Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Sammy-Jo Cervantes There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Scarecrow-88 Obsessive surveillance expert, Harley(Armand Assante), who has multiple screens set up in a city's mall to keep a look out for any possible shoplifting or other suspicious activity, is to teach a college kid, Dennis(Nick Cornish), on probation the ropes. Harley has a seemingly unsavory interest in Assistant Manager Claire(Laurie Fortier), who may get the job of her predecessor, Ben(Robert Rusler) who was caught(by Harley)stealing goods(plasma television)using his position as a means to do so. Claire hates Harley, thinks he's a creep, and knows that he is keeping a close eye on her. Harley resents those who are able to climb the corporate ladder, the fast track, in a small period of time, and he's quite vocal to Claire about this when she acquires her new position after superior Ben's arrest. There's an obvious dark side to Harley, and it's not just the way he goes about his job, but certain extra curricular activities which involves shoplifters who might've gotten out of the mall with stolen merchandise. A room Harley keeps locked(used to be the boiler room before it was shut down), a mannequin's eyes move(..when Dennis leaves the room where the mannequins are stored), and those who had shoplifted from the mall mysteriously vanish without a trace..I think it's easy to see that Harley is behind something malicious and it'll be up to Dennis to take him down.Asante is always intense and intimidating when he has a character that requires for him to be. His Harley is so devoted to his job, he demands excellence from his new protégé. Harley wants to toughen Dennis up, and allows him to collar a street thug who wields a razor at him..Harley doesn't come to his aid, allowing Dennis to stand up for himself, resulting in the street thug's beat down. Harley is hung up on usefulness, purpose, and when shoplifters get a slap on the wrist despite their theft, he feels he must mete out proper justice. But, his adversaries, Claire and Dennis, are up for the challenge of getting rid of their nuisance. Cameras everywhere, his eyes always following them, Harley has outstayed his welcome for quite some time. You know that Harley will have a psychotic break when Dennis discovers that he's been forging check(Dennis' checks) with Claire's name and spending them, which leads to his possible suspension/dismissal..take away the career that is the blood that courses through a man's veins and he's bound to snap. Preposterous ending suggests that Harley is superhuman(how can any human being take a hypodermic to the chest and a tank to the skull and still get back up as if nothing happened?), as Claire and Dennis defend themselves against him as he comes after them. Fans of Assante will probably want to check SURVEILLANCE out, he is the whole show.

merklekranz Better than you might expect from a low budget thriller. The cast, Armand Assante, Nick Cornish, and Laurie Foster, give good performances. Initially the script is fine, as the story unfolds of a mall security guard who tries to control everyone who works there. His strong arming and blackmail puts a certain edge on the film that is always present. If the script had not been altered to inject a hardly developed horror element, the film would have benefited. There simply is too much left unexplained relating to the mannequins and the missing persons. Finally, the let's leave room for a sequel ending, seems totally out of place. "Surveillance" is very watchable, but could have been better. - MERK

innocuous when the first few scenes show video surveillance cameras mounted to the walls without any coaxial cables or power connected to the cameras. Similarly, the cameras are all monochrome (black & white) instead of color, even though the security office uses nice flat-screen monitors. (Yes, I'm in the business.) I have to agree, too, with the other reviewers who have pointed out that not many corporations hire people with criminal records specifically for their own security operations.This is a very over-the-top movie, with some suspense thrown into the mix, but it is just totally unbelievable. I think it might actually make a nice subject for MST3K.

canenas Harley is a reclusive mall security guard whose life's obsession is to apprehend potential shoplifters through a state-of-the-art electronic surveillance network. Trouble is, the would-be shoplifters mysteriously disappear. Dennis, Harley's young apprentice, starts to dig into the shady past of his introvert boss. What he discovers is not very pleasant.The concept behind "Surveillance" escapes the stereotypical clichés of the genre. The movie is solidly built around a robust script with emphasis on plot and character development rather than special effects. Armand Assante delivers a convincing performance as the enigmatic Harley. Direction is by legendary director Fritz Kiersch, whose credits include the cult horror classic "Children of the Corn." The producers include none other than Academy Award winner Gray Frederickson, whose resume boasts "Apocalypse Now" and the "Godfather" series. The production was filmed for very little money in Oklahoma City. Especially notable is the production design by Rebekah Bell and the art department who managed to pull off a credible job on a shoestring budget.