Talk About a Stranger

1952
6.2| 1h5m| en
Details

Small-town gossips rage over the arrival of a mysterious stranger.

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Reviews

Solidrariol Am I Missing Something?
Claire Dunne One of the worst ways to make a cult movie is to set out to make a cult movie.
Cissy Évelyne It really made me laugh, but for some moments I was tearing up because I could relate so much.
Scotty Burke It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review
edwagreen Totally miserable film dealing with a young boy's suspicion when his dog is found poisoned. The next door neighbor, a disagreeable, nasty and mysterious man is thought to be the killer and the boy goes out of control whenever he sees the man.Nancy Davis, Mrs. Ronald Reagan, played his mother. Her character is outrageously benign here. Even the way she calls out to her son in the film, a mother would be so much more assertive here. As the father, George Murphy is given a poor script to work with. Owner of a fruit orchard, a sidebar theme in this dismal film regards the dropping of temperatures and its affects upon what is being grown.Our mysterious neighbor's transition is sudden and while he becomes a sympathetic figure in the end, it's too much to digest and believe.
Neil Doyle This unknown little MGM item is based on a Charlotte Armstrong story (American mystery writer who wrote THE UNSUSPECTED and DON'T BOTHER TO KNOCK, among others). The main focus is on the little boy (BILLY GRAY) who thinks the new menacing neighbor is the man who killed his faithfuldog and he's played with professional assurance by Gray. In fact, he has to carry the film since GEORGE MURPHY and NANCY DAVIS are relegated to roles on the sidelines.It's directed in competent style by Arthur Bradley, photographed in more than competent style by John Alton, full of moody B&W imagery, but the story is so thin it's almost transparent and winds up in a brief running time of one hour and five minutes.The last ten minutes wind up the story in good fashion, although the ending is a bit hard to swallow, as contrived and synthetic as any character-driven tale could be. KURT KAZNAR is the mean looking neighbor who suddenly turns out to be Mr. Good Guy when we learn about his past. The simple moral of this fable is that you can't judge a book by its cover, nor a person by first impressions.I have no criticism of Billy Gray's performance in the central role. He was one of the least self-conscious of all the child actors who came along at this time--and probably reached his peak as Doris Day's bratty little brother in BY THE LIGHT OF THE SILVERY MOON and ON MOONLIGHT BAY.
whpratt1 Enjoyed this story concerning a family who lived in an orange growing community in California. The father was George Murphy, (Robert Fontaine Sr.) and his wife Nancy Davis, (Marge Fontaine) and they had a son Bud Fontaine,Jr. (Billy Gray) who was a bratty kid. Bud Fontaine had a little dog who followed him everywhere he went and one day this dog was found dead by poisoning and Bud immediately accused a stranger in the neighborhood of killing his pet. This man was Paul Mahler,(Kurt Kasgnar) who lived in an old dark looking house that all the children called a haunted house. Bud spreads rumors among the local town about Mr Paul Mahler killing his dog and he is advised by the police to prove what he is saying and to bring them the proof of his accusations. George Murphy moved on in life to become a United States Senator and Nancy Davis married Ronald Regan. Great little film.
David (Handlinghandel) This movie is creepy. To a small degree it's creepy in the way it intends: It does seem as if Harper Lee may have seen this before writing her lovely "To Kill A Mockingbird," also about children (here just one child) wrongly suspicious of an odd neighbor.In that novel, and the movie made of it, the children are very likable. Billy Grey is not, though possibly he was at the time. Maybe if I ha been a little boy seeing this at the time I would have identified.The fact is, though, the boy at the center of this is very troubled, constantly near the brink of hysterics. When he is acting like a boy, he is shooting a toy gun or making gun sounds. In a time capsule, this aspect would be interesting indeed but today it is distasteful.The original may well have had to do with the boy's worries about his mother's pregnancy. Would a new little girl (the whole thing seems very misogynistic) or little boy take away all her attention? Something, for sure, has made his kid a bundle of nerves.Nancy Davis has a thankfully small role and so does George Murphy. Kurt Kazsner as the eponymous stranger is good, as are the supporting players.The fifties gave us some fine music and art but a little item like this serves to remind, or show someone unfamiliar with that decade, what an unpleasant time it was, also.