That Thing You Do!

1996 "The Fab Four without the Mop Tops"
7| 1h48m| PG| en
Details

A Pennsylvania band scores a hit in 1964 and rides the star-making machinery as long as it can, with lots of help from its manager.

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Reviews

Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?
Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.
Ortiz Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
thejcowboy22 Ah the fabulous 60's. The days of AM radio and which musical group will produce the number one song in the country on the top 40 survey. Garage bands were commonplace as the Fab Four (The Beatles) set the standard for music in that colorful era beyond Camelot and the Kennedy's. Much like the movie Radio Days, Woody Allen's period piece from the War years, this film acts like a time capsule as we look into the past and get a taste of what it's like to be alive in the 1960's. Tom Hanks does an outstanding job re-creating an era of rock and roll groups aspiring to cut a record and go on to greatness. The music industry was at it's paramount in that period with endless artists taking a grab at the brass ring. Our story originates from Erie, Pennsylvania in 1964 as a jazz drummer/ appliance salesman in his father's store Guy Paterson (Tom Everett Scott) is asked by his friend Jimmy Mattingly (Johnathon Schaech) to join his group because his current drummer broke his arm.The other two members of the band The ONE- DERS are an obnoxious guitar player Lenny (Steve Zahn) and a soon to be Marine base player. The group enters a local talent show as Guy suggests to his bandmates to quicken the pace in their tune. The result; a hit song is born. They win first prize, a gig at a restaurant. At the venue the One-Ders sell their records as a local talent scout takes notice Phil Horace (Chris Ellis). Phil takes that song and puts it on the radio as the group hires him as their manager. Phil books the boys for a Rock & Roll show in Pittsburgh. Phil introduces the group to Mr. White (Tom Hanks) Playtone Records representative and takes over as their new manager. The boys join a cross country tour with the Playtone cavalcade of stars doing mostly State fairs. I was totally blown away with the endless creativity of the fictitious Artists and their music. Besides our main attraction the One-ders, you have this suave debonair Freddy Fredrickson (Robert Torti) singing Mr. Downtown and the lovely vocalist Diane Dane (Chaille Percival). Fifteen original songs were written for this rock and roll fairy tale. Four of the fifteen songs were written by our jack of all trades Tom Hanks who did it all among-st the ranks of Orson Wells, Jerry Lewis and Woody Allen as a five toll producers of films, .The Playtone troupe travels westward state by state. In Ohio the Boys now re-spelled the WONDERS are dressed in red jackets to match the Buckeye colors and in Indiana beige wheat colored blazers are the norm. Wisconsin the Yellow jackets are worn to resemble cheese as Mr. White give his repetitive complimentary remark, "Did I tell you you guys look great in Green!" As the tour progresses Their song rises on the top 40 which Mr. White suggests they get off the tour and head out to Hollywood to bigger things. A cameo in a Beach Movie and radio interview conducted by Clint Howard. Meanwhile there's trouble in paradise as the boys have first class accommodations at luxury hotel with know it all doorman attentive Lamarr (Obba Babatunde) giving advice when needed. Jimmy clashes with Mr. White about writing his own songs while the bass player wanders off to Disney never to return. Guy ends up at a jazz club to meet his Idle Jazz artist Del Paxton (Bill Cobbs) who gives him advise telling Guy to save his money and look out for fast women.Del goes on about the industry and it's pitfalls. Silly Lenny plays cards with some locals and falls for a pretty receptionist. The first of many. Things unravel further as Faye (Liv Tyler) Jimmy's girlfriend who's relationship has been one sided on Faye's part realizes that her beau is self absorbed in his music and has no intentions of Marriage. So many cameo appearances by familiars in the industry. Charlize Theron as Tina, Kevin Pollock as the Pittsburgh MC , old friend from the TV show Bosom Buddies Peter Scolari as the Host of the Hollywood Showcase and Alex Rocco as Sol Siler the pastrami eating Playtone CEO. So ingenious. The movie shows how fragile holding on to success can be in the entertainment industry. Can't wait for the next one hit Wonder!
kathyp This is not a true story but it could be true. None of the characters are real, but they could have been. None of the songs were real 60's hits but they seem like they should have been. Tom Hanks spins an alternate reality that cleverly recreates a charming slice of 1964 Americana. Only a very sharp eye could notice a single detail out of place in this perfectly cast and acted movie. There doesn't seem to be an end to Tom Hanks' talent. Spend a couple of hours with the Wonders-you won't regret it!
Mr-Fusion The title song for "That Thing You Do!" is so infectious that, even if the movie had nothing else to do, it still boasts a teflon song. For as often as its played through the course of the movie (and in your head after the credits roll), it's one weapons-grade toe-tapper. But that's not all the movie has to offer; far from it. There's a can-do optimism permeating this thing from start to finish, not to mention a sense of playfulness. And you can't help but be swept right along with the band on their meteoric rise to the big time (not even their implosion is enough to sour things). Talk about hitting it out of the park for a first-time directing gig, this is about as well-engineered a feel-good movie gets. The cast is great, the pacing's snappy and it all adds up to one very entertaining movie.8/10
Sean Lamberger A ride through the music-making machine with a wholesome, mid-sixties one-hit-wonder. For years I thought I'd hate it, based on trailers and tone alone, but was pleasantly surprised. The film's got some issues, no doubt - especially the horribly tacked-on, telegraphed romantic ending - but it's got a lot of soul and I actually started to like the little tribe of stereotypes as we spent more time together. The theme song is appropriately catchy, too, without being grating like a lot of the era's pop records. Which is important, because it plays no less than once every ten minutes. There's good stuff here, with a nice leading performance from (who?) Tom Everett Scott as the band's hip, friendly drummer, but it's also clearly a learning project for writer / director / supporting actor Tom Hanks. Could've been much better with a bit of a trim and a wilder fire burning behind the lens.