IslandGuru Who payed the critics

Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

Salubfoto It's an amazing and heartbreaking story.

Skyler Great movie. Not sure what people expected but I found it highly entertaining.

johnnyboyz Taking Sides plays out in the last days, for a solid forty-five years, of Germany's existence as a unified country the aftermath of World War Two, and it centres in on a fierce tryst between an American who is a bully; aggressive and enjoys vaudeville and that of a relatively humble German composer whose life had been dedicated to classical music; appears humble but is suspected of being a Nazi. István Szabó's film is a wonderful, mostly dialogue driven piece, which in spite of rarely getting out of the office belonging to that of its central American character, takes us on a gritty adventure as the fate of one man's life hangs in the balance and the reputation of another's hangs additionally so.The film begins with a quite wonderful depiction of a full orchestra playing a classical piece to a silent crowd, but as we track and weave our way around the majesty of the location within which they play, it becomes apparent higher members of Germany's Second World War era Nazi party are in attendance and are enjoying as much as we are – the film's soundtrack dipping in pitch as the reveal arrives. The idea of Nazism lurking amidst what is, on the surface, elegant and quite beautiful goes hand in hand with what the film essentially goes on to depict; specifically, the conductor orchestrating said performance and the apparent ties he has with the German party of said time in spite of the fact surface characteristics are what they are. The war will later end, with an air raid ruining this particular performance, and a number of unseen historical events unfolding throughout the world, as we know, go on to bring about the downfall of the Third Reich thus paving way for the arrival of the Allies and their setting up of base camps all over the ruined nation.Enter Harvey Keitel's American Major, Steve Arnold; a man charged with investigating those whose role in Germany's European reign of Fascism were often enough to make a difference but were often too what they were in their nature to occupy the proverbial radar. Arnold was an insurance investigator before the war, so investigative procedure and worming out the truth the man's speciality with these assets predominant in his life up to now. Whilst on the blunt end of a superior's exposition, he watches footage over an old projector of The Final Solution in action, although does not flinch; his entry to what will be his office for the remainder of his time in Germany timed with that of the American flag going up and a group of German children running over offering goods and services as if in some sort of debt – the guard is changing as is whom the predominant force are. He works with Birgit Minichmayr's Emmi and Moritz Bleibtreu's former soldier, David Willis; two people brought in on a secretarial basis but whose own bond actually comes to form a substantial an often softer, refreshing pit-stop alternative to the predominant office set berating.The man he's asked to interrogate and suss out the true one-time identity of is a composer named Wilhelm Furtwängler, played by Stellan Skarsgård. Furtwängler, being a composer, you might say is used to driving performances of his own; keeping cool when the centre of attention and generally doing a good job in controlling what's around him. Here, he will come up against someone who has already torn apart and done his job with a handful of Furtwängler's orchestra, thus must now rely on more than the fact he has already been cleared of Nazism under another jurisdiction. The members of Furtwängler's orchestra speak highly of him when interviewed by Arnold, and in a film all about the perception of someone and an individual's true nature, we recall the dishevelled and somewhat sleepy look of the man during that opening when he conducted through the air raid and wonder if their claims are indeed as authentic as they seem.Above all else, Keitel does a superb job with his role; a man who has often played unlikeable people but whose tales we find ourselves drawn toward - here, he plays a bit of a bully and a bit of a boor, but is essentially a member of an Allied force attempting to wedge out those guilty of the things we, the audience, freely observed earlier on in the found footage session as those responsible for rather shocking manoeuvres are sought out to be brought to justice. Keitel's role is somewhat reminiscent to that of what he did in Jane Campion's Holy Smoke, from two years previously, in that he is a big; brash; booming; charismatic all-American who's called into town to cause someone specific to 'crack' into reverting to what they were prior to, what superiors deem to have been, selling their soul. He, like everyone involved in the production, deserve praise.

jmax-11 The movie explores big questions in life, such as what is the right thing to do in an evil place, like Nazi Germany. The astonishing element for me was Skarsgård's performance as Wilhelm Furtwängler, the German orchestra conductor. In his portrayal of the conductor's internal struggles, suppressed anger and despair, words were secondary; it was all there in the silent elements - his posture, his face. Keitel was good, as others have observed, in exhibiting a commonly observed feature of zealots who, in pursuit of a better world, become brutal in their righteousness. Another testimony to Szabó's depth and skill as a director.

dl-roberts Harvey Keitel plays Major Steve Arnold, a small man in insurance, from New York. Stellan Skarsgård plays Furtwängler, a genius who was loved and courted by the Nazis.The Major pursues Furtwangler like a rabid dog, determined to show that that Furtwangler was guilty of something.Why didn't Furtwangler leave when he had the chance? Did he seek out accolades from the devil? Why is Major Arnold so Angry? It it the anger of a small man who feels spat upon by life, suddenly given the chance of bring down someone once so High and Mighty?FurtWangler is aloof, distant, full of easy platitudes about the redemptive quality of Art. Major Arnold is mean and streetwise, quick to attack and condemn those who he does not understand.Who is in the wrong? In the end does it mean anything to believe you are right? In whose eyes anyway? This film asks some difficult questions about how we perceive ourselves and others, how we question our most basic motives. Very Good.

dipakurup The whole film is a perfect poem.seriously.don't want to mince words about it because it simply speaks for itself.heartbreakingly simple yet more profound than a thousand philosophies put together.one may talk and talk and talk but that one scene in the end when he walks away down that symbolic staircase with both the secretaries looking on...its simply mind blowing.i have seen this movie only once and that too 2 years ago,but the scene is etched in my brain forever.art versus politics....the eternal battle.the direction is flawless and the characters are unforgettable.simply like a poem.stoic and poignant.no words of mine can do justice to the poem ...because the scenes speak for themselves.