Comwayon
A Disappointing Continuation
SanEat
A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
Micah Lloyd
Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.
Justina
The film never slows down or bores, plunging from one harrowing sequence to the next.
Woodyanders
The setting: a single wild and eventful Friday night at a popular disco club. A motley assortment of folks converge at this dynamic hot spot for a happily swinging good time: Said folks include a couple of teenage girls who are eager to make the scene, a married couple out on a date, the club's sleazy womanizing heel owner, a sweet gal looking for Mr. Right, a merry Mexican-American who lives for dancing, an aspiring singer trying to get her first major break, and a hot-tempered fat jerk. Director Robert Klane, working from a busy script by Armyan Bernstein, ably juggles a bunch of disparate narrative threads which crisscross in all kinds of witty and entertaining ways. Moreover, Klane and Bernstein astutely peg the gaudy threads, thumping insanely groovy music, anything-goes hedonism, uninhibited excessive drug use, and sense of pure live-for-the-moment fun which were hallmarks of the 70's disco craze in a breezy and snappy way. The lively acting from the attractive and appealing cast rates as a real substantial plus, with stand-out contributions by Jeff Goldblum as conceited smarmball ladies' man Tony Di Marco, Debra Winger as the uptight Jennifer, Terri Nunn as spunky teenager Jeannie, Valerie Landsburg as Jeannie's gawky pal Frannie, Chick Vennera as passionate dancer Marv Gomez, Ray Vitte as hip DJ Bobby Speed, Mark Lonow as stuffed shirt accountant Dave, Andrea Howard as Dave's easygoing wife Sue, Robin Menken as the sassy Maddy, John Friedrich as the nerdy Ken, Paul Jabara as the klutzy Carl, Mews Small as the kooky Jackie, and Donna Summer as the determined Nicole Simms. Among the highlights are Vennera's exciting and exuberant impromptu parking lot solo dance, Summer belting out the glorious Oscar-winning disco smash "Last Dance," and the delightfully energetic big dance contest. James Crabe's glittery cinematography gives the film an appropriately garish look while the throbbing disco soundtrack certainly hits the hoppin' spot. Best of all, there's a joy, vibrancy, and infectiously good-natured carefree sensibility evident throughout that's impossible to either resist or dislike. An immensely enjoyable 70's time capsule.
ceva321
Debra winger, Jeff Goldblum,the disco queens herself Donna Summer??That's right! You bet your sweet !!! LOL The new DVD has been digitally transferred to High Defenition!! It looks and Sounds GREAT !!Let's go back to Los Angeles 1978 ! Great soundtrack, Diana Ross, The Commodores, The Village People, Oscar winner songwriter for Last Dance Paul Jabara, Pattie Brooks, basically the entire Casablance label was featured in this film!This movie was rated PG, even tho it includes graphic drug use in many scenes, but back then I guess it was normal.I recommend this fun movie for a rainy Friday night!
gftbiloxi
THANK GOD IT'S Friday was released just as the disco craze crested, when anything and everything might happen during a night on the town, when sex was casual, and drink and drugs were still regarded in a lighthearted manner, and music wailed and blared with the likes of Gloria Gaynor and K.C. & the Sunshine Band. Within a few years Disco would be publicly declared dead--but it still lives on in the recordings... and in Donna Summer's screen image of the Disco Diva, shimmering in the spotlight beneath the mirror ball with a hibiscus tucked into her hair as she belts out her megaton hit, "Last Dance."TGIF is best regarded as a cultural artifact, an attempt to show everything that was shiny about the Disco world without any reference to its down sides of sexually transmitted diseases, next-morning-hangovers, and serious drug addictions. The story is slight: a disco is hosting a big dance contest, and every one arrives at the door with personal ambitions. There is, of course, the singer who hopes to hit it big; two underage teen girls hot to be Disco Queens; a sweet young thing who hates polyester and is looking for Mr. Right in the wrong place; and a ladykiller looking to score his next victim. The film is most memorable for the look of the disco, which is the real star of the film, and the cast, which includes several performers on their way up: Jeff Goldblum as the lady killer; Deborah Winger as the anti-polyester good girl; and of all people a very, very young Terri Nunn, who would later score big as the front singer for the band Berlin.There are all the usual running gags, and as a whole the film is only mildly entertaining. But then Donna Summer steps into the spotlight--and for a few moments everything that was magic about Disco lives and breathes again. For what it is--an incredibly light, mindless bit of tinsel--the film is well done, but it has an extremely limited appeal for a contemporary audience. Unless you were actually part of the disco scene and want to revisit old memories, you're better off catching it on the late-late show. But my oh my... wasn't Donna Summer something special!Gary F. Taylor, aka GFT, Amazon Reviewer
ptb-8
THANK GOD IT'S Friday needs to be reissued in Dolby digital and promoted like the GREASE 20th anniversary was in 1998. TGIF is a very funny film with an very recognizable cast - Jeff Goldblum even still looks the same! Does he have a painting in a cupboard getting old instead? Debra Winger, (the late great) Paul Jabara and Donna Summer and all those brown clothes and hideous cars! It was released with 4 track magnetic sound in 1978 and became quite a hit with all us flared up dance pants disco moviegoers. It is not Paul Jabara's only film appearance, he turns up in drag in DAY OF THE LOCUST the dark and scary look at 30s Hollywood. There is a place for this film in 2005 and I hope Columbia see the value. They also have a lot of other great music/concert films of the 70s that deserve another cinema reissue because of the sensational music content: WATTSTAX, FILLMORE and maybe the Fox doco CONCERT AT BIG SUR. If THE LAST WALTZ and GREASE can get out again to new audiences, so deserves TGIF and those others mentioned above. It is a very entertaining musical for lots more reasons than in 1978. The world of 1978 is almost enough alone.