Nonureva Really Surprised!

Supelice Dreadfully Boring

Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

ramesherrabolu Saw this movie many years ago and love the songs. The movie captures the essence of a devotee, his relationship with the Lord. I think that is the sum essence of all of life.In one of the songs, the devotee Ramadaasu complains about the money he spent for the various ornaments to decorate the Lord. Lord out of His mercy lovingly allows such emotions amongst His devotees. I therefore believe that nobody should mess with devotees as it would draw the Ire of Lord, whose love for His devotees knows no bounds.

Vihari_Krishna Nagarjuna is perhaps the most unluckiest actor in Telugu. He is a very brilliant actor and does full justice to any role he portrays, but gets recognised only for his glamour. His performance, in the scenes following the conviction of Gopanna, is just great. It needs a lot of performing skill to show anguish, pain, spirituality, suffering and subtlety at a time i.e., It is a very complex character with lot of nuances and Nagarjuna, as expected, comes out with flying colors and delivers a riveting performance. His histrionics are excellent in "Dasaradhi" song. He is so adorable as Gopanna and lively as Ramadasu. The transition phase in the life of Ramadasu is one more scene in which Nagarjuna does an excellent job. Full marks(10/10) to him. No wonder, he received "Nandi Award - Best Actor" for his fantastic portrayal. This is by far, the best on screen depiction of Bhaktha Ramadasu.Keeravani is a huge asset to this devotional saga. His songs, though some tunes are taken from already composed Ramadasu bhajans, are still great. But what actually takes the cake is his outstanding Background Score. Each and every shift in emotion has been beautifully orchestrated by Keeravani. He brought all native Indian classical instruments and used them beautifully well. His re-recording in the transition phase of Ramadasu is excellent. Sad that his work didn't get what it actually deserves from government. Again, 10/10.Direction by Raghavendra Rao is strictly okay, but not very great. Some additional plus points like Nagarjuna's excellent acting, Keeravani's mellifluous background score & overall devotional feel, concealed his incoherent, incosistent and sometimes faulty direction. Actually, the song "Chalu Chalu.." is touted to be picturised for masses, but inturn it hampered the devotional aspect and completeness of the film. Also, the conversation between Sunil and his parents is irritating. One doesn't expect such kind of cheap things in a film which is assumed to be a complete devotional journey. But Raghavendra Rao failed in guessing audience pulse. So, only 6/10 for Raghavendra Rao. I think, he did a better work in "Annamayya".Rest others in the cast did their part very well, though Suman (as Lord Rama) couldn't repeat the mesmerizing effect of Lord Venkateswara, in Annamayya. But still, he is good. Dialogues are good. Editing is fine. Art work deserves special appreciation, as it literally transports viewers to 17th century. Make-up is good. All these departments put together, I would give 9/10.On total, it is 9/10. A must watch for all Telugu people. Drench yourself in Devotional feel.

sg_misc Another feather in the cap of Raghavendra Rao. Wish Annamayya is made now. The graphics and audio are superb. A well made film. The comedy track with Sunil especially the way the dialogues were delivered by his character and the dialogues in the cart between him and his parents are slightly cheap - could have been made better. Overall the film is great. The picturisation of the song "Antha Ramamayam" is fantastic. Especially the grandeur in which the descent of Rama (Vishnu)to earth is depicted is marvellous. Credit goes to Keeravani for the excellent music. Photography by Gopal Reddy is superb. A blown-up print of the film was shown on IMAX screen in Hyderabad - first ever telugu film to hit the IMAX screen.

rollingsjames Gopanna (Nagarjuna) is a happy-go-lucky guy and marries his childhood love Kamala (Sneha). He secures the job of Tahasildar for Husnabad on the recommendation of his maternal uncles Akkanna and Madanna. He gets inspired by the devotion shown by Dammakka towards Lord Rama and the way she protects the idols of Rama, Seeta and Lakshmana. He becomes a great devotee of Lord Rama over night. He vows that he would stay in open place just like statue of Lord Rama till a temple is constructed. He collects 6 lakhs of coins through donations and constructs Rama temple in Bhadrachalam with the guidance of his guru Kabir Das (ANR). A few ill-minded people misinform emperor Taanisha (Nasseer) that Gopanna misused emperor's money to construct temple. Meanwhile, Kabir Das confers Gopanna the title of Sri Ramadasu on the insistence of Lord Rama. The rest of the story is all about how Tanisha realizes his mistake and sets Sri Ramadasu free.Artists Performance Nagarjuna: Nagarjuna is perhaps the most luckiest hero among his contemporaries for getting such roles like Annamayya and Sri Ramadasu. He did extremely well in the title role. His histrionics in the last reel where 'Dasaradhi' song comes are extraordinary. Nobody knows how Sri Ramadasu looks like and whenever we think about Sri Ramadasu in the future, the image of Nagarjuna becomes the visual aid.Others: ANR acted in the vital role of Kabir Das. He brought believability to this character that is considered as guru to Ramadasu. Sneha is fabulous a devoted wife of Ramadasu. Sujatha donned one of the most important roles in this film as Dammakka. She injects devotion into the soul of Gopanna with her deeds. Suman is good as Lord Rama. Nasseer is appropriate in the role of Tanisha. Veda is fair as Seeta. Nagababu is pretty good in the role of Ravana. Among the comedians Sunil and Brahmanandam are impressive.Technical Departments: Screenplay - Direction: K Raghavendra Rao has the uncanny ability of striking back whenever everybody writes him off. K Raghavendra Rao proved again why he is called a legendry commercial director with this film. He narrated the entire film in a simple way by giving more importance to the emotions than the grandeur. He made sure that the emotions graph goes up as the film progresses by capturing the attention of audiences. He used pretty good commercial elements in the last half an hour of the film. The thread of parrot is nicely woven into the story.Music: Songs and rerecording by MM Keeravani is the biggest asset of Sri Ramadasu. We have 19 songs in this film and all songs are neatly blended into the storyline. Backgrund music is terrific. Keeravani's background music for Sri Ramadasu is another fine example for how good music increases the emotional depth of the film. The last three songs (Yento Ruchira, Ishvakulaku and Dasarathi) take the film into different level.Other departments: Cinematography by S Gopal Reddy is very good. Script by JK Bharavi is a plus point. The dialogues are very meaningful and appropriate. Especially the one - 'Sreeramudiki nuvvu gudi kattinchavu. Ninnu Sreeramudu gundello vunchukunnadu'. The powerful dialogues written for Nagarjuna in Tanisha court in second half got great response. Editing by Srikar Prasad is fine. Artwork by Bhaskara Raju is good. Producer Konda Krisham Raju should be appreciated for coming forward to make such a different film.Analysis: The first half of the film is decent. The emotional graph starts growing up from 'Antha Ramamayam' song and goes to the peak by the film reaches climax. Second half of the film is very good. The plus points of this film are Nagarjuna's histrionics, Keeravani's music, K Raghavendra Rao's direction of JK Bharavi's script. Sri Ramadasu film comes as fresh breeze when we are bombarded with routine and formula flicks. I recommend this devotional flick to everybody.