Tapeheads

1988 "A FAST FORWARD MUSIC COMEDY."
5.7| 1h33m| R| en
Details

The story of Ivan and Josh, two dim witted ex-security guards who love music videos. Out of work, with no job prospects, they form a music video production company. They soon learn the in's and out's of the business in LA and with some help from Mo Fuzz, they soon become hot property. But not all goes smoothly when they try to resurrect the career of their favorite R&B duo, the Swanky Modes.

Director

Producted By

Peter McCarthy / Front Films

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Reviews

KnotMissPriceless Why so much hype?
ChicRawIdol A brilliant film that helped define a genre
Kodie Bird True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
moonspinner55 "Tapeheads", a scrappy, intermittently funny spoof of the music video business, might have been the perfect comedic short, and stars John Cusack and Tim Robbins are effortlessly in the swing of the nonsensical chaos involved. They play two semi-savvy security guards in Los Angeles who start their own company, Video Aces, making hilarious videos for groups, parties, and one deathbed star. It's too bad the filmmakers had to invent a dim side-plot to pad the running time (shenanigans involving a crooked politician and his henchmen which doesn't do much except take away from the movie's primary strength, sending-up the music culture of the late-'80s). Still, Cusack and Robbins create a couple of originals here: nerdy but loose, street-smart without being hipsters or posers, these guys are on the same nutty wavelength, and they never put each other down. They're the real thing in buddy-comedies. *1/2 from ****
Riotgear Tapeheads is a surprisingly perfect satire of the eighties made at the end of the eighties. It is very funny, with an intelligent script and great dialog. Fine comedic performances by Cusack and Robbins. Multiple intertwined plots. There is a love story between a female artist and Robbins' nerdy video artist. A self-help guide with Cusack trying to better himself and his buddy. A music marathon with wonderful performances. A corrupt politician caught in a delicious scandal. All this combined with an hysterical dysfunctional family drama, make for a thoroughly wacky and wild time. The soundtrack is fabulous too. In particular, Roscoe's Rap manages to send up MTV, KFC, TV advertising and Rap music. Loved it!
shebop-1 It's a next-generation Blues Brothers. Quick-moving visuals, good script, well executed. Funny, irreverent, and best of all the music is great. Love the two leads (Cusack & Robbins) and wonder if they remember having fun making this movie because it sure looked like they did. (Cusack can dance; Robbins can't.) Great to see some old-timers in the music roles - Sam Moore and Junior Walker, for two; plus there are several tunes I've never heard before so I got to hear and appreciate them for the first time. Cinematographywas well done. I'm surprised it's not a cult film for old r & b rock & rollers. The DVD came with a CD of the ending song "Ordinary Man" by the Swanky Modes (Moore & Walker), guaranteed to get you moving in your chair.
cei The chemistry between Cusack and Robbins is readily apparent in this off-beat comedy. The film is full of clever, yet not-so-obvious sight-gags including the casting of Zander Schloss as both a heavy-metal fan and an R&B concert-goer.Sam Moore and Junior Walker pair up as the fictitious band "The Swanky Modes" adding a number of very soulful tunes to the soundtrack. To quote Josh & Ivan in the movie "We love the Swanky Modes."