Ten Thousand Bedrooms

1957 "The millionaire hotel owner who sang his way into romantic adventure."
5.6| 1h54m| NR| en
Details

In this musical-comedy, Dean Martin plays an American hotel mogul who becomes smitten with a young Italian woman (Anna Maria Alberghetti) when buying a hotel in Rome. To marry this gal, he has to get her three older sisters married off.

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Reviews

ThiefHott Too much of everything
GazerRise Fantastic!
Christophe Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.
Yazmin Close shines in drama with strong language, adult themes.
vincentlynch-moonoi For those of us who admire Dean Martin, this is a rather famous film -- the one that almost sank his career after splitting with Jerry Lewis. It was a flop, and I agree it's just a "pretty good" movie. But as I watched it this time around I tried to figure out why it just didn't come together.I don't think it's the general plot -- a rich hotel mogul falls in love with an Italian girl...well, actually two Italian girls...sisters. And, their papa insists they be married in order of their age. I can see that, although some of the ins and outs of the story are a little...well...a bit of a waste. The story could have been told better.And, we've got a pretty good cast here, too -- Dino, Anna Maria Alberghetti, Eva Bartok, and Walter Slezak. And pretty good scenery, with significant parts of the movie filmed on location in Rome. A producer and director who both had any number of successes in film history. Dean's two primary songs -- "You, I Love" and "Only Trust Your Heart" are decent songs for the late 1950s, although his Capitol recordings of the songs are better than the soundtrack versions.I think in addition to some scenes that should have been deleted or completely rewritten, that the other sisters should have had their characters developed just a bit more, and without question, the pace of the film should have been picked up quite a bit.I disagree with a number of our reviewers who see this as a failed romantic COMEDY. I don't think it is a comedy...although perhaps that's what the public wanted to see Dean doing right after his decade with Jerry Lewis. Instead, this is a romantic musical film.It's worth watching, though admittedly it's a bit weak. But then again, so are lots of films. This one is "okay", and quite interesting (historically) for fans of Dean Martin.
tavm Just watched this, Dean Martin's first movie without Jerry Lewis, on YouTube. He plays hotel magnate Ray Hunter who's buying a long popular Italian inn in Rome. While there, he meets the Martelli family of which the head is Papa Vittorio (Walter Slezak) who has four daughters of which the oldest is Maria (Eva Bartok) and the youngest is Nina (Anna Maria Alberghetti). For a while he seems interested in the former but when he meets sculptor Anton (Paul Henreid) and finds out about their relationship he allows himself to be charmed by the latter (who's just turned 18 or 19 depending on whose statement is right). Nina is also pursued by Mike Clark (Dewey Martin) who's a pilot for Hunter. I'll just say that while not much happens for the first 15 or 30 minutes, once the plot I mentioned kicks in, it becomes an intriguing premise to see how it all ends up. And Dean not only warbles some good romantic tunes, with one of them a duet with the also compellingly musically talented Ms. Alberghetti, he also gets a nice comic tune with Jules Munshin as his servant Arthur. Whatever laughs come gradually builds until the climatic scene with Slezak having to deal with all the potential son-in-laws. No great shakes, but as Dean's first film he has to carry on his own, not a bad one to start with. So on that note, Ten Thousand Bedrooms is worth a look. P.S. The gorgeous lady in the opening credits is played by one Monique van Vooren.
bkoganbing Ten Thousand Bedrooms has its place in movie history as Dean Martin's first solo effort without Jerry Lewis. It also nearly sunk his career. Good thing The Young Lions came immediately after this and Dino got deserved rave reviews for that one.To be fair MGM did give him a good supporting cast and apparently spared no expense in filming this on location in Rome. Ever since Roman Holiday, Rome was pretty popular with movie audiences. Three Coins in the Fountain and Seven Hills of Rome did pretty good box office in the 1950s. But this wasn't a Dean Martin role. I think MGM probably dusted off a property they had offered to Cary Grant and gave it to him. There was no real effort to exploit the unique personality that was Dean Martin.Nicholas Brodzky and Sammy Cahn wrote four songs for Dino to sing, none of them especially memorable. As if they were hedging their bets, they gave him a comedy number to do with Jules Munshin who plays his valet. Kind of like the material he used to do with Jerry Lewis at Paramount.According to the definitive biography of Dean Martin by Nick Tosches, Dino turned down the lead in The Pajama Game for this one. Well movie audiences did get to see John Raitt finally do one of his Broadway starring roles for the screen. But Dean would have been perfect opposite Doris Day. Not his best career move.
lorenellroy This was Dean Martin's first solo movie after his split with Jerry Lewis and a pretty dire one it is too. He plays "Hunter" a millionaire hotelier who flies to Rome to oversee the latest addition to his empire-a traditional old Roman hotel acquired from its aristocratic patron.While there he becomes engaged to the youngest of the four daughters of a musician (played winningly by Walter Slezak in the best performance in the movie).He refuses permission for the marriage until the other (elder)daughters are wed .So ,Martin sets out to locate husbands for them .Further complicating matters is the growing affection between his bride to be and his pilot ,as played by Dewey Martin. It helps if you are writing a comedy to include some funny lines or scenes but -some 48 hours after watching the picture not one line or scene stays in my mind as even mildly amusing .Nor are the regular musical interludes in which Martin breaks into song memorable in any way . Martin is woeful -in a role calling for charm he merely appears smug and self satisfied .Thankfully he was to get better at light comedy but this performance is a total misfire . Some nice travelogue shots of Rome compensate but for the most part this is trite and derisory.