Sweeney Todd: The Demon Barber of Fleet Street

1939 "Brownbeards, Blackbeards, Redbeards. He Polished Them All Off!"
5.8| 1h16m| NR| en
Details

It is England in the 1830s. London's dockside is teeming with ships and sailors who have made their fortune in foreign lands. Sweeney Todd, a Fleet Street barber, awaits the arrival of men whose first port of call is for a good, close shave. For most it will be the last time they are seen alive. Using a specially designed barber's chair, Sweeney Todd despatches his victims to the cellar below, where he robs them of their new found fortunes and chops their remains into small pieces. Meanwhile, Mrs Lovett is enjoying a roaring trade for her popular penny meat pies.

Director

Producted By

George King Productions

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Clips

Also starring John Singer

Reviews

Laikals The greatest movie ever made..!
Actuakers One of my all time favorites.
Lucybespro It is a performances centric movie
Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
mark.waltz Lacking the motivation that made the musical Sweeney Todd more understandable (if equally as reprehensible), Tod Slaughter's Sweeney is a barber of impeccable reputation who seems to slit throats just in order to rob his victims. Of course, he's also a dyslexic Sweeney, flipping the switch to have his barber chair turn upside down, knocking his victims out, and then slicing and dicing so meat pie shop owner Stella Rho can grind em' up. Most of the musical's characters are there, but the villainous Judge Turpin has been changed into a local aristocrat without the lecherous motivations that made that character's dispatchment the most anticipated murder in the musical. The rivalry is between Sweeney and the character of Mark, a sailor in love with Johanna, the governor's daughter. Mark, of course, became the character of Anthony in the musical, a friend of Sweeney's, but here, Slaughter's intentions are to knock him off so he can get Johanna (his daughter in the musical) for himself.The character of the Beedle, so slimy in the musical, has simply been changed into an imperious authoritative character, almost the twin of "Oliver Twist's" Mr. Bumble. The art direction of the connected shops is fascinating, watching Mrs. Lovett leave her pie shop (after giving poor Tobias a huge pie for a penny) and go into the catacombs to get into Sweeney's barber shop. There's no love lost between the two, as evidenced by his cheating her out of half the take of one of his victims, so most of the classic conflict is gone. Even at just over an hour, this "Sweeney" is rather boring, even when comparing to Slaughter's other histrionic melodramas and not taking into account the musical which help make this tale even more of a legend 40 plus years later.
Woodyanders Slimy and deranged Fleet Street, London barber Sweeney Todd (a gloriously ripe and juicy serving of prime eye-rolling Victorian theatrical ham by Tod Slaughter) murders costumers for their money and valuables. His baker accomplice Mrs. Lovatt (a fine performance by Stella Rho) disposes of the bodies by turning them into meat pies. Complications ensue when Sweeney tries to get the lovely young Johanna Oakley (the fetching Eve Lister) to marry him, which doesn't meet with Mrs. Lovatt's approval. Director George King relates the engrossingly ghoulish story at a constant swift pace and does a nice job of evoking a flavorful 19th century period atmosphere. Moreover, the game cast sink their teeth into the macabre material with obvious relish: While Slaughter clearly dominates the show with his marvelously over-the-top portrayal of the demonic and depraved Sweeney, there are still bang-up supporting turns by John Singer as Sweeney's eager young apprentice Tobias Rag, Bruce Seton as likable working class sailor Mark Ingerstreet, D.J. Williams as Johanna's stern father Stephen Oakley, Davina Craig as cheery maid Nan, Jerry Verno as Mark's helpful friend Pearley, and Billy Holland as smarmy, blackmailing fence Mr. Parsons. Technically, this picture is a rinky-dink shambles, with rough cinematography, scratchy sound, primitive fade-outs, and a mushy string score, but Slaughter's delightfully devilish full-blooded histrionics and a most amusing sense of pitch-black gallows humor both ensure that this film is a great deal of wickedly enjoyable fun all the same.
Spondonman When UK Channel 4 first showed this in the '80's I couldn't initially figure out what they were playing at with such a cheap creaker. But I quickly got sucked into its murky realms, more importantly got into the spirit of the thing and enjoyed it immensely. It's not essential but hissing, booing, stamping your feet and cheering in the right places would help too. Over the years they showed lots of Tod Slaughter's other barnstorming efforts for the Quota-Quickie (George) King, but none turned out as satisfying overall as this is. I'm glad to see it's out there on DVD just in case they never show it again.Sweeney Todd is an avaricious lecherous conniving violent barber who thinks he is a "tender-hearted chicken" and who has two sidelines: polishing off his customers well and helping the next door shop's production of meat pies. First sensationalised in a play in Victorian times it was supposed to be based on fact; nowadays they're content just to rip you off and not to pieces. Hairy Bruce Seton was the goodie in love with the capitalist's lovely daughter whom Sweeny Todd also actively coveted. Slaughter's performance is a masterclass of Victorian melodrama, no one else ever intentionally equalled him on film – if you let him he can replace any derision with admiration for such a marvellously over the top melodramatic performance … and his razor-like wit. Same as with the cannibalism the moustache twirling was only implied. His was a style of acting that had died away with the Edwardians but was deliberately continued by him over the following decades, much to the delight of the many theatre audiences who saw him and who interacted with him accordingly. The sweetly melancholic and insistent background music reminds you that you are watching a nostalgic portrayal of a dead world, which would have provided an indescribable frisson to the older members of the original audience watching it at the cinema who perhaps might have first seen the play 50 years before. Slaughter managed to play Todd on stage over 4000 times, but died at age 71 in 1956 just after performing Maria Marten or the Murder In The Red Barn at the Derby Hippodrome – now under threat of demolition. I won't ever be watching the new musical because the words "gruesome gory graphic violence" cropped up in reviews – why waste my short time left on Earth being debased?So: an ultra cheaply but lovingly made nostalgic tongue in cheek melodrama – a unique priceless treasure indeed.
Schweinkatz Was fortunate to get a copy of Sweeney Todd in a set of classic horror movies on DVD. Loved it! I think the meat pie contents were plainly implied. Old time movies left so much more to imagination. That way you could take the kids to the movies if you couldn't afford a baby sitter and the adult stuff just went over their heads. These types of movies are probably not to everyone's taste but for us fans, this one is tops. It just goes to show what can be done with small budgets and no technical effects. And just as an aside, has anyone noticed the resemblance Michael Palin (Monty Python Show) has to Tod Slaughter? I'm wondering if they are related to each other.