Stockholm, Pennsylvania

2015 "Being released doesn't mean you're free."
6| 1h39m| en
Details

A young woman is returned home to her biological parents after living with her abductor for 17 years.

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Reviews

ada the leading man is my tpye
Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
Alistair Olson After playing with our expectations, this turns out to be a very different sort of film.
Cissy Évelyne It really made me laugh, but for some moments I was tearing up because I could relate so much.
mellytiel **SPOILERS ahead... ** This movie was well done, but not as captivating as I'd hoped it would be. The film mostly focused on Saoirse Ronan and Cynthia Nixon after the girl had been returned "home" to her family. The scenes featuring Jason Isaacs were, by far, the most interesting, but the movie showed very little of the girl's life before she returned "home." I would have liked to have seen more of life in the basement, vs life afterward, as the concept was interesting an Isaacs was brilliant, as he always is. The movie was very sad, but not for the reasons one would imagine. The mother was a complete monster and it was difficult to watch the mother daughter scenes as the movie progressed.
hyltonstark Great movie. Cynthia Nixon was outstanding as a mother who has become unbalanced since her daughter was kidnapped from a park some 15-20 years ago. Ronan was also very good as the emotionally blank girl who has been rescued and returned to her family. The mother, who lacks insight into her daughter's problems, tries desperately to reinstall the bond between them, but ironically, only reinforces the distance between them. These agonizing attempts at therapy also parallel the professional help that the young girl receives, in the sense that both therapies fail to bring the empathy and insight required to heal. This is a compelling movie. Only watch if you love slow, but powerful, drama.
ru_thaker I just watched this. I thought Cynthia Nixon was sublime. Her acting was truly captivating and engaging, so talented, I would love to see her in more roles so if anyone can suggest I would be grateful. I feel, dare I say (controversially) Sex & the City was beneath her really after watching this and if that is what she is mostly associated with.It would've been nice if more detail was given behind the kidnapping. I appreciate the subtlety in a way however. It seems audiences were lost. It would've been nice if there was more insight into Leah's ordeal/experience.Good film, enjoyed.
johnnyhightest Leanne/Leia (Saoirse Ronan) is a young woman who has had two crimes committed against her: she was stolen from her family, and she was robbed of a soul. She was kidnapped as a young child and confined to a windowless room by a kind but deranged stranger (Jason Isaacs) who raised her on lies and subtle influences to make her believe he was her only hope in life (hence the title "Stockholm" Pennsylvania). For obvious reasons, he intended to limit her understanding of the outside world and subsequently rendered her incapable of handling life beyond his walls.Then it happens that Leia is freed and returned to her biological parents. It should be a happy, joyful reunion; unfortunately, it is anything but.I'm a huge fan of Saoirse Ronan. She thrilled me in Hanna and ripped my guts out in the Lovely Bones. In this movie she has to play it down, as her character is emotionally stunted from captivity and psychically overwhelmed by the real world. She does a wonderful job as the detached escapee, conveying a wide range of emotions just with those big blue eyes and also with her control of subtle facial expressions. Cynthia Nixon is also outstanding as the mother, who not only has to accept her own daughter's alienation of affection but also the horrible reality that Leia cannot accept her new situation. She and her flummoxed husband (David Warshofsky) struggle to rekindle the warmth and congeniality of a familial bond that has never really had a chance to exist, while battling with issues that no parent would ever want to have.Strong praise for writer/director Nikole Beckwith for composing a riveting (if at times deliberately slow-paced) depiction of a true tragedy. Her scenes are at times difficult to endure, but the story is excellent.