Sexylocher
Masterful Movie
Livestonth
I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
HottWwjdIam
There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.
Hulkeasexo
it is the rare 'crazy' movie that actually has something to say.
ma-cortes
This war movie is loosely based on a real World War II mission, Operation Source , which was staged during September 1943 and being written by prestigious Edmund H. North . Operation Source involved a number of secret attacks on a number of German battleships, in northern Norway using X-class mini submarines . This film's 'Submarine X-1' title refers to the X class submarine which was a real World War II midget submarine class built for the Royal Navy during the 1943-44 period , the mini-subs were also known as X-Craft . After losing a submarine and fifty crew in a battle with a German ship during WWII, a Royal Navy officer , Lt. Commander Richard Bolton (James Caan received top first billing amongst a cast of characters who are predominantly English) , a Canadian , gets a second chance in a daring raid with midget subs . The film begins with Commander Bolton and a few surviving crew members of his 50-man submarine Gauntlet swimming ashore after unsuccessfully attacking German battleship Lindendorf . After a review, Captain Bolton is cleared of any wrong doing and placed in charge of a small group of experimental X class submarines . His own men (Nick Tate , Paul Young , Norman Bowler , William Dysart , among others) may prove a bigger obstacle than any of his stiff-upper-lip officers . His mission is to quickly train crews to man the submarines and sink the Lindendorf (the real life World War II German battleship was 'Tirpitz') while it is hidden away in a Norwegian Fiord . The submarines have been tracking the movement of the German ships . Two of the submarines are lost while attempting to cut through submarine nets at the entrance to the fjord . As Bolton is forced to make hasty preparations for his attack before their submarine base can be destroyed ..Submarine X-1 is a 1969 British World War II war film loosely based on the Operation Source attack on the German battleship Tirpitz in 1943 , it was also the subject of an earlier movie, Above Us the Waves (1955) by Ralph Thomas with John Mills . It's a fictionalized recounting of the Submarines X1 with a sustained and predictable story ,although partially based on true deeds . Lots of underwater scenes and stock WWII , especially when German paratroopers dropping from planes to earth . Passable acting by James Caan as a commander whose mission is put in charge of the submarines to quickly train crews and sink the Lindendorf while it is hidden away in a Norwegian Fiord . The film progresses with Commander Bolton training the crews of the three submarine , even though the crew lacks faith in his command abilities . He must overcome tensions with some of his former crew members , while keeping their activities hidden from outsiders and German airplanes . The highlights of the movie are the violent as well as exciting fights of the crews who successfully fend off an attack by German commandos, who discover their base . And thrilling scenes at the end when the surviving submarine penetrates the submarine nets in the fjord and places explosives under the German battleship . Atmospheric cinematography by Paul Beeson , Walt Disney's usual cameraman, though an alright remastering is necessary . Being filmed on location , shooting was filmed in Scotland . Good and enjoyable musical score by Ron Goodwin . The film was produced by Oakmont production , a company exclusively dedicated to warfare films (Hell boats , Mosquito Squadron , Thousand plane raid, Last escape) . The motion picture was middlingly realized by William A Graham who displays enough some spectacular underwater images to keep things interesting . Apparently, director William A. Graham worked on the film's original screen story with writer/producer John C. Champion but is uncredited for such . William A Graham directed various TV series and episodes as ¨The fugitive¨, ¨The Virginian¨, ¨Breaking point¨ and occasionally for cinema as ¨Return to the Blue Lagoon¨, ¨Waterhole¨ , ¨Guyana tragedy ¨ , ¨House of Garibaldi Street¨ and film-making several Westerns as ¨Montana¨ (90) ¨Billy the Kid¨ (89) , ¨Last days of Frank and Jesse James¨ (86) and ¨Harry Tracy , the last of the Wild Bunch¨.
bruce.evans
Remember, it's a B movie from 1968--before the days of computer graphics, Star Wars and the like. As such it's an entertaining ninety minute war movie. There's no sex, no nudity, no swearing. You can watch it with your kids.It's an old fashioned good guys triumph movie. What spoiled it a bit for me were some of the factual inaccuracies. In particular, the scuba equipment is 1968 issue, not WWII. The actors are using modern single stage compressed air scuba gear. Besides not being available in WWII, it would have been a dead give away. If anyone has seen the bubbles on the surface such gear causes, you'd know stealth is not the word you'd use.In WWII they used double hose, oxygen re-breathing apparatus. No air was released into the water so there were no air bubbles to give away the whereabouts of the diver. As well, in WWII, the divers used goggles rather than face masks.The second inaccuracy was the commander's hat. It was not a naval hat but a guards regimental hat with its visor coming down over the eyes of the wearer--the brim on a naval officer's hat was much narrower and higher enabling him to see out across the sea.In spite of this, I enjoyed it.
rudge49
This movie is another one not to bother with. I prefer my historical movies as accurate as possible as reality is usually more dramatic and entertaining than hokeyness. There was an X-craft squadron, they did train rigorously for a raid against the Tirpitz (the movie calls it the Lindendorff-why fictionalize it?), they almost succeeded, the did penetrate the Tirpitz's defenses, damaged it badly enough that it could never sail at full speed again. Why not pay tribute to these brave men who fought for our freedom by telling their story straight? And the special effects are cheesy-the ships look like the models I built as a kid in the 1960s.
gravyshanks
Remember how the Stones and the Who and the Kinks were all rebelling against the establishment in England around 1968? Apparently, the establishment was busy making movies like "Submarine X-1." This movie was a major step backward for cinema, bereft of innovation and dynamic action. I Tivo'd this movie because the description "a Canadian commander trains midget submarine crews" made it sound like there were little people in little subs. Alas, there are normal sized people only. And Jimmy Caan.Caan plays the Canadian, which is only slightly easier to believe than if he were playing an Englishman. He's rugged and manly and wears great knitwear while he looks harshly at people, sailors, who then take offense at his harsh Canadianness. Caan looks harshly into the distance and, as his men train at cutting fences underwater, he looks harshly at the sea. THIS IS THE ENTIRE MOVIE. A whole lot of underwater fence cutting, harsh looks, sweaters and the aforementioned midget submarines. Thank god for the ill-conceived Nazi commando attack on the secret base which reminds the viewer that there ARE stakes, there IS a war and it's with the NAZIS, so everything better go as planned or else V-E Day might not happen until May 9th or 10th.Aside from the submarine interiors tilting for realism, there's very little that's progressive about the movie's construction. The camera is just kinda there in the room, not doing anything remarkable. The pace is monotonous, the sets are stagy and the performances are mannered, except for the harsh staring, of course. William Graham did a lot of television both before and after "Submarine X-1," so it would be easy to write off the clumsy filmmaking at the hands of a TV director. But Richard Lester, Ken Loach and John Frankenheimer came up as TV directors and were busy inventing and pushing cinema forward in 1968. Keep in mind that the rest of the world has been watching movies influenced by the French New Wave. In 1968 Hollywood made "Bonnie and Clyde," "Rosemary's Baby" and "2001: A Space Odyssey." In other words, there was a new filmmaking realism established by then that "X-1" refused to acknowledge. At a glance, someone could mistake this movie as being made twenty five years earlier. No wonder Pete, Mick, Ray and even Ringo were such angry young men.