Storm Fear

1955 "... tonight her terror would begin!"
6.3| 1h28m| NR| en
Details

A wounded bank robber takes over his brother's home.

Director

Producted By

United Artists

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Reviews

Linkshoch Wonderful Movie
Infamousta brilliant actors, brilliant editing
Blake Rivera If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.
Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
Robert J. Maxwell Gangster Cornell Wilde and his small-minded sidekick Adam Schiff -- I mean Steven Hill -- show up unexpectedly with a bag of loot at the remote farm house of his big brother, the failed writer Dan Duryea, and his blond hausfrau Jean Wallace. Their child, David Stollery, is a witness to the conflicts, arguments, violence, deaths, and general mishigas that takes place during the visit. Dennis Weaver has a small part as the good neighbor.The screenplay was by Horton Foote, the direction by Wilde, and the cast and crew professionally competent, with some exceptions. The result is almost a stage play in which fierce disagreements take place.Wilde does adequately by the part of the tough guy who genuinely doesn't want to intrude but has no place else to go because the police are all over the place searching for him and his buddy. He adds an almost indiscernible stutter to his voice in moments of stress. Nothing is made of it. It's just a nice touch that makes him human. He has a couple of shirtless scenes during which his wounds are treated by Wallace and I hated him for that. How can he be so muscular and sound at the age of forty-three? The swine.Jean Wallace is not much of an actress but she looks as if she would be perfectly at home milking cows on a Polish włość. I hope you appreciate that Polish word. It means "small farm." Took me half an hour to find the proper alphabet. Dan Duryea -- well, we missed his slick-backed hair and straw boater and his whining voice and his slapping dames around. Here, he's a fagged out lunger wrapped up in sweaters and scarves and looking as if the North Korean Army had just marched over him. Steven Hill is unrecognizable except as the stereotype he is. And as for the kid, kids will be kids. Everybody loves them, except Hill.Overall it's pretty depressing. It's claustrophobic. It resembles a staged play in which the set dresser was drunk all the time. And the story, for all its shouting, is a little weak in humanity. (See "Hud" for a successful example of how to make a movie about a couple of people on a ranch.) Poor Dan Duryea freezes in the snow. It's not quite certain exactly where his body is found, through either careless direction or editing. But if I were despondent and depressed, a total failure -- and I AM -- I think I'd hang myself if I had to live in a seedy dump like that.
Martin Teller A struggling writer and his family are visited at their remote mountain farm by his brother -- a wounded bank robber on the lam. Cornel Wilde directed eight films in his lifetime (seven of them, like this one, starring himself) and this was his first. And a superior first film it is, one I liked much more than NAKED PREY. Elevated far above the usual hostage drama by the strained familial relations and internal strife within each group. The interactions between the players are leaden with sorrow, failure and the ghosts of past regrets. Every character occupies a gray area, conflicted and/or damaged. Even the young boy plays a crucial role beyond being just an adorable moppet in jeopardy. The exception is the sidekick character who is pretty much your standard bad guy, but even he is given life with an engaging performance by Steven Hill. The whole cast is great: Lee Grant as the shabby dame, Jean Wallace as the wife with some secrets of her own, Dan Duryea again impressing me with a role outside his usual mold, Dennis Weaver as the hired hand, and of course Wilde. He makes an interesting choice to play the character with a slight stammer, hinting at the doubts that gnaw at him. The script is thoughtful and gripping, with a few great hard-boiled zingers for Grant and Hill. I also have to mention the music, yet another sublime score by Elmer Bernstein. This is an outstanding picture that takes unexpected turns and is heavy with melancholy and desperation. It needs a restoration and DVD release immediately.
helpless_dancer A husband and wife plus their son are visited by the husband's brother and his gang after the thugs pull off a bank heist. The meeting stirs up a lot of trouble, and dredges up old memories and desires. Great dramatic finale as the thieves try to escape over the mountain.
CRH Cornel Wilde is excellent in this dark drama about a group of hoods on the run who show up at the door of a remote home snow bound in winter. We learn more about the relationship between the leader of the hoods (Cornel Wilde) and the family he's holding captive as the move unfolds. Very tense, engrossing film that you won't want to take your eyes off.