ReaderKenka Let's be realistic.

GarnettTeenage The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.

Alistair Olson After playing with our expectations, this turns out to be a very different sort of film.

Delight Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

Edgar Soberon Torchia When I was 7 years old I saw the ads of «Tamango» in the press and the cinemas as I passed them by, but when I was old enough to see it (it was classified "for adults only") it had vanished from sight. Now that I finally watched it, when it was finished I was in awe. What a good film! Of course it does help that the final 10 minutes are simultaneously tense and poetic leading to a highly dramatic ending. But six decades after its original release, it is still a motion picture of strong content and great visual impact (although the copy I saw is not in the original 2.35:1 aspect ratio and the colors have faded). Released in 1958 it is an adaptation of Prosper Mérimée's 1829 homonymous novella (before he wrote his most famous «Carmen»). Significant changes were made for this screen version, but the final plot is also set in the early 19th century. In the coast of Guinea, warrior Tamango (Alex Cressan) and a sizable group of men and women have been sold to Reinker, a Dutch slave trader (Curt Jürgens) and they board the ship Esperanza that sets sails to Cuba, where they will be sold again, this time in the slave market. On route the violent conflict between the Caucasian sailors and the black slaves intensifies, the interracial sexual liaison between Reinker and a beautiful African woman named Ayché (Dorothy Dandridge) breaks, and Tamango leads a mutiny against the slavers. In the final script that went through significant re-writing due to Dandridge's insistence (who also refused to wear costumes that were offensive to the African woman, as designed by a Parisian designer), Ayché and Tamango are no longer lovers, he does not sell her but the two are victimized, and instead of surviving in Kingston the warrior fights until the end. These script changes turn Tamango and Ayché into icons of racial struggle, while the sincere, intense passion Reinker feels for Ayché is one of the first screen recognitions of many Europeans' love or lust for Africans. In the time it was made «Tamango» must have been some kind of a political and educational «audiovisual pamphlet», invaluable for those who were involved in the fight for the civil rights of Afro-descendants in the United States and elsewhere. No wonder it was banned in a few countries, and surely not only for the Reinker-Ayché relationship. I saw the English-spoken version: it becomes a bit hard in the first scenes to accept Dandridge as an African girl, with her American accent, but one gets used to it and thankfully she only has the necessary dialogue. Cressan, a medical student from Martinique that only made this film, is a magnificent emblem of African male beauty; and Jürgens, as usual, is fine as the villain with a soft heart. Director Berry was black-listed during the witch-hunting craze led by Senator Joseph McCarthy, and, after directing the cult film «He Ran All the Way», he went to Europe as Joseph Losey, Cy Endfield and Charles Chaplin. Berry also directed the romantic comedy «Claudine» about a couple of African-American workers, but he remained in France until his death.

runamokprods Arguably more interesting as a social document and a step forward in mainstreams films dealing with race, than as a drama. On a slave ship carrying Africans from their homeland to slavery in the American south, a charismatic young warrior attempts to organize a revolt. Meanwhile, Dorothy Dandridge plays captain Curt Jurgens' mistress, featuring interracial kissing and sexuality at a time very few American films would go near the subject. Add in the complexity that Dandridge's subjugated Lucy is a far more empathetic figure than any white character, and that Tamango and his fellow captives are show to be in every way – morally, strategically as well as physically better than their white captors, and you have a film that was way ahead of it's time. That said there is odd flat quality in the drama and less than thrilling acting and film-making that keep the actual story from living up to it's potential. But it's still pretty involving, and worth seeing at least as a part of films' maturing around racial issues. Interestingly, blacklisted director John Berry, went on to direct another racially 'ahead of it's time' film; 1974's "Claudine", one of the first mainstream American films to try and intelligently deal with the struggles of poor urban African Americans without falling into exploitation, violence or cliché.

Mike Legentil Prosper Mérimée is considered a classic French writer and this adaptation of his short story «Le Vit envié de l'esclave» (also known as «Colomba») is rightly described as a forerunner of «Roots». Alex Cressan, in the title role, is a famous French athlete and wrestler who never appeared in another film. According to critic Franço Moriac, Mr Cressan wanted his part to be so «true to life» that he insisted upon not wearing any undergarments and be just clad in a minute and very loose loincloth. This detail is apparent in his dance (voodoo?) sequence when he ends up by falling on the deck of the ship. I was too busy admiring the beauty of the late Miss Dandridge when this happened. But my wife was not...

luckyshar777 For the time period, I did like the photography/cinematography rather. I thought it was very basic and boring. It did remind me of roots but the accents were a bit weak and unbelievable. I needed to see more tension and romance. I thought that Dorothy was a lowsy actress in this film but she looked very cute but I didn't believe one minute she was from Africa or the jungle. Nobody that watches it will believe her for one minute. I think they should have made her look a bit more like a native girl and less Hollywood actress with nice diction. I thought these people were pretending. However, some of those guys looked pretty hot in those big loin cloths but that's not the point. The ACTING was lowsy. I fault the director on that. I bought this film on DVD and was glad because its hard to find. Glad that I got a copy it took me months to find. Finally I got it and I'm like OH this is horrible work.But for its time it was a risk and I bet there was a lot they had to edit and a lot they couldn't show so based on that. I thought it was good