Lovesusti The Worst Film Ever

Actuakers One of my all time favorites.

MoPoshy Absolutely brilliant

FrogGlace In other words,this film is a surreal ride.

bkoganbing A rather unrealistic happy ending prevents me from giving Tell No Tales a higher rating. A lot of the plot premises of this film can be found in the Humphrey Bogart classic Deadline,USA, but that one was far more true to life.Melvyn Douglas is the editor of a respectable paper that has been bought by a Rupert Murdoch like publisher played by Douglass Dumbrille who wants to just close the paper. Well if they got to close the paper Douglas edits will go down in a blaze of glory.A kidnapping that has been sensationalized in Dumbrille's paper and the main witness Louise Platt has become a target because of it is what Douglas uses as his cause. The editor turns detective and of course finds out who the kidnappers were. It's a rather methodical process that puts him into contact with all kinds of people. Back in the 30s kidnapping was a hot issue because of the Lindbergh case and a lot of films were made on the subject.Besides those mentioned look for a good performance by Gene Lockhart as a gambling house proprietor. It's not quite the usual Gene Lockhart role.To bad a lousy ending spoiled a good B film from MGM. There B films could have been A products at other studios.

Robert J. Maxwell There aren't too many surprises in the casting. Melvyn Douglas is the dedicated editor of a newspaper about to be closed by the ruthless owner. The day before doomsday he stumbles across a counterfeit bill that was involved in the unsolved kidnapping of a child and is determined to track down the source of the bill. (No doubt the Lindbergh case of a few years earlier was still fresh in the public's mind.) He's tipped off by the friendly bar tender. Take a guess at the bar tender's ethnic background. When he hears about the paper's forthcoming closure, he tells Douglas, "I'm THAT sorry." The minor characters are all well developed, especially the first person connected to the counterfeit bill, a little man who is about to be married to a chinless cartoon of a wife with a voice like an air raid siren and whose hefty future mother-in-law looks like the spawn of Mighty Joe Young. The dialog is both functional and colorful. An opratic soprano has "a nice voice and a nice heart -- like Grant's Tomb." Later she's described as "smooooth, with a heart like a banana split." The film isn't carelessly done.Douglas Dumbrille is the Philistine newspaper owner who cares only about money and nothing about tradition or truth. Zeffie Tilbury is the paper's oldest employee, a humble but spunky proof reader. We need more of them in our schools.I guess Louise Platt as the endangered witness to the kidnapping is a surprise. She's a pretty woman with an impish nose and a pouty expression. I never noticed that she had such a marked overbite when she played the aristocratic officer's wife in "Stagecoach." She could win a corn-eating contest at an Iowa picnic. She has an undeniable physical appeal but I don't know about her acting range. She only gets to smile once, at the very end of the story, and one can almost hear the creaking of long-dormant facial muscles.It's lively and coherent, in contrast to so many dull movies from minor studios that are now in the public domain. I got a kick out of it.

goblinhairedguy This remarkable little action-drama follows newspaper editor Melvyn Douglas as he traces back the ownership of a $100 bill, used as ransom money in a notorious kidnapping case, from hand to hand. The clever premise is absorbing in itself, but also serves as an excuse for a series of dramatically charged vignettes revealing the complex lives of a myriad of well-drawn, idiosyncratic characters, as the investigation descends the social scale. Director Leslie Fenton packs a wealth of detail into the 60-plus minute running time, keeping the camera and actors moving at all times, but knowing when to pause for effect. Many have remarked on the moving sequence of a black boxer's wake (surprisingly dignified and emotional for the time), but just as stunning is the chilling look of murderous intent in the ancient Halliwell Hobbes's eyes as he learns that his much younger wife is being unfaithful. The cast is filled with veteran bit players (including Mantan Moreland in a don't-blink cameo), there are a few nice comic touches, and the small-city newspaper office scenes are authentic looking. By the way, Seinfeld fans should note that Douglas must have been the original "close talker" as he blusters about imposing himself on people's lives.

Arthur Hausner Watch this film if only to see black actress Theresa Harris in a dramatic role. I am so used to see her playing maids in films of the 30's that it was a refreshing change of pace and a revelation. She can act! Her home was one of many to which star Melvyn Douglas was led in his effort to track down the owner of a $100 bill that was part of a ransom payment after a kidnapping. Actor Leslie Fenton's first directorial effort is also a well-paced 69-minute crime and mystery drama, packing lots of sleuthing by Douglas, endangering himself and the only witness (Louise Platt) to the kidnapping. I was glued to the story and was biting my nails during the exciting ending. Well worth watching.