Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

nachtturne I was looking for movies capturing the nostalgic aspect of teenager movies, when a friend of mine recommended me Submarine. While I didn't quite find what I was looking for, Submarine prove itself to be a very enjoyable movie.The story follows the teenager Oliver Tate (Craig Roberts), a british high schooler, who set two objectives to achieve: firstly, to lose his virginity, and secondly, to fix his parents deadbedroom-syndrome and with it, their marriage. While the plot itself is very similar of those teenager movies Hollywood turns out twice of thrice a year, Submarine puts the trope in a very British frame. The analytic monologues of Oliver, the light, humour-infused surrealism, and the creative camera work really separates this movie from its peers.I found the acting a bit ambivalent. Yasmin Paige (Jordana) was outstanding in my opinion, she aced all the different attitudes of her character: Jordanas spleen and edge was just as authentic as her smiling and actually having fun, or caring deeply for her mother. Craig Roberts appealed to me aswell, Olivers monotonous or rather apathetic mood was very well played (especially the awkward smiles and angsty body language). The excellent chemistry of the two leads resulted in a very honest and lifelike portrayal of early teenage relationships, with all the cosmetics (e.g. the preconceptions about love, relationship roles and small mind games) on-point. However, the other characters, including Olivers parents and Graham, were forgettable in my opinion - their attitudes came off as boring. I felt like it was the main reason the marriage plotline was a bit stale for me.Submarine could have been one of my favorite movies, had I seen it in my teenage years; as an adult, it is still a very entertaining and refreshing take on the coming-of-age genre.

villeevil I suppose this could be called the movie of the year, but that wouldn't be right. To call it the movie of the year, would indicate that it was the only movie out that year, and that would be misleading, since many other movies came out that year (2010). So while not technically the movie of the year, it was one of the many movies released that particular year. And as such, it was one of the movies of that year that were really good. Many other movies released that year were also good, and among them this one is no exception. So as far as movies released that year go, this movie is really good. Even when taken out of context, discussing movies released on different years, this movie of that year (2010) would fare pretty well in comparison. All and all, a good movie.

Reuben Saunders Both a comedy and an emotional roller-coaster, this film knows what its doing.Made up of a cast largely unheard of and a small budget, it isn't exactly a blockbuster. The film is helmed by Craig Roberts, as the main character Oliver Tate, a geeky 15-year-old who goes to a state school in Swansea and lives with his mother and father as an only child. The film's beginning leads you into thinking the film is a comedy, but as it progresses the comedy becomes more and more a thing on the side, as the story, drama and emotion totally kicks in.This works, as the balance between comedy and drama is pretty much perfectly struck – although a little more comedy would work. Both sides of the film are fantastically written and directed by Richard Ayoade, with unique cinematography and a fantastic script along with some quirky aspects such as the use of parts in the film, and different colours between scenes depending on the mood — red in part one signalising Oliver Tate's excitement and confusion and blue in part two to show that the emotion is kicking in. Or at least that's what I gathered. It's a clever idea but I'm not sure it's one that benefits the film itself, rather sets itself apart from others more. It is indeed a very unique film, and a clever one; and it does to a good job setting itself apart from just about anything else.Filled with fantastic performances, namely Craig Roberts, well- written comedy and drama, likable characters, a gripping plot and interesting quirks, this film is proud to be British, and it's great. Nonetheless, it's probably not for everyone, and a little more comedy would have been nice.83/100.

Steve Pulaski NOTE: This film was recommended to me by Rachel Davis for "Steve Pulaski Sees It." Richard Ayoade's directorial debut Submarine is so close to being a Wes Anderson film that all it's missing is the polish. By polish, I don't mean Ayoade's film is sloppily constructed or poorly shot, but unlike Anderson, who emphasizes heavily decorated sets, immaculate symmetry, and astute framing, Ayoade emphasizes a more natural and intimate style of filming. Ayoade works to emphasize character facial expressions, in addition to his characters becoming sole subjects of a scene as they discuss the film's events or narrate certain parts in a manner that breaks the fourth wall.The result is a quaint comedy-drama that unfortunately succumbs to its identity crisis and its desire to try and find a path before it figures itself out, much like its main character, Oliver Tate (Craig Roberts). Oliver is a fifteen-year-old boy living in Swansea, with a crush on his cute but ordinary classmate Jordana (Yasmin Paige). The two wind up going out after Oliver's passes result in defeat on Jordana's behalf and acceptance after her own attempt to make her ex-boyfriend jealous failed. Oliver is also concerned with his parents' disintegrating marriage when he notices his father's (Noah Taylor) increasing disconnectedness and his mother's (Sally Hawkins) brewing relationship with a new-age guru (Paddy Considine) that she dated back in school.Oliver is very demanding and blunt, with a desire to use people in his circles as pawns for his greater good without even really knowing it; he takes "having all his ducks in a row" to a new level. He's not necessarily evil, he's just never really been told "no" or been let down in his life until his relationship with Jordana begins going south beyond his control. His intents are not malicious, but his conception of boundaries leave a lot to be desired. Having said that, the relationship he crafts with Jordana throughout the course of the film is a precious one, as is much of the film (until heartbreak begins setting in, and Oliver begins writing notes to himself that will make anyone who has went through heartbreak shatter a bit inside).Submarine is crafted in that indie movie light that emphasizes the quirky and the largely improbable or eccentric. This is the kind of film that requires your suspension of disbelief more often than its filmmakers would like to admit. Going back to Anderson, his films largely work because of the whimsical world they create. In films like The Royal Tenenbaums and Moonrise Kingdom, we get the sense that the verisimilitude Anderson crafts is meant to exist in a fictional realm of reality, where things are unrealistically beautiful and painstakingly decorated, not exactly the world in which we are currently. Anderson is also an anomaly because he can do this without asserting the presence of the world he creates nor really emphasizing that we are leaving the world we live in to inhabit a new land.Ayoade's biggest struggle is not really being sure how to capture Oliver's unpredictable behavior, and in turn, how to communicate its direction to the audience. Is this supposed to be a satire on the absurdity of coming of age films? Is this supposed to be an all-out parody, or sort of a "teens do the darnedest things" episode? Ayoade isn't exactly sure it seems, and as a result, neither am I. The Oliver character isn't grossly unlikable, but he's not a particularly strong or convincing protagonist, despite Roberts doing some strong work as an actor in terms of the copious amounts of dialog he needs to recite within the scenes. However, the monotone nature of the film lacks any kind of justification as to whether or not we're supposed to feel glum during the course of this film, or at least recognize the film channeling morose themes of love and early onset disillusionment.When a film's intentions and themes are muddled, the only thing one can do is spitball, and that's what Submarine requires - a lot of spitballing and contemplating in terms of what it's trying to say and do. The film is heavily reminiscent of later works like Me and Earl and the Dying Girl and The Perks of Being a Wallflower in that it belongs to the category of, what I call, "neo-coming of age," where films are bent on quirks, eccentricities, and heavily scripted dialog in the form of lengthy monologues and precocious characters to appeal to the kids who aren't as likely to speak first in class or completely go unnoticed all together. For a soul as quirky as Ayoade, who did some brilliant comedic work in the British Television show The IT Crowd, I would've expected, yes, a film with more polish and direction. The film's humorous moments and grin-worthy sequences only go so far before we realize that the circumvention we expect from a film is missing and traded for an endless game of connect the dots.Starring: Craig Roberts, Yasmin Paige, Noah Taylor, Sally Hawkins, and Paddy Considine. Directed by: Richard Ayoade.