Hellen
I like the storyline of this show,it attract me so much
Nessieldwi
Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.
Phillida
Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
haridam0
In his own words this icon, now in his 60s, admits to not having wanting to engage in sex with his admirers.In his salad days during the early '70s, he posed in doorways, in naves of tree trunks, and on the beach, hoping a pass would come his way. But he didn't want the encounter to be physically consummated. He didn't even want to kiss or hug, much less have intercourse.As soon as the potential catch got close, the icon would move elsewhere--a cat-and-mouse game that might last for hours.What's one to make of this? Could it be our icon was, in fact, asexual? He confesses all he ever craved was love-- fine, just express it from a distance.This 80 minute documentary pays homage to a striking (though some might feel stangely nonsexual) mini-star of the past. Ten minutes of viewing his stills, though, might seem long enough for some viewers (who might wish they'd have just skipped the other sixty). Still, there's no doubt that Berlin, with his pageboy bob and skintight jeans, does make a statement. Looking like a cross between a French hustler and German call boy, Berlin's now been duly chronicled for posterity by way of this doc.Maybe that's all he ever really wanted.
ReWriteMan62
I caught a festival screening of THAT MAN PETER BERLIN with really no knowledge of him or his place in either queer or porn history. I was drawn by the Garbo aspect of his life; basically walking away from a film 'career'(such as it was) and onto the streets of San Francisco, where sightings of him evoke the kind of response one heard about the Swedish Sphynx in New York. Apparently well off financially (or maybe just thrifty) his story is never tipped to the tragic, nor is it ever truly comic. What WAS incredible was to see icons I admire,John Waters and Armistead Maupin, have the same sort of giddiness towards spotting Berlin that I might have towards spotting them(although that doesn't happen in my town). As for the film, the pace moved swiftly and succinctly, and the color of the 70's footage was spectacular. I felt the filmmakers presented the facts, but ultimately lets the viewer judge Peter Berlin and draw our own conclusion; is he crazy, or merely the quaint and eccentric archetype you'd expect to find in San Francisco? Was he ahead of his time, or an aspect of a time we're just re-discovering? The footage of 'vintage' Peter(in that glorious color) interspersed with Peter today were not as jarring or 'Norma Desmond-y' as you might fear,and in that respect the film never fell into either camp celebration or spiteful mockery, which I found refreshing. Considering so many men of Peter's era were lost to the AIDS crisis, THAT MAN is an 'essential': a filmed document of a time in queer history nearly lost. We should be thankful this story has been recorded.
Alan Reade
Before seeing this movie, you may say to yourself, "Peter Berlin? What's the big deal?" But stay with it, as the story is rewarding. Director Jim Tushinski obviously saw a chance to put the urban gay-lib era of the seventies under a microscope by focusing on one man's story instead of a general documentary--and the man he focused on just happens to be "the" icon of gay sexual life at a certain crossroads. The film's imagery is evocative, the sexuality palpable, and the cameos from Armistead Maupin, Robert W. Richards, and others are witty. But the best moments of this film are during Mr. Berlin's touching recollections about his own life. As Berlin talks candidly about the losses he experienced as the seventies faded into the Reagan years, it's impossible to look away--partly because there are so many men whose experiences are reflected in his story. It's during these revelations that Tushinski knows to keep the camera trained closely on his subject, and these moments are what elevates this film from historical document to riveting cinema.
John Frame
This feature length documentary gives us an honest and privileged look at the life and times of the large-as-life unrestrainedly gay character, the perpetually beautiful "Peter Berlin". We meet the very attractive man (now in his sixties) who lived that character nearly 24/7 in the early 70's. He is a very talented photographic artist (and his own model) who cared much less for money than he did for enjoying life and artistic expression. He is also just as proudly gay in private life.Instead of feeling like mere voyeurs (and there's plenty of pleasing imagery on offer) we really do gain a valuable insight into a life lived to the max - including enduring love and the grief of loss. We hear testimonies on how Peter Berlin's persona affected his contemporaries, including gay icons John Waters and Armistead Maupin.This is a wonderful and unique film.P.S. It's warming to know that some beautiful people are also genuinely nice guys.