Tennis Racquet

1949
6.7| 0h7m| NR| en
Details

Two Goofys play a tennis match in typical Goofy style. The announcer sometimes has trouble following the action. The groundskeeper seems to always be present, trimming the grass, filling in holes (in one case with a tree), and delivering the oversized trophy.

Director

Producted By

RKO Radio Pictures

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Reviews

ThiefHott Too much of everything
Hulkeasexo it is the rare 'crazy' movie that actually has something to say.
Payno I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
OllieSuave-007 Another Goofy cartoon from Disney, where many Goofys gather together to watch two Goofys play a game of tennis. Meanwhile, another Goofy character serves as announcer of the game and another mows the lawn during the middle of the tennis match.Some crazy, slapstick stuff here, but not one of the funniest Disney cartoons I've seen. Though, I did like the show of sportsmanship at the end.Grade C
TheLittleSongbird Goofy is a truly great character, he is immensely likable and while clumsy he is funny and charming at it. And he can work amazingly on his own(as well as with a foil), immediately standing out from the rest of the recurring popular Disney characters somewhat. There are better Goofy shorts out there than Tennis Racquet, but it's still entertaining. The repeated gags with the grounds-keeper and the exaggerated back-and-forth heads with the crowd are overdone and eventually got rather tiring. The story is also rather routine. However, the animation is very colourful and fluid with Goofy very nicely drawn. The music as usual has much character and is orchestrated appropriately and beautifully. The narration is very thoughtfully written, and still manages to not only entertain hugely but also teach, tennis is not my thing or my kind of sport but I learned a lot from Tennis Racquet. Having John McLeish, who was tailor-made for the role, not do the narration is a shock that will take some getting used to, but the narrator here still does a very good job. Goofy's expressions and action and how he defies the narrator and does everything badly provides the best of the humour, and when the humour is at its best it is actually very funny. It's just the repeated jokes that didn't work so well. Goofy in more-than-one-personality/character mode carries Tennis Racquet with real aplomb. In conclusion, a good short but not quite enough to class it among the gems with Goofy involved. 7/10 Bethany Cox
ccthemovieman-1 Here's a takeoff on the sport of tennis. The first thing they do is make fun of the fact - at least when this was made - the sport didn't draw many fans. They show a long line of cars.....going to the nearby Flower Show, instead. The "packed crowd" is just packed in one small area of the stadium.We then see the first contestant, "Big Ben," who is shown to be a primma donna and a man with an assortment of powerful shots against "Little Joe," a defensive specialist (meaning he just holds the racket up for self-defense, and the ball the hits and bounces back each time.)The match goes back and forth and really silly things are seen such as "the greenskeeper" of this grass court coming out in the middle of play and mowing the grass, planting a tree, planting seeds and watering the lawn. Another thing frequently shown is crowd with their heads going back and forth in an exaggerated manner as the ball is hit back and forth. That gag is overdone.This is not one of the better Disney sports cartoons featuring Goofy.
Ron Oliver A Walt Disney GOOFY Cartoon.Goofy uses his TENNIS RACQUET to create merry mayhem all over the court...This amusing little film is another entrant in the long series of Sports Goofy cartoons. Tennis fans will particularly appreciate the way in which their pastime is mercilessly mangled by the Goof. Doodles Weaver is the excitable narrator.Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.