Tarzan and the Huntress

1947 "Adventure Crashes To The Screen . . . Romance, Plus! Action, Plus! . . . Amid the Teeming Jungle!"
6| 1h12m| NR| en
Details

A shortage of zoo animals after World War II brings beautiful animal trainer Tanya, her financial backer and her cruel trail boss to the jungle. After negotiating a quota with the native king, they take more animals than allowed. Tarzan intervenes.

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Reviews

Softwing Most undeservingly overhyped movie of all time??
Pacionsbo Absolutely Fantastic
Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
Ortiz Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
utgard14 Penultimate Johnny Weissmuller Tarzan film and the last to feature Johnny Sheffield, who played Boy in eight Tarzan films before getting his own series as Bomba, the Jungle Boy. Patricia Morison heads an expedition to Tarzan's neck of the woods to nab some animals for zoos back in the States. Helping her is vicious big game hunter Barton MacLane. By now, if you've seen even a few Tarzan movies, you should know where this is going. The bad guys take the animals but Tarzan steals them back and, with help from Boy and his animal friends, runs the villains out of Africa. There's also a subplot about political intrigue with local royalty.Johnny Weissmuller is good but he's basically going through the motions at this point. There's nothing in this he hasn't done before. Johnny Sheffield, who's almost as big as Weissmuller at this point, does well in his final outing as Boy. There's a thread running throughout the movie about Boy learning responsibility ("Boy man now. Do man's work."). Brenda Joyce has little to do as Jane but her few scenes are nice. Lovely Patricia Morison is interesting as the title character (who is not really a huntress). She's written sympathetically most of the way through but it ultimately amounts to nothing as she never switches sides like you are expecting. A major misstep is that the film doesn't give us a catfight between Morison and Brenda Joyce. There aren't a lot of action scenes in this one. Tarzan has a brief fight scene with another man but no tussles with crocs or anything. The climactic animal stampede is exciting, though. The drama is solid and the cute family stuff between Tarzan, Jane, Boy, and Cheeta is always fun to watch. A highlight of the movie for me is the scene where Cheeta flies a bamboo airplane Boy made. Not among the best of the Tarzan films but still worthwhile. Fans will like it, I think. A couple of final notes: in one scene, Tarzan is freeing the various animals that were captured by the hunters and he is shown releasing two bear cubs from their cages. Why are there bears in an African jungle? In another scene, Morison's character tells the King that "In our civilization, we believe in keeping an open mind." To which the King replies "In your civilization, open mind means that one must agree with what you yourself say." Brother, tell me that isn't as true now as it was 70 years ago!
bkoganbing Tarzan And The Huntress finds Johnny Weissmuller battling yet another trapper coming on to his jungle turf to take some animals back for the zoos of the world. Especially for those countries whose zoos were depleted after the late war.The twist is that the villain is Patricia Morison, an accomplished an independent feminist in her own right whose many talents also include flying a plane. Tarzan would never allow Jane that kind of freedom. The film is a curiously anti-feminine one.She directs the operation to capture the animals as she is also a female Clyde Beatty, but the heavy villainy is left to John Warburton and Barton MacLane. They also get involved in tribal politics in the area where chief Charles Trowbridge is killed and his son thought to be also killed by a nephew looking for big payoff from the trappers.Patricia Morison would shortly get the role of her life, but on the stage. She never rose above playing slinky temptresses on the screen in B films and some of them pretty dreadful. However in two years she created the role of Lilli Vanessi in Kiss Me Kate. Who could have suspected what a great soprano she was from the parts she played in films?Tarzan And The Huntress is one of the better Weissmuller Tarzans that RKO did. And as usual Cheta was the wild card and I mean really wild.
davjazzer Johnny Weissmuller's next-to-last Tarzan is a good adventure and the last outing for Johnny Sheffield as Boy.Young Johnny had grown too big for the part and would soon start playing BOMBA the JUNGLE BOY.Johnny Weissmuller still looks toned and strong but is not in the great condition he showed in the previous year's LEOPARD WOMAN.Brenda Joyce as Jane looks gorgeous as ever and sports a sexy two-piece outfit in some scenes.She was a beautiful girl and was quite underrated as Jane. HUNTRESS doesn't have the intensity and erotica that LEOPARD WOMAN has,but it's still a fun adventure with Johnny keeping busy saving his animal friends from greedy hunters.Patricia Morison as the HUNTRESS ia a lovely antagonist,but nowhere the evil,sexual villainess that Acquanetta was in LEOPARD WOMAN.(Tough act to follow).All in all a nice wrap-up to the Tarzan-Jane-Boy Trio.The next film ,TARZAN and the MERMAIDS was a rather dull and lackluster finale to Johnny's Tarzan career.
Ben Burgraff (cariart) TARZAN AND THE HUNTRESS suffers from a low budget and a ho-hum plot, although it is far less silly than the previous feature, TARZAN AND THE LEOPARD WOMAN; entrepreneur Tanya Rawlins (Patricia Morison), and her milquetoast lover (John Warburton), mount an expedition to capture animals to restock war-depleted zoos, a not unworthy goal...except they are primarily interested in making big money, which means depleting an area of a large part of it's wild animal population! The local 'lost city' ruler, King Farrod (Charles Trowbridge), showing remarkable farsightedness for the 1940s, limits them to one male and female of each species, which, although showing wise animal management, would not serve the money-hungry Rawlins, at all. Fortunately, she has a ruthless expedition 'boss' (Barton MacLane, making his second 'villainous' appearance in a Tarzan feature), and Farrod has a greedy nephew (Ted Hecht), so a scheme is hatched, to kill Farrod and his heir (Maurice Tauzin), and pay the new King a healthy kickback, in exchange for 'unlimited' hunting (an oft-used scheme of 'bad guys', which would continue to be popular, as recently as George Clooney's SYRIANA).Of course, this being a Tarzan movie, our aging hero is friends with Farrod, and when the ruler is murdered, and the young prince disappears, Tarzan gets involved, which is BAD NEWS for Rawlins and her crew! The film utilizes more 'stock' animal footage than any of the other RKO/Weissmuller features, and unfortunately, it doesn't 'match up' well with the other footage, making the studio scenes look even cheesier; adding to this is a general listlessness in most of the performances, which hurts the overall movie. Even Cheeta seems bored!The most interesting aspect of the film is Johnny Sheffield, who looks startlingly 'adult' in this, his last appearance as 'Boy'. That fact is not lost on screenwriters Jerry Gruskin and Rowland Leigh, who have Tarzan remark, on several occasions, how Boy is becoming "a man". After this feature, Boy would be off to "school in England" (and Sheffield would move on to his own series, as "Bomba, the Jungle Boy").Weissmuller appears tired and a bit out-of-shape, although Brenda Joyce, as Jane, is as fetching as ever! The Tarzan series was obviously "winding down"; the next feature, the surreal TARZAN AND THE MERMAIDS, would mark the end of Weissmuller's reign as "King of the Jungle"...