Whitech It is not only a funny movie, but it allows a great amount of joy for anyone who watches it.

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Stephanie There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

TheLittleSongbird Sparkling Cyanide is a very good story if perhaps not one of Agatha Christie's masterpieces. The 1983 film is dated but there is something enjoyable about it, and while not necessarily a good adaptation The Yellow Iris Poirot mystery was interesting. This modern-day adaptation does look good and while both have given far better performances Oliver Ford-Davies and Pauline Collins try hard, but on the whole is very disappointing. And this is not just as an adaptation, where it is lacking both in detail and spirit to the book, this is on its own terms as well. The rest of the acting is poor(even from a talented actor like Kenneth Cranham who ends up overdoing his gruff patriarch role), nobody really being able to give credibility to their sketchily-written characters, Rosemary faring worst. The script is also very clunky, and the story is often confused, dragged out and flabby with things vaguely mentioned but rarely elaborated upon. The pace just drags with little momentum, I know most Agatha Christie adaptations and books unfold slowly but in a modern setting this approach just doesn't work, and the solution is largely unsatisfying with at least two things that don't make that much sense(that I can't mention really without spoiling it for people). So overall, a modern day Agatha Christie adaptation but without the sparkle. 3/10 Bethany Cox

Sjhm Dreadful, slow, flabby, "modern" updating of Agatha Christie's novel. The entire story could have been over and done with in under an hour, but this bloated modern monstrosity drags on for over two.The problem with "updating" the storyline into the modern idiom of footballers and self-made men is that the social structure in which the original story was written has no modern equivalent. So there is no hook upon which to hang the theme.Oliver Ford-Davies and Pauline Collins drift around in the middle of this background-less mess and there is a lot of vague talk about spies and Berlin and Cambridge. I was uncertain at one point exactly what I was watching, a bad Agatha Christie or an even worse John Le Carre. With a script that makes little sense, and the addition of a cloyingly annoying grandchild, this is truly flat champagne.

gbennie After reading the book years ago and seeing the 1983 film version, (which was very dated), I was looking forward to this adaptation. I really thought that this film version would do all the right things and be set in the proper 1940s era. However, I was wrong and very disappointed at the modern take. It just did not work. The film tried to combine the traditional British aspects of the book with a modern setting, and the modern clothing really detracted from the whole atmosphere and elegance presented in the novel.It might have been to do with the scene of Iris in the shower that put me off, which was completely unnecessary or the fact that it was too similar to the modern mysteries nowadays (like "Lewis" and "Midsomer Murders") and lacking the clever old fashioned Agatha Christie touch.I can't remember the specific things about the cast - I do remember thinking how different Aunt Lucilla was portrayed in this version compared to the 1983 one. My advice: if you watch this do not associate it with the ingenuity of Agatha Christie, but rather see it as just another modern murder mystery. Even the 1983 version seems to succeed this in the end, despite its 1980's touches.

sexy_pisces_gal Pauline Collins, Oliver Ford Davies head an all star cast as the husband and wife secret service agents, including Jonathon Firth and Susan Hampshire in this classy adaptation of the 1983 smash.When the beautiful and wealthy Rosemary Barton (Rachel Shelley) is poisoned with Potassium Cyanide in her glass of champagne at posh nightclub among friends, it seems as if no one had the opportunity, or the motive to do the deed. Which leads the couple to consider the history of suicide. As the ageing detectives uncover a secret affair with a government minister (James Wilby) a secret abortion, two scorned women (Lia Williams, Clare Holman) and a sister, (Chloe Howman) who stands to inherit her fortune. The wise Doctor and the gruff and grumpy Colonel realise they are dealing with a dangerous and psychotic killer and must work around the clock, and rely on some unorthodox methods to reveal their identity.When Rosemary's much older and much wealthier husband, (Kenneth Cranham) is also murdered in the same circumstances, the detectives are set on a different track for the motive for the killings. With potential embarrassment for the government looming the detectives must face a race against time to prevent the killer killing a third time.