its characters. This should be said about all films, but this one accomplishes it where others do not. The story revolves around a young man in South Central Los Angeles who is involved in a gang that is slowly making itself successful by selling drugs. He goes to jail after being convicted of shooting another gang lord. While in prison, his son grows up and is drawn by the romance and easy money of his father's old gang, and becomes involved as well. The story is a little over-simplistic, and the dialogue is a bit thin at times. But the director and cast rise to the challenge and turn this into a film about relationships and philosophy, rather than going for the easy solution of shooting off as many guns as possible. The ending is one of the most sappy we've seen in a while (just a bit too much 'Mom and apple pie'), but given the situation you are willing to go with it. While it's not perfect, this film ultimately works -- which is better than 95% of this genre.

Jim-249 Though the film is "serious" and well intentioned, telling a heart-breaking story with a valid message, its impact is considerably weakened by a naïve story-line and a undistinguished screen-play. I hunted around to see if this was "based on a true story", like "The Birdman of Alcatraz", but I found no evidence; that might have excused some of the awkwardness. There are some movingly warm scenes, though I was never groping for a kleenex. It reminded me of one of those Worthy Westerns I watched as a kid, where the bad guy meets a good guy/woman who changes his life: it had too many predictable and not totally credible steps. When, at the end, the hoodlum about to shoot him says, "Prison sure turned you stoopid!", I was inclined to agree. He talked his way out of the jam, but only because the narrative demanded it: his speech would never have convinced me, any more than Eli's words in the prison cell would have made me turn over a new leaf. These key "speeches" lacked any eloquence, and I frequently found myself predicting the dialogue. Nevertheless its best moments, especially the confrontations, are really gripping - until the end, that is, when it's too easy to foresee that no harm will come to anyone and Good will prevail. It's unfashionable and courageous to give such a story a happy ending (cf. "La Haine", where the vicious circle of hate is NOT broken and a bleak future is foreseen), and perhaps its optimism speaks more deeply to audiences in the States.