WasAnnon Slow pace in the most part of the movie.

Motompa Go in cold, and you're likely to emerge with your blood boiling. This has to be seen to be believed.

Cassandra Story: It's very simple but honestly that is fine.

Wyatt There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

mark.waltz You have to give Natalie Wood credit for trying a different type of role in this poorly written T.V. movie where the hero and heroine have such sudden change of moods, you'd think that somebody would have come up with the term "Bi-Polar" long before it entered the English language. Ms. Wood, so self-aware of her short-comings as an actress, was noted for showing up to accept her award for winning "Worst Actress of the Year" for several films during the 1960's, and yet kept trying to improve her method, sometimes with, yet usually without, success.In the case of "The Affair", she plays a handicapped woman, both physically and mentally, who attempts without success to keep herself from falling in love with her father's handsome business associate (real-life husband Robert Wagner). When she first meets him, she goes out of her way to ridicule him, but no sooner has she let out her first insult than she's involved in a hot and heavy affair with him. But when he gets serious, she wants to take a step back, and when she starts to get serious, he's ready to bail. This makes their relationship quite confusing, something sad to say also became a part of their off-screen marriage.Natalie makes herself look a lot less glamorous than normal, wearing an unbecoming hairstyle and less make-up. At first, it is even hard to recognize her. The chemistry between Wagner and Wood is mixed, much like most of the Taylor/Burton pairings which go to prove that off-screen relationships don't always have the best on-screen magic. The best performance comes from Bruce Davison as Wood's free-spirited brother. Fans of "Days of Our Lives" will be delighted to spot matriarch Alice Horton (Frances Reid) in a bit part as Wood's mother.

jjnxn-1 Ordinary TV movie that would be forgotten entirely if not for the costarring of the lead pair who had just reunited years after the end of their first storybook marriage. The film is assuredly beneath Natalie but right in Wagner's ballpark, she did it so they could work together and his feature film career was over. He offers a surface performance, she a good one although she may look the worst on screen that she ever has. Expecting during production, the baby-a daughter was named Courtney after her character, she looks bloated with a very unflattering hairdo. Still her movie star charisma shines though making this gruel better than it would have been.

whpratt1 Over the years I missed this TV Film and was completely surprised by the great performance of Natalie Wood,(Courtney Patterson),"Meteor",'79, a cripple who was taken advantage of by Robert Wagner (Marcus Simon),"El Padrino,'03. Marcus Simon fell madly in love with Courtney and drove Courtney crazy until she finally paid attention to him and went to bed with him. Marcus should never have started a romance with Courtney, because he was only going to Break Her Heart. The acting between Marcus & Courtney was fantastic and at times made you very angry at Marcus for having started this entire "AFFAIR". Bruce Davison,(Jamie Patterson), Courtney's brother tells her, "At least someone loved you in this world" and it was good you got to see what the REAL WORLD IS ALL ABOUT" ! Natlie Wood & Robert Wagner were married for the second time during this film and they were really a match made in Heaven! Natlie is greatly missed!

rsoonsa Natalie Wood portrays Courtney Patterson, a polio disabled songwriter who attempts to avoid being victimized as a result of involvement in her first love affair, with her partner being attorney Marcus Simon, played tepidly by Wood's real-life husband, Robert Wagner. The film is cut heavily, but the majority of the remaining scenes shows a very weak hand from the director who permits Wagner to consistently somnambulate, laying waste to a solid and nuanced performance from Wood, who also proffers a fine soprano. The script is somewhat trite but the persistent nature of Wagner's dramatic shortcoming is unfortunately in place throughout, as he is given a free hand to impose his desultory stare at Wood, which must be discouraging to an actress. The progression of their relationship is erratically presented and this, coupled with choppy editing, leads the viewer to be less than assured as to what is transpiring, motivation being almost completely ignored in the writing. Although largely undistinguished, the cinematography shines during one brief scene when Wood is placed in a patio and, following the sound of a closing door, remains at the center while the camera's eye steadily pulls away demonstrating her helplessness and frailty. More controlled direction would have allowed the performers, even the limp Wagner, to scale their acting along the lines of an engaging relationship; as it was released, there is, for the most part, an immense lack of commitment.