fine_ass_white_boy_39307
I generally hate westerns because they bore me to death within seconds. But I started watching this movie with my father, who loves westerns, and I actually never got bored watching it. It kept my interest the whole time and constantly made me laugh. I didn't give it a 10 because of some of the "editing" practices they had so long ago but other than that it's a great movie.I couldn't believe how well the writers were back then. To be able to come up with such comedy so simple and so fluid without having to make it "stupid" funny, like most of the comedies we make now, it's very refreshing and amazing to see.A+ movie.
shipes_j
the mid sixties...back before we were so culturally/politically correct...this movie wasn't ever meant to be correct anyway...it was a spoof of course and anyone who comments on it negatively without considering that needs some help.....Texas across the river is a signature film for dean....westerns that he loved so much...also a comedy which he was famous for...(many confirm that off camera he was far funnier than jerry lewis back in his earlier days)Texas across the river is a perfect example of a spoof done in the sixties...and if you consider it as such you will find it to be excellent!....some have commented about joey bishop (jew) playing an Indian...well (hello) that is exactly why it works...it was meant to be tongue in cheek!...one should have little wonder as soon as the organ spits out a 60's rhythm and melody every time the indians are seen...or the surf sounding guitar also used in the soundtrack....I love this movie for what its worth....escapism....during a time (1966) of tragedy....the Vietnam war.
spratt-8
The first and perhaps, only time I saw this movie was a day or two after having hernia surgery in 1975. That viewing gave new meaning to the phrases "busting a gut" or "being in stitches." I couldn't stop watching despite the pain from the laughter and would love to see it again. It was silly but hilarious nonetheless. Who says movies have to be anything but? Then again, I was/am a big fan of the "Pink Panther" movies, too. As one other review stated, maybe I won't find it as funny the next time around, but I still chuckle remembering Peter Graves and his unintelligible military commands and Joey Bishop's facial expressions. It certainly can be watched with the entire family, and you can't say that about too many movies these days.
silverscreen888
Don Andre de Baldasare was set to marry Pheobe Ann Naylor of Louisiana; after an affair of honor goes wrong, he has to flee across the river, into the wilds of Texas. Once arrived, he meets encounters Sam Hollis and his Indian sidekick, the Karonkawa Indian, Kronk, who are transporting rifles to the town of Moccasin Flats. Don Andrea rescues an Indian maiden, Lonetta, uses Spanish skills to tame longhorns, becomes Sam's rival for Phoebe's affections, heads off a band of angry Comahces and runs continually from the cavalry (who have come to Moccasin Flats to celebrate Texas' statehood but mostly charge after him in gallant groups). At the end of the film, the man Sam calls "Baldy" saves the town and also gets his girl--but which one wins him? In this cheerful and frequently hilarious screenplay, Alain Delon is very funny and understated as Don Baldasare, Dean Martin is a bit too-old as Sam Hollis perhaps but shows his excellent comedic timing in the likable role. Rosemary Forsyth is vivacious and very pretty as Phoebe Ann, Southern accent and all; Peter Graves and Andrew Prince lead the cavalry, to whom Graves continually issues orders such as "To the rur, har!" which no one understands any more than they can penetrate Kronk's Indian sayings, delivered deadpan and rather beautifully by Joey Bishop. Others in the large cast include Tina Aumont as the Indian girl, Michael Ansara as the Indian chief pursuing them, and Linden Chiles as his physically- inept son, Stuart Anderson, Roy Barcroft, George Wallace, Don Beddoe,.Kelly Thordsen, Nora Marlowe, and John Harmon. Director Michael Gordon kept the action and the laughs coming despite much of the film being filmed out-of-doors. the bright cinematography was supplied by veteran Russell Metty, the script by "Maverick" TV series alumnus Wells Root and Harold Greene, and the art direction was done by William D. DeCinces and Alexander Golitzen. Set decorations were supplied by John McCarthy Jr. and James Redd; the vivid costume designs were created by Helen Colvig and Rosemary Odell. This is a personal favorite of mine as a writer, breezy in dialogue and attractively colorful and often amusing. I recommend it for repeated viewing, for its spaciousness and its intelligent comedy, its style and its infectious and fantasy-free good humor.
