Matcollis This Movie Can Only Be Described With One Word.

WillSushyMedia This movie was so-so. It had it's moments, but wasn't the greatest.

Stephan Hammond It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.

classicsoncall One wonders why James Garner's character here wasn't reprised from the prior film that came out two years earlier - "Support Your Local Sheriff". He's portraying basically the same person except that he's got a more mercenary streak in this flick, but still played in the same laid back manner with a note of sarcasm and self effacing humor. As with the earlier picture, some of the support players wind up here as well, most notably Harry Morgan and Jack Elam, along with a less than conspicuous assist from character actor Gene Evans.As for Jack Elam, the thought that came to mind while watching was how his character Jug May compared with the recurring role he had in the single season TV Western 'The Dakotas' from 1962. As the conflicted J.D. Smith, Elam's lazy eye gave him a bad guy look that contrasted with the good guy image he was meant to portray. Here he utilizes an approach that effectively conveys the image of a town bum looking for his next handout. Just as in the earlier 'Sheriff', Elam sides with Garner's character, but this time to pull off a scam whereby he impersonates a notorious gunslinger. I think I liked him better in the earlier film.As for Chuck Connors portraying the 'real' Swifty Morgan, I had to chuckle a bit, because the only other time I've ever seen him appear as nasty was in a fourth season episode of 'The Rifleman' titled 'The Deadly Image'. All throughout that series, Connor's Lucas McCain wound up killing someone in more than half of the show's episodes. In the particular story mentioned, Connors had a dual role as McCain and a vicious outlaw look-alike, and wouldn't you know it, McCain shoots the baddie and by extension, essentially winds up killing himself! The other thing that seemed kind of funny to me was when Colonel Ames (John Dehner) had a couple of his henchmen blow up the entrance to the mine his men were working to further thwart his local rival Barton Taylor (Harry Morgan). Though I know I've seen a similar scenario play out in other Westerns, this was the first time that it ever occurred to me that here was a case of a shaft getting the shaft.Well as it turns out, everything goes just right for Latigo Smith (Garner), but don't question the idea of the 'I Love Goldie' tattoo simply disappearing in the story's finale. Nor the business of his losing a forty six hundred dollar bet not once, but twice on a losing roulette wheel number. But the best had to be Jack Elam spoofing himself at the very end of the picture. I won't give it away, but that lazy eye still had a long way to go.

Robert J. Maxwell Well, a B for effort. It tries hard. Everyone except Garner overplays it in this rip off of "Yojimbo" or "For a Fistful of Dollars." (Take your pick.) Garner is a con man who rides into the town of Purgatory. Two sides are in battle over the contents of a gold mine and they mistake him for the manager of a hired gunslinger. He bilks both sides, meanwhile romancing Suzanne Pleshette.Garner is smooth and transparently phony. He smirks a good deal. But every other character seems to dash about, shout at one another, and shoot guns wildly. The mistaken assumption is that frenzy -- even pointless frenzy -- is in itself funny. The film itself disproves the theorem.For instance, if anyone can find anything amusing about a bar room brawl that breaks out for no reason at all, please let me know so I can send you a personal check for sixteen cents that will bounce. We've all seen a thousand such brawls, with men being pushed through windows, hit over the back with balsam wood chairs, looking cross-eyed when punched, and the bartender is frantically trying to save the mirror. They've been used to far greater comic effect in "She Wore a Yellow Ribbon" and even the unsuccessful "Donovan's Reef." And for dramatic effect nothing equals the fist fight in "Shane." This one could have been written, directed, and edited by a Magic 8 Ball.It was directed by Burt Kennedy, who developed some subtle and witty dialog in the movies he wrote for Randolph Scott in the 1950s. "Ma'am, if you was my woman I'd of come for you, even if I'd of died in the doin' of it." It's almost folk poetry. But, as a director, there's not much he can do with this script, whose funniest dialog runs along the lines of, "Madam, unhinge your jaw and DEPART!"

MartinHafer This film came out two years after SUPPORT YOUR LOCAL SHERIFF. Aside from having very similar titles, both starred James Garner, Harry Morgan and Jack Elam in very similar roles, and the plot itself was so close to the first film it made me wonder why they didn't try something a little more original. Oddly, despite all the similarities, this second film was actually written long before they even made SUPPORT YOUR LOCAL SHERIFF. However, because of the extreme similarity of the films, I really can't rate SUPPORT YOUR LOCAL GUNFIGHTER any higher--though it's still a nice little Western-comedy.James Garner's character is a bit more amoral and weasel-like in this film as he plays a clever con man determined to take advantage of a war brewing between rival mine owners (Harry Morgan and John Dehner). His plan is to pretend that his new-found bumbling sidekick (Elam) is the dreaded gunman, Swifty Morgan and capitalize on how much everyone fears this famous hired gun. The problem is that eventually, the REAL Morgan comes to town and it looks bad for Garner and Elam.While the script was pretty good, there was one big difference about this film that I really disliked. In SUPPORT YOUR LOCAL SHERIFF, the female lead was played by Joan Hackett and she was a total kook--a lovable kook, but a kook nonetheless. Here, Susan Pleshette plays a woman who is rather psychotic and IMPOSSIBLE TO LOVE--someone who would have been institutionalized or killed--not someone who would win the man's hand at the end of the film!! Her psychotic outbursts simply weren't funny and really hindered the film whenever she appeared. While I loved Ms. Pleshette in many roles, this one was simply beneath her. As a result of this and the repetitive quality of the film, it's not a film you must see but more of a likable time-passer. Do yourself a favor and see SUPPORT YOUR LOCAL SHERIFF and only see this second film if you feel you need a lot more of the same.

preppy-3 This was put out in 1971 because the 1969 Western spoof "Support Your Local Sheriff" had been a big hit. It shares an almost identical cast with the first one but isn't a sequel. In this one James Garner plays Latigo. He's a con man he gets to the town of Purgatory to escape from getting married. The townspeople thinks he's the legendary gunfighter Swifty Morgan who they sent for the settle a mine dispute. Also around are Taylor (Harry Morgan) who hired him, his high strung daughter Patience (Suzanne Pleshette) and Jug May (Jack Elam) who becomes his helper.This isn't as fun as the earlier one because most of the jokes here were already used or are pretty bad (the explosions the town has every once in a while was a poor running gag). Also Garner's character in this one is pretty obnoxious while he was nice and kind in the earlier one. Still, this does have its moments and the cast gives it their all. I was glad to see Joan Hackett (who I found WAY too shrill) from the first one replaced by Pleshette. Pleshette (who just recently passed away) is young, full of life and lots of fun. Her attempts to kill Garner were actually pretty funny. Also Elam is on hand again and just as funny as he was in the previous one. Heck he even has the same sort of closing speech again! So, it's not as good as "Sheriff" but not bad. I give it a 7.