Strawberry and Chocolate

1993 "Savor the flavor."
7.4| 1h48m| en
Details

Set in 1979, following a young Communist man's relationship with a gay Catholic writer, exploring tolerance, inclusion, homophobia and challenging its Cuban audience with great humour. Based on the short story by Cuban writer Senel Paz.

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Reviews

Softwing Most undeservingly overhyped movie of all time??
Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.
Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
Kirpianuscus one of films with status of experience. because it is a simple and precise pledge for discover the other. because it is a great friendship story. because it defines each totalitarian regime in its essence - especially Communism - in the right manner. and, not the last, for great performances. Jorge Perugorria is the fine example, his Diego being brilliant example of vulnerability, force and special form of wisdom. Vladimir Cruz, as the young man looking his sense/happiness, Galateea of a not ordinary Pygmalion, does an admirable work, too. and it is not fair to ignore Francisco Gattorno who has the chance to propose more than a character from the Latino soap opera area. "Fresa y chocolate" is one of films who must see twice. in strange way, for its beautiful simplicity. because it remains one of the most touching pledge for the courage to be yourself. and for the joy of life. and for authentic links between people. short, a real great film.
Chris Adair Homosexuality is something that is not accepted in many countries, and this Cuban movie is based in this sentiment. The dramatic-comedy Strawberry and Chocolate was directed by Tomás Gutiérrez Alea and Juan Carlos Tabío, and was an adaptation of the story "The wolf, the forest, and the new man" by Senel Paz. This movie represents very well the sentiment against homosexuality that still exists. Vladimir Cruz plays the part of David, the protagonist (the "new man" in Paz's words), and Jorge Perugorría plays the part of Diego (the wolf).The plot begins in Havana with David and his failed attempt to make love to his girlfriend, Vivian. It continues later on Vivian's wedding day with another man, while David watches them from the background. Depressed, David goes to the ice cream stand and meets Diego, who is clearly homosexual. Diego invites him to his apartment, but David flees suddenly because Diego is very strange. He later returns to the apartment because he is under the pressure of his roommate, Manuel, to investigate "the queer." Friendship begins to grow between David and Diego. Diego is smart, knows a lot about art and culture, and teaches these things to his friend. The friendship between David and Nancy, one of Diego's friends, grows as well and they make love at the end of the movie. But, Diego is in trouble after sending a letter that ridicules the government for not accepting his art exhibition and, for this reason, the government kicks him out and he has to leave the country. The movie ends with a touching hug between Diego and David. I like the plot because it uses elements of comedy to demonstrate a serious theme, and I thing that this works well.There are two themes that clearly exist in this movie: friendship and tolerance. True friendship can only exist when two people accept each other as they are; not only physically, but on the inside as well. For example, friendship is nonexistent between Manuel and David because Manuel doesn't care about David's personality, rather his actions. By the end, David and Diego adore each other for all the qualities they have, and do not worry about physical things. Tolerance is something different and is important as well. Many people in Cuba (demonstrated in Manuel) and other countries can't change their thoughts about homosexuality because they are too strong and unmovable. David's tolerance for Diego grows during the progression of the movie and it is realized at the end with a hug between friends.The use of light works well to show the mood of the movie. The darkness at the beginning shows the feeling that they are doing something bad or dirty, and the brightness when David and Diego are in the hideout (Diego's apartment) at the end of the movie shows that things will be fine. The acting is good and adds to the movie. Sometimes, Perugorría's acting is too cheesy, but it works to show his strange character. Through Cruz's good acting, one can clearly see David's emotional growth with his new friendship with Diego, the strange guy.In reality, people do not accept a change from the norm, and this is true especially with homosexuality. Homosexuals still fight today in many countries for their rights, but many people still don't accept them. This movie shows us very well this feeling through drama but also with a few moments of humor. I would recommend this to my friends because it isn't too serious, but nonetheless has a moving message for the viewer.
Libretio STRAWBERRY AND CHOCOLATE (Fresa y Chocolate) Aspect ratio: 1.85:1Sound format: Ultra-StereoUsed as an unwitting pawn by his pro-revolutionary colleagues, a naive student (Vladmir Cruz) is encouraged to develop a platonic relationship with a flamboyant gay artist (Jorge Perugorria), whose political allegiances have fallen under suspicion. But as their friendship deepens, Cruz is transformed by Perugorria's resistance to the Cuban regime, even as the forces of oppression begin to close around them.Based on a short story ('El Lobo, el Bosque y el Hombre Nuevo') by screenwriter Senel Paz, STRAWBERRY AND CHOCOLATE is a joyous celebration of life and non-conformity, distinguished by Perugorria's vivid performance as a self-proclaimed 'outsider' who rejects his friend's unquestioning loyalty to the Cuban political system that is stifling their beloved homeland. Their budding relationship is complicated by Perugorria's unrequited love for Cruz, depicted here with dignity and compassion, though it's their political differences which ultimately unite the two characters, even as Perugorria is forced to reap the whirlwind of his public defiance. Also starring Mirta Ibarra as Perugorria's flaky neighbor, who introduces virginal Cruz to the joys of sexual liberation! It isn't a terribly cinematic film, but production values are solid, and the characters are played with such integrity, it hardly matters; this is a movie in which ideas take precedence over action, and the emotional payoff is quite powerful indeed. Beautiful music score by Jose Maria Vitier, too. Directed by Tomás Gutiérrez Alea and Juan Carlos Tabío.NB. The original US version (released by Miramax) is missing approximately six minutes of footage. Absent material includes a brief conversation about racism during Cruz's first visit to Perugorria's apartment, and a sad little sequence in which the two characters pretend not to notice each other after meeting by accident in a bookstore.(Spanish dialogue)
meitschi A beautiful movie for the heart. One of the most wonderful stories of friendship ever told.Jorge Perugorría as Diego is amazing. (I'd well like to see some of his other work.) It is most astonishing to see how his character develops from the limp-wristed cliché gay at the beginning to a fascinating man who gets in conflict with the regime because he is different on every level from what the system requires him to be: he is an independent spirit, a person with a genuine love for the arts, for literature, for music, he is disappointed by communist ideals - and he is also gay, by the way.Vladimir Cruz is also very fine as the young and naive David who discovers things through his friendship with Diego he'd never ever thought of: like discovering the beauty of things, of life, of poetry and music... And also being committed to another person, even though this person may seem very 'different' from oneself at first glance.The development of David's and Diego's friendship is fascinating (I wouldn't interpret anything more into it, not even in the final scene). This is also a "coming of age" tale, in a way: by his friendship with Diego, David begins to think, develops a maturity of spirit - and is also, at last, able to develop a loving and mature relationship with a woman. It is very sweet when he tells Diego: "No-one will hurt her. She is with me."A true gem of a film. I recommend it to everyone.