Steinesongo Too many fans seem to be blown away

Manthast Absolutely amazing

Grimossfer Clever and entertaining enough to recommend even to members of the 1%

Cristal The movie really just wants to entertain people.

melinmo Full disclosure, I didn't make it all the way through this film. Thirty minutes was all I could stand. The acting by all concerned was very much like a high school play (and not a good one). The dialogue was ridiculously silly. I am mystified by all the reviews of how Sinatra saved the film with his "brilliant" performance. I have never seen a brilliant Sinatra performance...no, not even the Oscar one in Eternity. But even Olivier could not elevate this putrid screenplay. Aaron Sorkin has ruined me for other screen writers.

ofpsmith Suddenly is a solid thriller. The premise and setting are simple but it's really intense. The president of the United States is passing through the town of Suddenly, California. But mercenary John Barron (Frank Sinatra) enters the house of Peter "Pop" Benson (James Gleason) then proceeds to hold Pop, his daughter Ellen Benson (Nancy Gates) her son Peter "Pidge" Benson (Kim Charney) and the Sheriff of Suddenly Todd Shaw (Sterling Hayden) to kill the president. Under capture Todd has to figure out a way to save the Bensons and the president. Sinatra does a good job in the role and it's one of the few times we see him as a villain. Hayden also does a good job and it's an overall good thriller.

Blake Peterson For his entire career, Frank Sinatra remained the skinny kid (and later skinny legend) with a voice that made you believe in God. That voice, that voice, was and is one of the many wonders the entertainment industry has given us over the years. Throughout the 1940s, he was placed in throwaway musical comedies that only continued to paint him as a singer first and foremost — but the 1950s changed all that typecasting stuff.Beginning with his stunning performance in 1953's From Here to Eternity, for which he won the Academy Award for Best Supporting Actor, audiences were introduced to Frank Sinatra The Actor; he was no longer just a singer who decided that headlining movies would be a fun side-gig. Today, only the nerdy cinephiles seem to appreciate his stunning acting abilities, while the rest of the world paints him as Old Blue Eyes. Either party will find themselves bathing in a hearty basin of nostalgia, but exploring all of his occupational triumphs is nothing short of astonishment. Singers turned actors were and are never ever this talented.Suddenly continued his "serious actor" path, placing him in a low-budget thriller and having much of the focus lie single-handedly upon him. Like Dial M for Murder, much of the action takes place in a single location — a house in the suburbs — and like The Manchurian Candidate, the assassination of the president may or may not be the climax. At just 77 minutes, it's a tight, to-the-point psychological exercise, giving Sinatra one of his juiciest roles as the assassin. It's an unexpected character for an actor who always played the hero.In Suddenly, Sinatra portrays John Baron, a psychopathic sniper whose arrival coincides with that of the country's leader, who is stopping by the small town of Suddenly, California for a visit. John's intent is to ambush him and successful exterminate him, with payoff. Finding a perfect safe house in the suburbs, Baron and his men hold the Benson family hostage until they meet the point of no return.The film is a minor work in Sinatra's filmography, but it's also an important one. It shows a performer unafraid to explore low-budget but challenging territories, curious about his abilities and willing to see how far he could go. As Baron, Sinatra is surprisingly formidable, managing to make us forget about his charming past and replace it with unbridled fear. Perhaps Suddenly is too stagy for my taste, but it manages to be taut and pulse-pounding when we least expect it. This isn't a film concerned with deep characterizations or in your face action — it is a film about acting, writing, and directing, and how the three characteristics can take you to places you never thought you would have traveled to before. Read more reviews at petersonreviews.com

Spikeopath Suddenly is directed by Lewis Allen and written by Richard Sale. It stars Frank Sinatra, Sterling Hayden, James Gleason, Nancy Gates, Kim Charney and Christopher Dark. Music is by David Raksin and cinematography by Charles G. Clarke.The small American town of Suddenly is gearing up for a pit stop visit by the President of the United States. Unfortunately the President's visit has attracted the attention of assassins, who hold hostage the Benson family and friends as their home is the perfect viewpoint for a sniper shot at the President…Show me a guy with feelings and I'll show you a sucker.Sinatra was never comfortable with his role in Suddenly, even before he "requested" it be removed from circulation post the assassination of his friend JFK in 63, there was a feeling within the Sinatra camp that playing such a despicable character would harm his image. More so as it came a year after his Oscar winning performance in From Here to Eternity. Blue Eyes would even try to make good on the characterisation by reversing the roles as it were for The Manchurian Candidate 1962, but of course a lot of things changed after November 22nd 1963. This all gives Suddenly a curiosity value that it actually doesn't need, for it's a gripping thriller capable of standing on its own two feet, and it's boosted by a terrific performance from Sinatra, one of his best in fact.That it was hard to see for quite some time is a shame, because it deserves to be better known. The makers take a hostage scenario and give it a noir edge by way of the conspiracy angle, some paranoia, a family in peril and a strong noir staple of a returning soldier from a war badly scarred by his experiences. In this case John Baron (Sinatra) has the taste for killing, as he is taunted by chief hostage Sheriff "Tod" Shaw (Hayden) about his means and motives, that Baron just likes to kill, Baron repeatedly rants that he was a Silver Star winner, that he killed 27 German soldiers, but this doesn't hide the fact that he has no compunction about killing the President for money. To him the President is just a mark of no significant interest, Baron is a real cold fish and Sinatra gives a thunderously twitchy coiled spring portrayal.Sinatra is backed up by Hayden doing one of his strong macho type turns, and Gleason scores best of the support actors as a wise old boy who himself was once in the Secret Service. These two bastions of Americana off set the near irritating characterisations of Ellen Benson (Gates) and Peter Benson III (Charney), the former the hysterical female, the latter the annoying kid saying illogical things. However, these two stereotypes don't harm the picture, because director Allen manages to keep the group under duress dynamic ticking away, smothering it with claustrophobic atmosphere to then unleash all for the explosive finale.It's set in daylight and visually it's nothing to get excited about, in fact much of the film is set in one living room, while the patriotism over traitorism is a necessary piece of thematic flag waving. But this comes highly recommended as entertainment as sleepy small town Americana is jolted out of its stupor. 8/10