WasAnnon Slow pace in the most part of the movie.

SpecialsTarget Disturbing yet enthralling

Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Yash Wade Close shines in drama with strong language, adult themes.

climbingivy This movie that I watched a long time ago, and I just watched a bit of it recently, is a sad portrayal of a selfish female monster.I read on the reviews that she was an uneducated helpless woman who was aborting the little human beings of French women who had been having sex with German soldiers during the German occupation of France during the second world war.This uneducated woman was savvy enough to figure out a way to kill a slew of human beings in their mother's wombs.If she was able to do that it would seem that she could find a real job to support her family.I read on the reviews that her husband was to blame.I think that is utter nonsense.She was responsible for the murders of the babies,not anyone else.I feel sad for the aborted children and her children.It must have been horrible for her children to have to live with the fact that their mother was executed on the horrific machine of death the guillotine.I feel sad that a woman who is a mother would resort to such a heinous way to make money for her family.

Jackson Booth-Millard From director Claude Chabrol (Le Boucher), from the title it was no obvious what the story or plot of this French film would involve, but I was introduced to it because of the book 1001 Movies You Must See Before You Die, and if it featured in it that was good enough reason for me it a chance. Basically set in World War II, France is occupied by the Nazis, Marie Latour (Isabelle Huppert) is a mother with two children she raises in a decayed flat, she has limited education from her schooling, and her husband Paul (François Cluzet) who was on the front has returned home. Paul's weakness is causing him problems holding a job, so it is up to Marie to make money somehow to support the family, and she discovers a way to use soapy water douche as a way to abort unwanted babies of women, and she charges them for this service. Many of the women she performs abortions for have been impregnated by Germans occupying the country, and with the money she makes she can afford a new flat with more bedrooms, she also rents the bedrooms to prostitutes to take their clients during the day, and she can buy better food and new clothes. Eventually this good fortune turns sour when Paul becomes dismissive towards Marie because he knows what she has been doing for prostitutes and pregnant women, but she is keen to find another career in singing, but of course the authorities catch onto what she is up to, so she is arrested, and becomes one of the last women in France to be guillotined. Also starring Marie Trintignant as Lulu / Lucie and Nils Tavernier as Lucien. I did not realise it was based on a true story, but it makes sense when I think about it, because the harshness of the plot is realistic, and the way that it is played out is well done, the performance of Huppert is suitable for the character as well, it can be uncomfortable in moments, but it is an intriguing Second World War drama. It was nominated the Golden Globe for Best Foreign Language Film. Worth watching!

Michael Neumann Isabelle Huppert portrays an uneducated but self-reliant wartime mother of two, who almost ruthlessly assumes the traditional male role of family breadwinner by helping (to use an old euphemism) young girls 'in trouble'. The film isn't exactly impartial in its attitude toward the opposite sex, but don't me misled by the somewhat presumptuous title: it isn't strictly a story for women, and despite the vocation of its heroine has little to say about the volatile issue of abortion. The focus is more on the plight of women as second-class citizens, forced by necessity to fend for themselves (and rely on each other) while their men are away playing soldiers. It tells a complex story very simply, avoiding any soapbox grandstanding but allowing Huppert a chance to invest her character with plenty of gender-specific spleen. The final impact is undeniable: it's an often powerful experience, likely to stir up plenty of talk and emotion.

pegd-1 With cool detachment and a subtle touch of horror, Claude Chabrol dissects the story of a woman who was guillotined during the Nazi occupation of France. One of his strengths as a director is that he allows the movie goer to form his/her own thoughts and opinions about the issues at hand. He is not a proselytizer. The film covers a lot of ground: illegal abortion, collaborating with the enemy, parenting, marital communication, greed and a slew of other human weaknesses. All of this against the backdrop of an occupied France, a country who witnessed the horrors of WWI and never fully recovered, and whose WWII soul (what is left of it) has been torn apart.Isabelle Huppert does a fine job interpreting Marie LaTour, the woman in question. Marie is not the most sympathetic of characters. In fact, most of the major characters are not "sympathique".(My favorite character is the prostitute Lulu, acted by Marie Trintignant.)All in all a well directed, well structured film about a tragic period in the lives of the French people. But you be the judge.Trivia: "Vera Drake" and "L'Affaire de Femmes" both begin in apartments which have the the same god awful green walls.