Glucedee It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

Helllins It is both painfully honest and laugh-out-loud funny at the same time.

filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

jtncsmistad Was she actually abducted by aliens? For the love of Carl Sagan I have no idea.Here's what I do know. The new British indy "Spaceship" is among the most meaningless and morose masses of melancholia ever mish-mashed into a movie. Good GOSH these psych drug saturated sad sacks would make a damn dirge seem downright delightful.Hey Alex Taylor. It would appear you had lofty intentions whilst scripting and directing this catastrophic calamity. But in the end all you managed to muster is a miserable malaise of avant-garde posturing and pretense blown balistically out of proportion.Or more fittingly, out of this, or any other, UNIVERSE.

freya-53338 A challenging, unexpected meander through teenage eyes. Both hallucinatory and strangely down to earth. Genuinely unique magical viewing with a cast who feel absolutely recognisable in their disengagement with the world around them. Spaceship is a development from Alex Taylors wonderful short film Lilly Goes to Kiss Land.

comingsooner Went to see Alex Taylor's debut feature "Spaceship" in Brixton as part of the festival in early October 2016, and a phenomenal afternoon it turned out to be, indeed. Sadly, had to leave before the Q&A session after the end of the screening. Everybody in the auditorium looked well up for it!

imgreatme Caught this as LFF the other week. It's pretty awful. I think it's meant to be some revelatory insight into teen culture but there's no depth to any of the characters - they're just mouthpieces for the director's pseudo-intellectual, pseudo-philosophical stream of conscience stuff. There's not much of a plot - a girl possibly gets abducted by aliens - but the film doesn't have the guts to pursue that with any real intelligence. The writer/director introduced the film and seemed to think that the film was "really weird" and we should "embrace the strangeness", but I think there's a difference between being cleverly strange like Aronofsky or Korine to create an emotional response, versus whatever this is where the filmmaker seems to think that going on about unicorns and rainbows equates to enough depth to sustain the audiences interest. It doesn't. I will say that it looks very nice, there's a sequence at a party with day-glow neon make-up that looks great - but looking great isn't enough. The actors are interesting and some of them have real presence, it's just a shame they're forced to speak the rubbish dialogue.