Matrixston
Wow! Such a good movie.
Protraph
Lack of good storyline.
SincereFinest
disgusting, overrated, pointless
Curapedi
I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
Aglaope
My ratings are not generally too far away from the average of all the voters. On this one I am. I think it is much better than the current 4.4. If a good movie to the watcher is a recipe and all the ingredients must be present this movie is not for you. There are no nice views or colours, subplots, getting to know the characters, expensive sets,etc. This movie might be considered by some as arty and one dimensional. The main emotion involved is vengeance, and it has created an atmosphere mostly around that dark place he is in.The story is simple but gripping; it portrays the violence of the "Harrying of the North" of 1069-70.Sometimes this is all you need.
T S
This film seems as though a bunch of film students finished school and had a go at making a movie utilizing their favorite director's cinematic techniques, without nailing any of them. The sound department used every clichéd spooky sound effect they could - even when just a bowl of soup was being poured. Oooh! Creepy gruel, which must have been awesome because the main character was so engrossed in it he didn't see a tribe of warriors walk up and stand in front of him. Probably couldn't hear them because of all the creepy music again. The set and costumes were fine, the script? Well, there wasn't one really. Just characters you couldn't care less about fighting a bit, looking pensive in their dark filtered shot.
quincytheodore
Sword of Vengeance is shot almost entirely in slow motion. Characters perceive time differently from us, as they feel the need to dramatically walk, talk and stare at each other while posing at the camera. Visual is all shades of gray, while this might be stylish at first, it overstays its welcome by the fifteen minutes mark, by then the main character probably have taken his fifth slow-mo steps. Story is thin at best, with average runtime and majority of it is painful slow-mo, the film barely has any substance to offer.An outsider comes to a village, he beats up a few thugs, makes a speech and fights tyranny. This simple premise is flawed by the first couple of scenes. The outsider dispatches people easily at one point, only to be jumped by a random extra and got whooped in the next. Considering that everyone moves as though they are in fashion show, it's borderline comedy this near superhuman can be even wounded, his plot armor must have worn off.Acting is equivalent of cardboard box, but at least one could draw smiley or sad faces at a box. To be fair, it's not the actors' fault, the script barely gives anyone personality aside from one-dimensional extra from Vikings or 300. Story is heavily predictable, and the title helps by giving it away. There could be some underlying message of vengeance here but it's buried by the piles of slow-mo spam.The fight is mediocre, either it's slow or shaky cam. There's barely logic in this as well, people swing and charge recklessly. Soundtracks are mesh between electronic and techno. It's a strange style and could've worked better if the movie had ordinary pace. Cinematography is different shots of a forest, some with all trees, a few buildings and its interior. The film tries too hard on creating cool shots, it is literally nothing but slow motion.Watching Sword of Vengeance is more like looking at slideshow of concept art, which may be edgy in modesty, but not for entire movie. Alternatively, one could watch Robin Hood in half speed or compilation of fights from 300, any of those should prove more interesting.
s3276169
Sword of Vengeance relies in large part on impressive visual elements to carry the film. That is not, however, necessarily a bad thing. The director utilizes chiaroscuro, a technique that utilizes strong contrasts between light and dark throughout Sword of Vengeance. The result is a film imbued with a dark, menacing and rather stark feel. This aptly reflects post 1066 Britain. A world of drastic change and no small measure of oppression from the nations new rulers, the Normans. Accompanying the strong visuals is a well synced, if at times annoying, electronic sound track.It suits the film but its intentionally jarring qualities are at times over stated. What is by contrast, not well emphasized is the story line. The story is kept vague, I suspect quite intentionally, to reflect a lone stranger, action flick, reminiscent of the lone cowboy genre that Clint Eastwood is famous for. The main character is mysterious, brooding type who remains mostly, silent, throughout the film. Indeed, there is not a lot of dialogue from any of the cast which actually works in this films favour. Its action driven and you get to know the characters, as the old saying goes, by their actions not their words. The fight scenes that are found throughout this title, are well choreographed with a feral, bloody quality. Certainly, this is not a film for the squeamish. In summary Sword of Vengeance is a well rounded action film. Visuals aside its arguably very forgettable but at the same time its manages something that is quite difficult. A film that heavily exploits visual elements in place of dialogue and still succeeds in engaging the viewer. Seven out of ten from me.