Softwing Most undeservingly overhyped movie of all time??

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

ChicDragon It's a mild crowd pleaser for people who are exhausted by blockbusters.

WillSushyMedia This movie was so-so. It had it's moments, but wasn't the greatest.

JohnHowardReid NOTES: The first of two films Wayne made supporting Tim McCoy at Columbia. The other: Two Fisted Law (1932), shot by the same team of Lederman and Kline, also from a William Colt MacDonald story. VIEWERS' GUIDE: Okay for all. COMMENT: As will be seen from the synopsis, Wayne's role is relatively unimportant. True, the actor is much his usual self, even at this early stage of his career, but he has only four or five scenes and is surprisingly even up-staged by an unknown bit-player as the climax (in which he takes no part) comes around. Aside from Wayne's presence, this is a typical "B" western of its period. Not a great deal of action - a couple of undercranked fist fights and a brief climactic shoot-out; a lesser amount of comedy relief (somewhat inepty provided by a youngish Walter Brennan already into old-timer parts but not yet having them down pat); a lot of simple-minded intrigue; and a smidgin of romance. All against settings far more grittily realistic (the saloon girls) than those we are now used to. And of course no background music - a deficiency that despite Kline's lucid photography, gives the movie a somewhat primitive air.

Michael O'Keefe This is a Columbia Pictures quickie western starring Tim McCoy as Texas Grant, who rides into Stampede, Arizona and is mistaken for Tim Rawlings a rancher who vanished long ago and assumed dead. Even Rawlings' wife Helen(Shirley Grey)believes she is looking at her husband. Texas agrees to stick around to help Mrs. Rawlings save her ranch from cattle rustlers lead by big money man Utah Becker(Wheeler Oakman). Grant gets rid of the no-good Rawlings ranch hands, but keeps Steve Pickett(John Wayne)to be his right hand man. Becker and Grant will butt heads one time too many. Grant will take a knock on the head and awake discovering the amazing truth about himself.Other players: Wallace McDonald, Harry Cording, Jim Farley and Walter Brennan stars as Sheriff Collins.

bkoganbing I agree with the previous reviewer, if you can accept a very silly premise that a man could look and talk so much like a missing rancher who's from the town he rides into than you will enjoy Texas Cyclone. And of course you can see John Wayne in support of another cowboy hero Tim McCoy.During this short stint with Columbia Pictures Wayne did two films with Tim McCoy. Both are directed by D. Ross Lederman, both written by William Coit McDonald, and both had a whole lot of the same cast members. Repeating his role as villain is Wheeler Oakman and John Wayne is once again a cowhand, the only one it turns out who's honest and employed by Tim McCoy's 'widow' played by Sheila Terry. We also have for the first time Walter Brennan and John Wayne working in the same film. Brennan is the sheriff and he's made up to be quite a bit older than he was at the time. This may have been the beginning of all those old codger roles that Brennan played right up to when he was one.Of course McCoy finds that Oakman is still up to no good just like when he left and he has to deal with all the problems Oakman is causing. With John Wayne's help all things are righted in the end and the reason for McCoy's absence is explained in a very typical movie fashion.If it wasn't such a silly plot premise, I'd give the film a notch or two higher a rating. It's not bad for a B film and the young Duke is shown to great advantage here.

alexandre michel liberman (tmwest) Tim McCoy rides into town and everybody starts calling him Jim. It seems he is so similar, that the barman asks him to pretend to be Jim. By doing so he gets all the bad guys against him. When he later goes to Jim's ranch even Jim's wife has a hard time to accept the fact that he is not her husband. He starts administering her ranch, from where a lot of cattle is stolen, and the only cowboy of the ranch that is friendly to him is John Wayne. If you can accept the basic point of this story that two men can be so alike (without being twin brothers), this is an entertaining film, less primitive than most of the westerns of the early thirties. It is interesting to see here how John Wayne had in him all that it took to be a great star.