KnotStronger This is a must-see and one of the best documentaries - and films - of this year.

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

betina-18954 I owned a dvd with most of these cartoons on it when i was 6 years old. I saw them, and as a kid i didn't like them. But now as a young adult, i appreciate them alot more. However i would be lying if i said these Superman shorts are timeless. If you were to compare them to later action cartoons like Batman: The Animated Series, Justice League, Teenage Mutant Ninja Turtles, Teen Titans, Avatar, or even the later Superman: The Animated Series with they're longer running time and much more developed characters, then compare the Superman shorts to the cartoons i just mentioned, then the shorts are inferior nowadays. There was even one critic on IMDB who didn't like the short running time, and lack of character development, in these cartoons. But the thing is that no one had made a real action or superhero cartoon, and the Fleischers were probably only experimenting with how action cartoons could be done. And these shorts could probably be considered an experiment of action cartoons. And no one had made action cartoons before this, so the result is pretty impressive for the time. And yeah the designs are kinda 40s, but this was popular back then. Why this didn't win the Academy Award for Best Animated Short, is beyond me. I mean the Pluto film was cute and all, but did you see this? This was far superior, and much more ahead of it's time. Anyways onto the cartoon.The cartoon starts with the opening credits. Then an introduction to Superman and his origins with narration is showed. You know, he came from Krypton and the way he came to Earth and discovered his powers. It's the only cartoon in the series to have this narration tell his origins.The story is very simple, it's about this evil scientist who tries to destroy cities around the world with his death ray, because people didn't take his warnings seriously. The Superhero fighting a mad scientist cliche is one that has been done to death ever since, so much that it even has been parodied. However at the time it was something new. Lois Lane wants to get the story, then flies to his hideout with her private plane, then the scientist's pet bird spots her. Btw the bird is like the only cartoony character in this cartoon, which is kinda funny. Then Lois gets captured, the death ray destroys Tower Bridge, and tries to destroy buildings in New York, and it's up to Superman to save the day.So what do i and don't i like about this cartoon. Well the only thing i don't like is that, again, it isn't timeless, and it's dated by today's standards. But actually, that's pretty much it.So what do i like about this cartoon?? The animation is as everyone else say, great. The rotoscoping is amazing, and the death ray is animated very detailed and beautiful. The music is also great. In fact it's my favorite Superman theme of all time. And the voice acting is top notch, even having Jack Mercer (The voice of Popeye) as the Mad Scientist. And the fact that it's the first action cartoon was pretty groundbreaking for the time.This cartoon isn't timeless, but was groundbreaking for it's time. 10/10

Platypuschow This early Superman animated effort is truly vintage, it has that same animation and audio style as most cartoons of it's time and clearly very Warner Brothers influenced.Less serious than most of his outings this is a 10 minute silly short seeing our hero foil the dastardly plans of an evil scientist with a death ray.Plain, simple, harmless but hardly entertaining.The Good:Highly nostalgicThe Bad:Very shortSillyThings I Learnt From This Short:Every mad scientist needs a crow sidekick

winner55 A few notes on the historical importance of the Fleischer Superman cartoons.1. The Superman cartoons formed the first action/adventure/sci-fi cartoon series ever, thus setting the stage for all anime, Saturday morning TV action 'toons, video games and such to come.2. The Superman series quietly helped disseminate art-deco and other modernist design styles into popular culture.3. "The Arctic Giant" episode predates the 'giant dinosaur' film cycle by some ten years; the design of the Arctic giant itself was clearly an inspiration for Toho's Godzilla design.4. The drawing style for the Superman comic books was rather rough, as with most action comics of the type of that era. The Superman cartoons, on the other hand, present a smooth-line style, using dark shadows for modeling. This style was to have a great impact on the "illustrated novel" comic book style that developed in the late '70s - roughly about the time the series was rediscovered by comics/cartoon fans.5. Fleischer studios apparently simply ignored the Superman live-action serials of the time. Thus rather than pursing convoluted plots only resolved by dialog, they chose a compressed narrative style, with hardly any dialog, which emphasizes the plot as realizable only through action.6. Because of this compressed narrative style, the Fleischer story writers were the first to be confronted with the perennial Superman dilemma - namely, how to actually threaten a character who is all-powerful and invincible at least to the extent of creating a plot-motivating conflict. They are not always successful - the episode about the escaped circus gorilla is especially unconvincing - but the effort is fascinating, especially since the comic book Superman writers would not really confront the problem until the 1970s (having used the kryptonite ploy to evade the issue for 20 years).7. Interestingly, the Fleischer Superman series, with its stronger violence and deeper themes, and its commitment to a kind of visual realism, is clearly intended for a more mature audience than the comic books or the live-action serials - despite the fact that it appeared just as major studio cartoon workshops began resigning themselves to entertaining younger audiences.8. "The Eleventh Hour" episode, with Superman acting as saboteur in a personal war against Japan, was released nearly 3 weeks BEFORE Pearl Harbor. The Fleischers thus had Superman join the fight against Fascism world-wide before the US was finally drawn into the battle.9. It is true that the cartoon series defines its character and history differently than the comic book version; but this was when the Superman mythos was still in development, and the Fleischers pursued possibilities for the character the comic book writers had not yet considered (for instance, his ability to fly, his invulnerability, the curiously playful relationship between Clark and Lois - which in the cartoons has a real edge of adult romantic attraction that was unavailable to the comic book writers).It is easy to see why the Superman series did not salvage the Fleischer studios from their ultimate dissolution - they are dark, violent snippets of science fiction drama at a time when audiences were coming to expect cartoon animals playing gags on each other. But it is more difficult to figure out why it lasted for as many episodes as it did. My guess is that the Fleischers realized they were breaking new ground, and were willing to give it as much a chance for success as possible. Unfortunately, they were literally decades ahead of their time. As a particular animated cartoon style, we would not see its like again until the Warner Bros. Batman television series of the 1990s - and by then the idiom was simply accepted as one of many available to animators and cartoon artists.

gothamite27 I have no idea why Superman's logo looks the way it does, (probably something to do with one of Joe Shuster's original drawings) but this is still excellent. There is very little dialogue in these films, and the little dialogue that is played is almost inaudible. These shorts are more for the action fan. In the beginning, Superman can only leap (leap tall buildings in a single bound as it were) but before long, the narrator reveals that flight is also one of his attributes (soar higher than any plane!). During the course of these film-noir cartoons, we see Superman battle robot jewel thieves, a dinosaur, the Japanese, and even some Nazis (Hitler himself appeared at the end of that episode)! This probably might not appeal to fans of the modern day Superman, because the guy we see here is the tough, take no prisoners hero of the golden age. Nevertheless, a great series of cartoons, and as a Superman fan, I must say, I enjoyed them.