WasAnnon Slow pace in the most part of the movie.

2hotFeature one of my absolute favorites!

Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Wyatt There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

atlasmb Based upon a play, "The Age of Consent" is a film of ideas. Although it might first seem like just another flippantly written pre-code story about young love, the title is the first clue. The age of consent in a particular jurisdiction is the age at which one can legally consent to sexual acts. Knowing this, the viewer might consider it an allusion to the line between immaturity and maturity that the students of State University ride. They are not yet ready for the responsibilities of adult life, but the educational process asks them to consider the large issues of life.A stone bench on campus is the second clue to the serious ideas this film explores. "In loco parentis" is a Latin phrase meaning "in the place of a parent" and it is a concept regarding the (if you will, fiduciary) legal role of a college, upon accepting a student in its care, to assume some responsibilities of a parent and, therefore, some legal liabilities. That phrase is carved into this bench, where we see Professor David Matthews (John Halliday) offer parental advice and comfort to student Mike Harvey (Richard Cromwell).Both legal concepts figure heavily in the story. The campus is a seemingly idyllic setting where students can exist in an ivory tower, away from the harsh realities of the outside world, to explore controversial and abstract ideas, like free love. But innocence resides there with burgeoning passions and the difficulties they present.The moral relativism that many feared would result from abstract ideas and newer scientific principles, e.g. Darwinism and a revised astronomical view of man's place in the universe, come head to head with the "older" moral certainties of absolutism and church dogma. Will love find a place in the crossfire?This film features good, sparkling dialogue and some excellent acting. The ending may be a surprise for many viewers.

kidboots Quietly beautiful Dorothy Wilson first started work as a "secretary to the stars". She was taking dictation from Gregory La Cava, who was preparing to cast "The Age of Consent", when, giving her a second look, he organised a screen test. Surprisingly, she won the lead role and embarked on her short though interesting career.This was one of a series of films that purported to give the real "low down" about youth of the day (ie "Confessions of a Co-ed" (1931), "Are These Our Children" (1931)). Set on the campus of State College, it tells of the lives and loves of Nigel, Betty and Duke, plus one father figure professor of Biology (John Halliday). Nigel (John Cromwell) is a conflict of emotions - a dedicated student who feels that the youth of today has gone to the dogs. His moodiness is driving Betty (beautiful Dorothy Wilson) into the arms of campus romeo "The Duke" (Eric Linden) - so he decides to quit school and marry Betty. Before he can put his plan into action, he is caught in the clutches of Dora (Arline Judge) a mercenary waitress. He walks her home. she plies him with liquor - he wakes up to find he is charged with corrupting a minor and faces marriage to girl he doesn't love or jail!!! After an emotional scene with Betty - she decides to "go to the Devil" herself - with Duke, if he'll have her. He just takes her for a long ride and proclaims "you couldn't be bad if you tried". The ending is pretty dramatic - Nigel and Dora are waiting for a preacher, when word comes of a dreadful car accident - Duke is dying and Nigel rushes to Betty's side. When Dora sees the love and devotion Nigel shows to Betty - she tells her father that for once she wants to do the right thing and calls the wedding off. There is also a subplot involving Professor Mathews and Barbara (Aileen Pringle), a teacher and confidante of Betty's , who had faced the same dilemma when they were young, decided not to marry and lived to regret it.John Halliday made every part he played interesting viewing. The rest of the top billed cast were young up and coming stars on the threshold of fame. Arline Judge was often cast as floozies and left films (late 30s) to concentrate on matrimony and divorce. Artistic Richard Cromwell had found fame in the remake of "Tolable David" (1930) but it was with "The Age of Consent" that he found his niche, as the good looking (almost ageless) young hero. Eric Linden was definitely the most talented of the bunch and he was excellent in a variety of roles ie the hysterical young father in "Life Begins" (1932), a boy who gets into bad company and goes to jail in "Are These Our Children" (1931) and the weak mother dominated younger son in "The Silver Cord" (1933).Recommended.

calvinnme This little precode film deals with the unfortunate fact that hormonal activity peaks at the same time in life that critical decisions must be made. In this case we have a couple half-way through college - Betty and Mike - that are starting to suffer certain "urges". Mike wants to get married, but Betty thinks that if Mike drops out of college to marry her, he'll regret it someday and she wants them to wait. In the meantime, popular coed Duke Galloway sees an opportunity in this romantic intermission and starts to put the moves on Betty.All of this angst leads Mike to drink heavily one night and fall for the charms of local waitress Dora Swale. Dora is OK with the fact that this is a one night stand, but just as Mike is getting ready to leave her house, Dora's dad appears, and he is not at all happy about the situation.If this seems very frank and daring for 1932, it is. There are no big name stars in this film. The biggest name is John Halliday as Professor David Matthews who acts as a father figure to Mike, even though he is given to handing out confusing advice. He and Barbara act as an analog for the possible future Mike and Betty - they were in love and waited to finish their education. After graduation they found that there was nothing to pick up where they had left off, and are now heading into middle age alone. The best lines go to Arline Judge as Dora. She doesn't look like her, but Arline's voice, her movements, and definitely her attitude are precode Stanwyck.I've already mentioned how things stay the same - the hormonal challenges of late adolescence/early adulthood. How things have changed is the lesson this film seems to teach - that college is optional and even a possible obstacle in seeking true happiness, and maybe it was in 1932 when people married earlier and needed less skill to make a living wage. Today, however, it is an essential rite of passage to a middle class lifestyle, and even then there are no guarantees.

movingpicturegal At State College, while most of the young men are more interested in "free love" than marriage, handsome Michael aka "Mike" (Richard Cromwell, an exact cross between Leonardo DiCaprio and Jude Law) is full of old-fashioned ideals and he loves to get advice and talk things over with his favorite "Prof", a real sort of mentor to our young heartthrob. Meanwhile, Mike's girl Betty seems to like to flirt around, mainly with a hotshot named Duke who has a snazzy new car. As Betty chirps "I'm not my Grandmother - I like to have FUN - I'm modern!". Well - Mike and Betty really *are* in love, so he gives her his fraternity pin and proposes quitting college so they can be married. But when Betty says they should wait until they graduate before they marry (two whole years!), a "frustrated" Mike turns to flirtatious Dora, waitress at the local diner/college hangout, who he ends up getting drunk and spending the night with. Problems ensue for Mike as Dora's angry father walks in on them, then pushes marriage or prison onto poor, poor Mike (seems our little waitress was underage).This film, at first glance, seems like it is going to be a light piece of college romantic fluff, with all the college kids drooling over each other and the guys trying to convince the girls to "drop some of their morals". Instead it takes a turn toward the quite serious, and with an emotional wallop, really comes off to be quite an excellent film. There is a lot of discussion in this film about "what's right, what's wrong" and other morality issues, and most of the performances are pretty top-notch here, I thought Arline Judge especially good as waitress Dora.