SpuffyWeb Sadly Over-hyped

Konterr Brilliant and touching

Manthast Absolutely amazing

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

MartinHafer This is a nice romantic comedy starring Brigitte Bardot. She did a great job and was simply gorgeous. However, it is far from a great film--and one for which you have to make some allowances due to poor direction and an occasionally goofy script.Brigitte plays a lady in her early twenties whose father is in involved with shady illegal business. However, she is oblivious and thinks he's rich from a legitimate shipping business. When the father gets in trouble with the law, he asks his friend Clery to the small college where Brigitte is enrolled and bring her to him in Switzerland. The father figures that if the girl isn't brought to him quickly, the police will take her in custody and try to use her as leverage. In fact, shortly after Clery arrives, the police DO show up as well and the two barely make their escape.The rest of the film concerns Clery and Brigette hiding out from the law. And how did he get the girl to agree to hide? He told her that her father is being pursued by spied who are dressed like policemen! But having this radiant young woman with him causes a lot of problems--with Clery's fiancée, because Brigitte is a bit of a klutz and problems follow her and because the police are bound to show up sooner or later.This film has many enjoyable and cute moments. Brigitte is simply wonderful and it's hard to dislike her--even when she manages to burn down Clery's apartment! She's just so cute and sweet and likable. This is THE reason I liked the film. Plus, SOME of the plot is very good. But, sadly, the film also has a lot of problems. The biggest one is that the film plays, at times, like a Three Stooges film--with 'funny' sound effects and the worst over-acting I have ever seen Mischa Auer do (it was simply embarrassing). A romantic comedy should be funny, but not like this! In addition, there seemed to be a lot of padding--singing and dancing that often distract from the nice relationship that was blooming between Brigitte and Clery--it was very sweet. As a result, it's very watchable but you can't help thinking that it could have been better if the director hadn't been an idiot and had exercised some restraint.

Claudio Carvalho In Paris, when the owner of the nightclub Mississippi in Pigalle Paul Latour (Bernard Lancret) is wanted by the police accused of distribution of forged dollars in his club, he asks his protégée and lead attraction of Mississippi Jean Clery (Jean Bretonniére) to protect his beloved daughter Brigitte (Brigitte Bardot). Jean is engaged of the psychoanalyst Lily (Françoise Fabian) and brings the wild and rebel Brigitte from her conservative boarding school to his fancy apartment while Paul travels to Lausanne to meet a friend to clear his name. While waiting for the return of Paul, Brigitte turns Paul's life upside down and they fall in love for each other. But the Parisian police and the counterfeit ring are chasing Brigitte, but Jean, his butler Jerome (Raymond Bussiéres) and his friends protect the girl."Cette Sacrée Gamine" is a delightful and naive entertaining. The predictable story is silly, uses many gags, but is supported by the adorable twenty-two year old Brigitte Bardot. This movie works first because of the beauty and charm of BB and Raymond Bussiéres is responsible for the funniest moments. My vote is seven.Title (Brazil): "Garota Levada" ("Naughty Girl")

rooprect Brigitte is so damn cute in this movie. And that's all that matters. But since I'm obligated to write a 10-line review, I guess I'll go ahead and bore you with my supercilious cinematic spiel. Feel free to skip the rest of the review and go watch the movie.I was particularly surprised that France was capable of making a movie in the 50s that wasn't some desultory, experimental, existential ramble. Not that I have anything against all that, but after watching my 3rd Truffaut film and my 5th Godard film, I was ready for a breath of fresh air. And this film definitely delivered.It's silly and mostly predictable but in the most charming way, like an old Cary Grant flick. But of course Brigitte has better legs than Cary Grant. And she can dance like a water nymph, ballet, acrobatic, provocative or hippy. Her acting style is genuine and impish much like Audrey Hepburn; however Brigitte adds a powerful sensuality to the presentation.It helps to know French, but if not, here's what you do. Watch it once with subtitles on. Then watch it with subtitles off. The 2nd time, you'll get much more of the humour by simply watching their gestures and listening to their tones of voice. Have fun with it!

Neal Bardot is gorgeous and so is the production, which aspires to a near-Hollywood gloss, but this is mainly tired, formula comedy smelling faintly of imitation Damon Runyon. Bretonniere is no Yves Montand, and BB's big dance number is a failed imitation of Leslie Caron's introduction in "An American in Paris". Fans of "Time Code" (or perhaps "Tucker") may enjoy some clever split-screen effects that appear to have been achieved with trick sets instead of multiple exposures. A potential guilty pleasure for those who crave 50s CinemaScope eye candy.