Hellen I like the storyline of this show,it attract me so much

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Fairaher The film makes a home in your brain and the only cure is to see it again.

PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Leofwine_draca Despite the crassly exploitative title, which offers up unimaginable sleaze and depravity, STRIP NUDE FOR YOUR KILLER is actually a rather straightforward and down-to-earth giallo yarn, albeit one littered with nudity and gory violence. The plot kicks off with a nasty abortion, followed by a woman's body being dumped in a bath (!?!) and soon enough a string of graphic slayings are taking place. The killer this time around is an asexual figure in a motorbike helmet who slashes their usually naked victims to death. This work of trash is directed by Andrea Bianchi, best known for his zombie epic BURIAL GROUND, working with a bigger budget than usual and displaying a certain visual flair not seen in his later work.As is usual for the genre, the dubbing is unbelievable and the characters rather cheesy, including an obese womaniser who only finds love from his blow-up doll! The acting is unmemorable but the cast attractive, especially the female performers who spend most of their scenes in the nude. Edwige Fenech takes the leading role, giving the film a female protagonist for a change, and makes quite an impression. The use of a fashion house as a setting for the murders recalls Bava's BLOOD & BLACK LACE but this is far from the intricate masterpiece of that movie; instead, this is an occasionally confusing but mainly solid giallo enterprise offering plenty of exploitation and a minimum of intelligence. The gore effects are cheap but plentiful. Fun for genre connoisseurs, unfulfiling for others.

jadavix "Strip Nude for Your Killer" is a classic example of an over-sexed giallo, boasting not one but two of the sexiest screen sirens of all time: the mesmerising Edwige Fenech, and the beautiful Femi Benussi. The movie wastes no time in getting both naked - Femi strips in the first few minutes, has a lesbian scene, and even gets offed in the nude!The sense of mystery is not all that prominent, but the movie gets quite suspenseful toward the end as we watch our girl Edwige attempt to outsmart the killer. This is why I rate SNFYK higher than "Case of the Bloody Iris", another entertaining giallo that didn't manage much suspense.The movie is not particularly graphic in the killings themselves, but in the aftermath no detail is spared, and it's almost sickening. Worth it, though, for this wonderfully sleazy and entertaining film, with so much beautiful naked flesh to gawk at. Edwige and Femi aren't even the only ones who get their clothes off.It did leave me wondering, though: why do so many gialli feature outrageously camp gay men who always end up getting killed? It's like the Italian version of "black guy who dies first" in American slashers.

tomgillespie2002 When a model unexpectedly dies during an abortion procedure, the doctor carrying the operation out phones for help and sets it up to look like the girl died of natural causes. Shortly after this, the doctor is brutally murdered outside of his home. And so begins a string of brutal killings, all connected by a modelling agency named Albatross. One of the main suspects is Carlo (Nino Castelnuovo - who had previously starred in The Umbrellas Of Cherbourg and Rocco And His Brothers), and slightly sleezy and ambitious young photographer who we first meet hiring a model and then trying to sleep with her in a steam room. He begins to date photographer Magda (Edwige Fenech), but can he protect her from the vicious killer who seems to be bringing down Albatross single handedly?For all the perverts out there, this is possibly the greatest film ever made. For an apparently up-market modelling agency, the models seem to get their private parts out a hell of a lot. Well I suppose they had to get the audiences in somehow, as the film has very little else going for it. Even for a giallo, the dubbing is atrociously bad. The best they could come with for the killer is to dress him/her up in a motorcycle costume and helmet. And for all the usual style of the giallo genre, the scenes of violence and gore are disappointingly tame and bloodless (and when there is blood, it's clearly just paint!). No suspense is built by the quite boring set-pieces, and the director seems to think the longer the set-piece, the more tense it will be. Another case of great title, crap film.www.the-wrath-of-blog.blogspot.com

BA_Harrison A mysterious killer, dressed in black leather and a motorcycle helmet, is offing the staff and models at an agency/studio; risking their lives, Magda and Carlo (Edwige Fenech and Nino Castelnuovo), a couple of photographers, attempt to discover the murderer's identity before they too become victims.Andrea Bianchi, director of cheesy fun 80s zombie movie Burial Ground, makes sure that this enjoyable giallo lives up to its wonderfully lurid moniker by packing it with tons of nudity, sleazy action, and violent deaths. From start to finish, hardly a minute goes by without either a bloody stabbing or some gratuitous T&A from one of its delectable female stars, which is great news for fans of the genre, particularly if they enjoy their movies on the 'trashier' side.Sexy lead lady Fenech obligingly strips nude for the audience on several occasions, but it is Femi Benussi, as aspiring model Lucia, who really steals the show: with her stunning looks and a winning set of curves, it is a real shame that she falls prey to the leather-clad psycho so early.The story may not be anything particularly special, but the marvellously un-PC content (slutty women are treated like dirt by chauvinist men), endless hot Euro-chicks, and a magnificent funky soundtrack make this one a guilty pleasure.